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hanz's review against another edition
adventurous
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
2.0
So disappointed that I didn't really enjoy this, because I've liked everything else I've read in this world. The worldbuilding is incredible, but there are way too much descriptions that halt the plot and it feels like you're not really moving forward.
Fatma and Hadia are also not very good investigators, which makes progress on the mystery aspect very slow, even when the criminal was obvious less than half way through. Overall, not for me, but I'm clearly in the minority. Back to reading the short stories again!
Fatma and Hadia are also not very good investigators, which makes progress on the mystery aspect very slow, even when the criminal was obvious less than half way through. Overall, not for me, but I'm clearly in the minority. Back to reading the short stories again!
Content Warnings
Graphic: Blood, Confinement, Death, Fire/Fire injury, Gun violence, Murder, Slavery, and Violence
azrah786's review against another edition
4.5
[This review can also be found on my BLOG]
**I received a proof copy from Orbit Books UK in exchange for an honest review**
CW: violence, gore, murder, immolation, death, slavery, police brutality, racism, racial slurs, self harm
Ever since I picked up the first of the Dead Djinn universe novellas early last year I was immediately on board the “please please PLEASE give us a full length novel in this world” train. So trust me I was absolutely ecstatic when news of this novel came about and even more so when I got the chance to read it early!
The bizarre massacre of a secret society devoted to Al-Jahiz – the legendary individual who changed the world forever by opening the doors between the magical and mundane worlds – threatens the peace in Egypt, particularly when it is someone claiming to be Al-Jahiz returned who confesses to the crime. Enter the Egyptian Ministry of Alchemy, Enchantments and Supernatural Entities and who else but their most renowned and impeccably dressed agent, Fatma Al-Sha’arawi to lead the case.
A Master of Djinn welcomes us back with open arms to all the magic, mystery and mayhem, and this time Clark has given us the keys to fully unlock and throw open the doors to his alternate steampunk, early 20th century Cairo which we only caught glimpses of before.
I’d personally recommend picking up the novellas* first if you’re like me and prefer reading things in chronological order however, diving into this novel not having read them won’t hinder your reading experience too much.
[* The novella A Dead Djinn in Cairo can be read for free on Tor’s website here and short story The Angel of Khan el-Khalili here]
The transformation of Egypt through the integration of supernatural beings into society is absolutely fascinating and the storytelling just adds to the magic. Clark seamlessly blends the everyday cultures of Cairo with fantastical and steampunk elements allowing you to walk its streets in a whole new way. Rich in detail the story reintroduces us to and gives a broader understanding of the mythology, lore and array of evolving practices present among the people which were first described to us in the novellas. There were also titbits of information on how the breach in realms has effected the world outside of Egypt too!
Along with jumping back into this lush universe, I thoroughly enjoyed being on an all new adventure with Agent Fatma. From her spectacular fashion sense to her sharp mind she is such a fun character. It was also wonderful to see some familiar faces as well as some new faces around to help her! We have Fatma and Siti teaming up again which is nothing short of entertaining, as well as more time exploring the softer, more personal moments of their relationship. There is also a new addition to the kickass female cast in Agent Hadia, Fatma’s new partner, and the mentor-mentee dynamic that they have was wonderfully written!
The primary murder mystery storyline I’m not going to say too much about so as not to spoil anything, but it is masterfully interwoven with discussions of various social issues of the times as well as allusions to the country’s actual colonial history.
I will admit that I caught on to some of the reveals earlier than they were let on however, take my word that the rich world-building, the perfect balance of crime solving mystery and action, and the witty cast of characters will keep you absorbed with every turn of the page.
If you love historical fantasy, or fantasy stories with a bit of mystery I can’t recommend this book (and the novellas of course) enough!
Final Rating – 4.5/5 Stars
**I received a proof copy from Orbit Books UK in exchange for an honest review**
CW: violence, gore, murder, immolation, death, slavery, police brutality, racism, racial slurs, self harm
Ever since I picked up the first of the Dead Djinn universe novellas early last year I was immediately on board the “please please PLEASE give us a full length novel in this world” train. So trust me I was absolutely ecstatic when news of this novel came about and even more so when I got the chance to read it early!
