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jayisreading's review against another edition
4.0
Graphic: Deadnaming, Homophobia, Dysphoria, and Transphobia
Moderate: Outing, Classism, Misogyny, and Sexism
Minor: Stalking, Lesbophobia, and Suicidal thoughts
evarinya's review against another edition
- Plot- or character-driven? Character
- Loveable characters? Yes
- Diverse cast of characters? Yes
5.0
Graphic: Deadnaming, Misogyny, Dysphoria, and Sexism
Moderate: Outing, Transphobia, and Classism
Minor: Homophobia, Infidelity, and Suicidal thoughts
eleos01's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
4.25
Graphic: Homophobia, Deadnaming, Sexism, Transphobia, Lesbophobia, and Misogyny
Moderate: Incest, Classism, and Outing
ziggyreadz's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.0
i want to stress that nothing about this book was “bad,” per say - just very boring. it doesn’t work as a stand alone at all, as the characters have no depth or personality. i was especially disappointed with Darcy, who i had really wanted to see in another light. but his complexities and quirks were erased in favor of ease.
overall, it was a story i think i’ve outgrown. when i was a teenager discovering i was trans, this may have worked better for me. but i feel like while stories like this (uncomplicated, happy stories of coming out and finding love) are needed for younger trans people, trans people are owed more interesting explorations of the trans experience and how it ties into history. i get that that would have been a very different story, and not one the author was trying to accomplish, but i suppose i was let down from expecting a complex and historical narrative.
0.5 was added for enjoyment. this book was easy to get through and fun to read.
one pet peeve - the author really likes using the word “boy” when “man” would be more expected. i don’t know whether it’s a gender euphoria thing for him or if he assumed it would be for his audience, but it’s jarring and takes you out of the story, at least at first.
Graphic: Dysphoria and Outing
Moderate: Transphobia
its_vendetta's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Deadnaming, Homophobia, Dysphoria, and Transphobia
Moderate: Outing
Minor: Stalking and Classism
james_orion's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
This might have been more apparent with the audiobook but I felt like the word 'boy' was really overused, and while they were teenagers I think using the word 'man' would have been less jarring and weird for me On occasion it was very confusing why Oliver was acting a certain way with darcy. I think it was supposed to convey that he was conflicted about him but in reality it ended up being confusing why onw moment they were flirting and the next oliver was thinking about how much he didn't like Darcy. I think this is a fault of trying to stay too true to the original work, in P&P Elizabeth and Darcy misunderstand each other often but Oliver and Darcy here don't really do that? it feels like Oliver just wildly swings back and forth on Darcy at times. Also I wish this story had dived a bit more into class issues more along the lines of the original, there are hints of it (Bingley and Darcy being able to afford books that would be a huge luxury to Oliver, and Charlotte living in near poverty compared to the rest of our main characters) but I would have really loved to see these things explored more.
All in all I really enjoyed this story and I had such a fun time listening to it!
Graphic: Dysphoria and Outing
Moderate: Deadnaming, Transphobia, and Homophobia
im_basil's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
Graphic: Transphobia and Dysphoria
Moderate: Homophobia, Outing, and Stalking
river_jean_sterling's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Graphic: Transphobia, Dysphoria, Sexism, and Deadnaming
Moderate: Suicidal thoughts, Emotional abuse, Lesbophobia, Outing, Homophobia, and Misogyny
novella42's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.75
I read and loved A Lady for A Duke, an original love story with a transfemme protagonist who used the chaos of Waterloo to escape her old life. That book had many of the same elements of this one, and I don't suppose it's fair to compare the very different stories. But there was something especially effective about setting this in the framework of a classic that gave it an extra kick.
There's just something about writing this particular story within that of a familiar, famous character in a time period where gender roles were even more rigid than they are today. It was powerful to read the dysphoria and euphoria of Oliver's internal experience, set against the backdrop of all our expectations that come with the story of Pride and Prejudice.
Jane Austen's version of Elizabeth Bennett has become a very particular kind of role model for femininity and for a certain kind of feminist, and that framework provided a kind of fuel to the fire of this story. Over the course of the book I became acutely aware of nuances of my own social programming and emotional baggage I brought to the story. It was a relief to acknowledge them and let them go.
Oliver's discomfort and constant pain was visceral but gracefully depicted. Seeing his happiness at even the smallest affirmation was a profound relief and a joy to read.
Highly recommend this.
Graphic: Body shaming, Homophobia, Gaslighting, Deadnaming, Body horror, Misogyny, Sexual harassment, Dysphoria, and Transphobia
Moderate: Classism, Suicidal thoughts, and Outing
Minor: Bullying
roseleebooks's review
- Plot- or character-driven? A mix
5.0
Graphic: Outing, Deadnaming, Dysphoria, Gaslighting, Homophobia, Transphobia, and Sexism