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kathadrion's review against another edition
3.0
I wanted so badly to like this book, but the story, and especially the way it was told, was just not my thing at all.
Despite what you may have gathered from the synopsis, the bulk of this story is not about finding little Jimmy, who has gone missing from an airport. No, the bulk of this story is made up of Jimmy’s guardian Stephanie telling the FBI about her friendship with Jimmy’s mother, Scarlett.
While I’m sitting there wondering what happened to Jimmy and wanting to read about that, I’m instead treated to about 350 pages of flashback to how ghost writer Stephanie, years earlier, was hired to write the memoir of reality TV star Scarlett “the Harlot” Higgins, their subsequent friendship, and Stephanie gaining custody of Scarlett’s son Jimmy after her untimely death.
Now, the flashback part of the story did fit into the bigger picture of Jimmy’s disappearance in the end, which I figured it would, but there was just way too much set-up for my taste, and I didn’t think the book actually got exciting and interesting until about the last 80 pages or so.
Still, I gave this book three stars, because as always with Val McDermid’s books, it was well-written, the characters were engaging, and I was impressed with some of her very bold choices. It’s not in any way a bad book, and I think that someone who likes flashback-heavy, character driven stories, will like this book a lot more than I did.
Full review here
Despite what you may have gathered from the synopsis, the bulk of this story is not about finding little Jimmy, who has gone missing from an airport. No, the bulk of this story is made up of Jimmy’s guardian Stephanie telling the FBI about her friendship with Jimmy’s mother, Scarlett.
While I’m sitting there wondering what happened to Jimmy and wanting to read about that, I’m instead treated to about 350 pages of flashback to how ghost writer Stephanie, years earlier, was hired to write the memoir of reality TV star Scarlett “the Harlot” Higgins, their subsequent friendship, and Stephanie gaining custody of Scarlett’s son Jimmy after her untimely death.
Now, the flashback part of the story did fit into the bigger picture of Jimmy’s disappearance in the end, which I figured it would, but there was just way too much set-up for my taste, and I didn’t think the book actually got exciting and interesting until about the last 80 pages or so.
Still, I gave this book three stars, because as always with Val McDermid’s books, it was well-written, the characters were engaging, and I was impressed with some of her very bold choices. It’s not in any way a bad book, and I think that someone who likes flashback-heavy, character driven stories, will like this book a lot more than I did.
Full review here
johninnes's review against another edition
lighthearted
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
1.0
The worst Val McDermott book I’ve read by a long shot. Risable plot. Weird character choices. Stupid twists. Awful.
lorrietruck's review against another edition
2.0
Definitely not the author’s best work. Too long and implausible. Ending was cracked. But she’s a good writer so I didn’t give up on it.
jwoodsum's review against another edition
4.0
This is a stand-alone thriller; although it is really more of character study which examines the relationship between Scarlot Higgins, a British reality tv star, and her "ghost" writer, Stephanie Harker. I'm not sure how I feel about the book especially given the very shocking ending, but it did keep me reading at a furious pace.
kcfromaustcrime's review against another edition
5.0
It's probably no coincidence that in a genre that, in my mind anyway, is purpose built for looking at the things that don't work in society, I seem to fallen over a few books recently that are exploring the outcomes of Reality stardom. Which is useful as this is about as close as I want to come to any form of reality anything on TV. Val McDermid's latest novel, THE VANISHING POINT, looks at the impacts of reality stardom on a few levels, the perceptions that people have of a certain type of reality star (we're talking the dumb blonde stereotype), but also the sort of impact that the stardom has on a lot of other aspects of life. And, to be fair, McDermid does find the good and the bad in the whole thing.
THE VANISHING POINT uses a sort of detailed flashback scenario - it opens with the snatching of Jimmy Higgins in the present day. His mother, reality star Scarlett has died, and Jimmy's guardian is the ghost writer who worked with her on her biography - Stephanie Harker. The investigation into the disappearance of Jimmy continues in the current day, although most of the heft of the story is back in the past - starting before Jimmy was born. What makes this particular scenario work very well is actually a sort of reverse flashback idea - where the current day is the bit that's dipped in and out of, and the story itself progresses through the past. Which is a cack-handed way of saying that the back story of Scarlett and Stephanie is where the reason for the kidnapping of Jimmy has to have come from.
There's enough fodder in that background to provide lots of possible reasons for Jimmy's kidnapping. Stephanie's relationship with an obsessive, nasty bloke who seriously objects to her friendship with Scarlett for a start. Scarlett's own background from a poor, dysfunctional family, using her Reality TV stint as a springboard out of that, she's actually a lot less of a bimbo than it would initially seem but people have been burned on her fight out. Along the way she's made a lot of money, money that might not be available to Stephanie and Jimmy, but that's not necessarily something your average kidnapper might have thought through. Then there's Jimmy's father's background - a privileged boy who turned his back on his family expectations and sank into a life of drugs and his own form of stardom. Needless to say, there's enough to make you wonder.