The bizarre massacre of a secret society devoted to Al-Jahiz – the legendary individual who changed the world forever by opening the doors between the magical and mundane worlds – threatens the peace in Egypt, particularly when it is someone claiming to be Al-Jahiz returned who confesses to the crime. Enter the Egyptian Ministry of Alchemy, Enchantments and Supernatural Entities and who else but their most renowned and impeccably dressed agent, Fatma Al-Sha’arawi to lead the case.
A Master of Djinn welcomes us back with open arms to all the magic, mystery and mayhem, and this time Clark has given us the keys to fully unlock and throw open the doors to his alternate steampunk, early 20th century Cairo which we only caught glimpses of before.
I’d personally recommend picking up the novellas* first if you’re like me and prefer reading things in chronological order however, diving into this novel not having read them won’t hinder your reading experience too much.
[* The novella A Dead Djinn in Cairo can be read for free on Tor’s website here and short story The Angel of Khan el-Khalili here]
The transformation of Egypt through the integration of supernatural beings into society is absolutely fascinating and the storytelling just adds to the magic. Clark seamlessly blends the everyday cultures of Cairo with fantastical and steampunk elements allowing you to walk its streets in a whole new way. Rich in detail the story reintroduces us to and gives a broader understanding of the mythology, lore and array of evolving practices present among the people which were first described to us in the novellas. There were also titbits of information on how the breach in realms has effected the world outside of Egypt too!
Along with jumping back into this lush universe, I thoroughly enjoyed being on an all new adventure with Agent Fatma. From her spectacular fashion sense to her sharp mind she is such a fun character. It was also wonderful to see some familiar faces as well as some new faces around to help her! We have Fatma and Siti teaming up again which is nothing short of entertaining, as well as more time exploring the softer, more personal moments of their relationship. There is also a new addition to the kickass female cast in Agent Hadia, Fatma’s new partner, and the mentor-mentee dynamic that they have was wonderfully written!
The primary murder mystery storyline I’m not going to say too much about so as not to spoil anything, but it is masterfully interwoven with discussions of various social issues of the times as well as allusions to the country’s actual colonial history.
I will admit that I caught on to some of the reveals earlier than they were let on however, take my word that the rich world-building, the perfect balance of crime solving mystery and action, and the witty cast of characters will keep you absorbed with every turn of the page.
If you love historical fantasy, or fantasy stories with a bit of mystery I can’t recommend this book (and the novellas of course) enough!
Final Rating – 4.5/5 Stars
Content Warnings
Graphic: Gore, Murder, Violence, and Death
Moderate: Racism, Racial slurs, Misogyny, and Slavery
yavin_iv's review against another edition
adventurous
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
Content Warnings
Graphic: Death, Body horror, Fire/Fire injury, Racism, and Murder
Moderate: Cultural appropriation, Colonisation, Death of parent, Police brutality, Religious bigotry, Sexism, and Slavery
Minor: Alcohol
ceallaighsbooks's review against another edition
adventurous
dark
emotional
funny
hopeful
informative
inspiring
lighthearted
mysterious
reflective
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
“Usually the secrets we keep deep down, ain’t meant to hurt other people,” he said. “Not saying they won’t, but not through intentions. Those deep secrets, we hide away because we’re afraid what other people might think. How they might judge us, if they knew. And nobody’s judgment we scared of more than the one we give our hearts to.”
TITLE—A Master of Djinn
AUTHOR—P. Djèlí Clark
PUBLISHED—2021
GENRE—historical fantasy; steampunk
SETTING—alternate historical 1912 Cairo
MAIN THEMES/SUBJECTS—djinn magic & mythology, secret societies, ancient Egyptian mythology & religion, colonialism, white supremacy, racism, Islamic, Near East, and East African history, bibliophilia
WRITING STYLE—⭐️⭐️⭐️⭐️⭐️—Everything I ever wanted in an adult fantasy book.
CHARACTERS—⭐️⭐️⭐️⭐️⭐️—Siti is my new obsessionnnnn... 😍 But Ahmad also really grew on me lol
PLOT—⭐️⭐️⭐️⭐️⭐️—🤯
BONUS ELEMENT/S—This book is SO atmospheric—the scene setting is phenomenal! Usually I find myself scanning descriptions of landscapes and architecture etc but in this book I always made sure to linger over Clark’s descriptions because they were SO beautiful!! And there are so many amazing places the reader gets to visit in this book from palaces to libraries to markets to speakeasies to bookshops to cemeteries like it is ALL here. 🥰
PHILOSOPHY—⭐️⭐️⭐️⭐️⭐️—Literally perfect. Like SO so good. Especially with the nature of one of the types of illusion magic: “An illusion whose magic works by getting you to play a part in your own deception”, omg. Just brilliant.
