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jayisreading's review against another edition
4.0
Graphic: Deadnaming, Homophobia, Dysphoria, and Transphobia
Moderate: Outing, Classism, Misogyny, and Sexism
Minor: Stalking, Lesbophobia, and Suicidal thoughts
evarinya's review against another edition
- Plot- or character-driven? Character
- Loveable characters? Yes
- Diverse cast of characters? Yes
5.0
Graphic: Deadnaming, Misogyny, Dysphoria, and Sexism
Moderate: Outing, Transphobia, and Classism
Minor: Homophobia, Infidelity, and Suicidal thoughts
eleos01's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
4.25
Graphic: Homophobia, Deadnaming, Sexism, Transphobia, Lesbophobia, and Misogyny
Moderate: Incest, Classism, and Outing
its_vendetta's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Deadnaming, Homophobia, Dysphoria, and Transphobia
Moderate: Outing
Minor: Stalking and Classism
carpenterbeeoli's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Misogyny, Transphobia, Deadnaming, Dysphoria, and Homophobia
Moderate: Panic attacks/disorders and Classism
There is a moment when the main character describes, in detail their dysphoria-induced disassociation. This may be triggering to some queer folks.novella42's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.75
I read and loved A Lady for A Duke, an original love story with a transfemme protagonist who used the chaos of Waterloo to escape her old life. That book had many of the same elements of this one, and I don't suppose it's fair to compare the very different stories. But there was something especially effective about setting this in the framework of a classic that gave it an extra kick.
There's just something about writing this particular story within that of a familiar, famous character in a time period where gender roles were even more rigid than they are today. It was powerful to read the dysphoria and euphoria of Oliver's internal experience, set against the backdrop of all our expectations that come with the story of Pride and Prejudice.
Jane Austen's version of Elizabeth Bennett has become a very particular kind of role model for femininity and for a certain kind of feminist, and that framework provided a kind of fuel to the fire of this story. Over the course of the book I became acutely aware of nuances of my own social programming and emotional baggage I brought to the story. It was a relief to acknowledge them and let them go.
Oliver's discomfort and constant pain was visceral but gracefully depicted. Seeing his happiness at even the smallest affirmation was a profound relief and a joy to read.
Highly recommend this.
Graphic: Body shaming, Homophobia, Gaslighting, Deadnaming, Body horror, Misogyny, Sexual harassment, Dysphoria, and Transphobia
Moderate: Classism, Suicidal thoughts, and Outing
Minor: Bullying
kirkspockreads's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.5
Graphic: Homophobia, Sexism, Deadnaming, Classism, and Transphobia
Moderate: Outing and Panic attacks/disorders
jehansen127's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Outing, Classism, Transphobia, and Deadnaming
Minor: Death of parent
booksthatburn's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
4.0
One of my favorite parts of this retelling is the way that it provides an explanation beyond plot convenience for Darcy to have inconsistent reactions to Oliver. Instead of Darcy being hot and cold to someone who seems to be the same person, his reactions around Oliver as a girl are impacted by getting to spend time with Oliver as a boy and maybe starting to fall for him. For those not familiar with the original story, this stands on its own and doesn't require any prior knowledge in order to make sense.
I enjoyed this as a retelling and as its own story, a great addition to the Remixed Classics series!
Graphic: Dysphoria, Classism, Sexism, and Misogyny
Moderate: Panic attacks/disorders, Transphobia, and Deadnaming
Minor: Death, Physical abuse, Pregnancy, and Emotional abuse
ghostlyprince's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Graphic: Misogyny, Outing, Classism, Deadnaming, and Sexism
Moderate: Panic attacks/disorders, Stalking, Transphobia, Dysphoria, and Incest
Minor: Homophobia, Vomit, Death of parent, Suicidal thoughts, and Lesbophobia