Whilst the concentration is very much on the lead up events, there's sufficient action in the current day investigation to keep the reader engaged. The way that the search moves between the FBI and English Detective Nick Nicolaides works well, always providing that look backwards as Nick's past involvement with both Scarlett and Stephanie emerges. As the back story works its way into the present, and Nick and Stephanie pair up to follow the leads, the pace quickens, and a series of revelations strip away the red herrings and draw to a conclusion that frankly, I didn't see coming anywhere.
The aspect that most struck me about THE VANISHING POINT is the two central female characters. Whilst the likelihood of friendship between these two very different women seems highly improbable, when it does emerge it makes enormous sense. Whilst both women face their own particular challenges there's nothing contrived, it's actually a nice reminder that you shouldn't ever judge a book by its cover and that old chestnut about assumptions. I particularly liked the way that was done - not in a preachy or told you so way, but in such a matter of fact, part of the whole story way.
The final interesting coincidence is that there are a few books floating around at the moment that have a kidnapping theme. Not having read them all, it's next to impossible to draw any conclusions or make observations, but for what it's worth McDermid has contributed a fascinating look at the possibilities of fame and fortune, with an edge of ruthlessness. She's also shaken the preconceptions just a little and written an excellent combination of psychological thriller / procedural tie up that actually made my reading time a very rewarding place to be.
http://www.austcrimefiction.org/review/vanishing-point-val-mcdermid
THE VANISHING POINT uses a sort of detailed flashback scenario - it opens with the snatching of Jimmy Higgins in the present day. His mother, reality star Scarlett has died, and Jimmy's guardian is the ghost writer who worked with her on her biography - Stephanie Harker. The investigation into the disappearance of Jimmy continues in the current day, although most of the heft of the story is back in the past - starting before Jimmy was born. What makes this particular scenario work very well is actually a sort of reverse flashback idea - where the current day is the bit that's dipped in and out of, and the story itself progresses through the past. Which is a cack-handed way of saying that the back story of Scarlett and Stephanie is where the reason for the kidnapping of Jimmy has to have come from.
There's enough fodder in that background to provide lots of possible reasons for Jimmy's kidnapping. Stephanie's relationship with an obsessive, nasty bloke who seriously objects to her friendship with Scarlett for a start. Scarlett's own background from a poor, dysfunctional family, using her Reality TV stint as a springboard out of that, she's actually a lot less of a bimbo than it would initially seem but people have been burned on her fight out. Along the way she's made a lot of money, money that might not be available to Stephanie and Jimmy, but that's not necessarily something your average kidnapper might have thought through. Then there's Jimmy's father's background - a privileged boy who turned his back on his family expectations and sank into a life of drugs and his own form of stardom. Needless to say, there's enough to make you wonder.
Whilst the concentration is very much on the lead up events, there's sufficient action in the current day investigation to keep the reader engaged. The way that the search moves between the FBI and English Detective Nick Nicolaides works well, always providing that look backwards as Nick's past involvement with both Scarlett and Stephanie emerges. As the back story works its way into the present, and Nick and Stephanie pair up to follow the leads, the pace quickens, and a series of revelations strip away the red herrings and draw to a conclusion that frankly, I didn't see coming anywhere.
The aspect that most struck me about THE VANISHING POINT is the two central female characters. Whilst the likelihood of friendship between these two very different women seems highly improbable, when it does emerge it makes enormous sense. Whilst both women face their own particular challenges there's nothing contrived, it's actually a nice reminder that you shouldn't ever judge a book by its cover and that old chestnut about assumptions. I particularly liked the way that was done - not in a preachy or told you so way, but in such a matter of fact, part of the whole story way.
The final interesting coincidence is that there are a few books floating around at the moment that have a kidnapping theme. Not having read them all, it's next to impossible to draw any conclusions or make observations, but for what it's worth McDermid has contributed a fascinating look at the possibilities of fame and fortune, with an edge of ruthlessness. She's also shaken the preconceptions just a little and written an excellent combination of psychological thriller / procedural tie up that actually made my reading time a very rewarding place to be.
http://www.austcrimefiction.org/review/vanishing-point-val-mcdermid
carolineroche's review against another edition
2.0
This is the only implausible Val McDermid book I have ever read. Her plots are usually tight, but this one was implausible, tedious, with a dreadful ending. I only kept on listening because it was one of hers and I thought it must get better. It didn’t. Miss this one out of your reading schedule.
dozylocal's review against another edition
4.0
This was heading for a 3.5 star rating but the ending bumped it up to a solid 4. Got a bit slow in the middle, but quickly shifted gear again. I enjoyed how the story alternated between past and present for most of the book and one really got to know the key characters before the final chapters unfolded. I think the only character I was a little underwhelmed by was Nick. He had a lot of potential but I guess there just wasn't enough book to develop him properly.
What's it about? A little boy is kidnapped at the airport while travelling to a holiday destination with his adoptive mom. And the hunt for him begins with very little to go on besides his past.
What's it about? A little boy is kidnapped at the airport while travelling to a holiday destination with his adoptive mom. And the hunt for him begins with very little to go on besides his past.
simpa's review against another edition
adventurous
lighthearted
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
2.5
Enjoyed most of the book, but the ending was rushed and not great.
kelbi's review against another edition
1.0
I normally love Val McDermid's books but this was way below her normal standard imho