“Justice comes for the wicked in time. The scales of Thoth demand it.”
Summary: Super sexy queerfemme Muslim Sherlock Holmes who dresses in dapper suits meets Indiana Jones in an early 20th c. steampunk Cairo with djinn magic and various supernatural and mythological creatures with fantastically intricate worldbuilding and SOLID philosophical underpinnings and is also hilarious but like EVEN BETTER THAN THAT. *NEED* I GO ON?
This book kind of blew my mind. I went in expecting this to be one of my top reads of the year but this might be one of my top reads of all TIME. It is everything I ever wanted in an adult fantasy novel. Chapter 21 especially. PERFECT fantasy mystery with great elements of history, academia, and bibliophilia. And the worldbuilding was incredible and solid, the philosophy was solid, and the characters were all fantastic. I can’t think of anyone I wouldn’t recommend this book to, seriously. It’s so so good.
“If you steal, steal a camel, she heard her mother whisper. And if you love, love the moon.”
⭐️⭐️⭐️⭐️⭐️
TW // violence, gore, colonialism, racism, misogyny, colorism, police violence
Further Reading—
- everything by P. Djèlí Clark
- Legendborn, by Tracy Deonn
- N. K. Jemisin’s Dreamblood duology
- The Historian, by Elizabeth Kostova
Content Warnings
Graphic: Gore, Racism, and Violence
Moderate: Misogyny, Murder, Racism, and Sexism
Minor: Police brutality, Slavery, and Stalking
dedonohoe's review against another edition
adventurous
challenging
dark
funny
lighthearted
mysterious
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
TL;DR: A Master of Djinn is a queer, magical steampunk fantasy anticolonial alternate history murder mystery detective novel. And it’s excellent. My rating: 4.5 of 5 stars
A mysterious scientist-philosopher-magician of a bygone era opens the human realm to greater settlement by djinn and other “mythical” beings. Thanks to this historical development, Egypt has greatly benefited from advanced djinn magic and technology to become an early nineteenth century superpower.
One of the reasons I was excited to read this book is that the description (steampunk alternate history with anticolonial bent) reminded me of Nisi Shawl’s Everfair, which I read and enjoyed a couple years back. There were indeed thematic and steampunk genre similarities between the two, but these are ultimately very different kinds of stories. Mystery, detective, and fantasy tropes are far more prominent in A Master of Djinn. The main character, Fatma el-Sha’arawi, is an investigator with the Ministry of Alchemy, Enchantments and Supernatural Entities. The supernatural bureaucracy elements of the story reminded me a bit of the Ministry of Magic in Harry Potter, as did the protagonist’s mission to stop a megalomaniac from harnessing potentially catastrophic magical powers.
There is so, so much to love in this book. The clues, twists, and turns of a good mystery. Strong, complex female heroes, sidekicks, and villains. A queer love story that navigates racial, religious, and other differences in identity and lived experience. Gender politics of turn of the century Cairo. Revenge fantasy scenes where white colonizers get what’s coming to them. Vivid and imaginative descriptions of setting and characters that make glorious use of color (e.g. Cairene woman protagonist is known for wearing androgynous and brightly color-coordinated European suits). Compelling historical allusions (e.g. Black New Orleans jazz musicians who fled Jim Crow America for Egypt give commentary on the racial politics of their adopted country of refuge).
As a big language nerd and someone who has traveled and lived in places with Turkic, Persian, and Arab cultural influences, I also LOVED the religious, cultural, and linguistic details that Clark weaves into his story. It’s quite apparent in his fiction that Clark is a historian by training.
I also want to address the question of whether A Master of Djinn is a standalone work. When I requested an ARC for A Master of Djinn, I hadn’t realized that P. Djèlí Clark had already written two novellas set in this fantasy world and featuring these characters. I was curious whether they were important to understanding and enjoying his debut novel, so I decided to buy and read them before jumping into A Master of Djinn. I can definitely report that it’s not necessary to read “A Dead Djinn in Cairo” or “The Haunting of Tram Car 015” in advance. The important information gets repeated in A Master of Djinn for the benefit of the uninitiated.
That said, if you want to get a taste of this world before committing to the full novel, “A Dead Djinn in Cairo” is very short (43 pages) and tells the story of a previous case Fatma has solved that is very relevant to the case she becomes embroiled in during the events of A Master of Djinn. “The Haunting of Tram Car 015” is longer (82 pages) and centers on side characters (Fatma only makes a brief cameo) and a case that is not central to A Master of Djinn. However, it is entertaining in its own right and provides background for some of the religious conflict present in this imagined Cairene society, as well as recent political movements for gender equality that are alluded to in A Master of Djinn.
Many thanks to NetGalley and Macmillan-Tor/Forge for giving me advance access to this book in exchange for an honest review.
Content Warnings
Moderate: Murder, Racial slurs, Racism, Religious bigotry, Sexism, Slavery, and Violence
TL;DR: A Master of Djinn is a queer, magical steampunk fantasy anticolonial alternate history murder mystery detective novel. And it’s excellent. My rating: 4.5 of 5 stars A mysterious scientist-philosopher-magician of a bygone era opens the human realm to greater settlement by djinn and other “mythical” beings. Thanks to this historical development, Egypt has greatly benefited from advanced djinn magic and technology to become an early nineteenth century superpower. One of the reasons I was excited to read this book is that the description (steampunk alternate history with anticolonial bent) reminded me of Nisi Shawl’s Everfair, which I read and enjoyed a couple years back. There were indeed thematic and steampunk genre similarities between the two, but these are ultimately very different kinds of stories. Mystery, detective, and fantasy tropes are far more prominent in A Master of Djinn. The main character, Fatma el-Sha’arawi, is an investigator with the Ministry of Alchemy, Enchantments and Supernatural Entities. The supernatural bureaucracy elements of the story reminded me a bit of the Ministry of Magic in Harry Potter, as did the protagonist’s mission to stop a megalomaniac from harnessing potentially catastrophic magical powers. There is so, so much to love in this book. The clues, twists, and turns of a good mystery. Strong, complex female heroes, sidekicks, and villains. A queer love story that navigates racial, religious, and other differences in identity and lived experience. Gender politics of turn of the century Cairo. Revenge fantasy scenes where white colonizers get what’s coming to them. Vivid and imaginative descriptions of setting and characters that make glorious use of color (e.g. Cairene woman protagonist is known for wearing androgynous and brightly color-coordinated European suits). Compelling historical allusions (e.g. Black New Orleans jazz musicians who fled Jim Crow America for Egypt give commentary on the racial politics of their adopted country of refuge). As a big language nerd and someone who has traveled and lived in places with Turkic, Persian, and Arab cultural influences, I also LOVED the religious, cultural, and linguistic details that Clark weaves into his story. It’s quite apparent in his fiction that Clark is a historian by training. I also want to address the question of whether A Master of Djinn is a standalone work. When I requested an ARC for A Master of Djinn, I hadn’t realized that P. Djèlí Clark had already written two novellas set in this fantasy world and featuring these characters. I was curious whether they were important to understanding and enjoying his debut novel, so I decided to buy and read them before jumping into A Master of Djinn. I can definitely report that it’s not necessary to read “A Dead Djinn in Cairo” or “The Haunting of Tram Car 015” in advance. The important information gets repeated in A Master of Djinn for the benefit of the uninitiated. That said, if you want to get a taste of this world before committing to the full novel, “A Dead Djinn in Cairo” is very short (43 pages) and tells the story of a previous case Fatma has solved that is very relevant to the case she becomes embroiled in during the events of A Master of Djinn. “The Haunting of Tram Car 015” is longer (82 pages) and centers on side characters (Fatma only makes a brief cameo) and a case that is not central to A Master of Djinn. However, it is entertaining in its own right and provides background for some of the religious conflict present in this imagined Cairene society, as well as recent political movements for gender equality that are alluded to in A Master of Djinn. Many thanks to NetGalley and Macmillan-Tor/Forge for giving me advance access to this book in exchange for an honest review.
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