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caecilius's review against another edition
challenging
dark
hopeful
mysterious
fast-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
jmkemp's review against another edition
4.0
With the fifth in the series we're in the immediate post-war period, six months after Berlin fell to the Soviets John & Effi are back. Having escaped to London with the surviving family members John is blackmailed by the Soviets into returning in the guise of a double agent.
As with the previous books the real central character is Berlin and its people. The theme is one of devastation, both human and physical. John & Effi both get involved in finding out what happened to people they knew, and the friends of the survivors. It's mainly upbeat, although sprinkled with tragedy as one would expect.
The book evokes the chaos following the end of the war very well, and the overturning of tables. The 'victims of fascism' are exalted and on double rations, the nazis are trying to hide and avoid retribution. As yet, no-one really feels safe, but things are getting better.
We also see the start of the cold war here. John is working for both American and Soviet intelligence services, although more for himself and Schepkin than for either power. The whole situation is deliberately murky, and Berlin isn't formally divided, the four powers govern it jointly. This creates room for administrative pressure, and allows wandering between zones without fuss. This is used to good effect to add tension and obstacles to the story.
As with the previous books the real central character is Berlin and its people. The theme is one of devastation, both human and physical. John & Effi both get involved in finding out what happened to people they knew, and the friends of the survivors. It's mainly upbeat, although sprinkled with tragedy as one would expect.
The book evokes the chaos following the end of the war very well, and the overturning of tables. The 'victims of fascism' are exalted and on double rations, the nazis are trying to hide and avoid retribution. As yet, no-one really feels safe, but things are getting better.
We also see the start of the cold war here. John is working for both American and Soviet intelligence services, although more for himself and Schepkin than for either power. The whole situation is deliberately murky, and Berlin isn't formally divided, the four powers govern it jointly. This creates room for administrative pressure, and allows wandering between zones without fuss. This is used to good effect to add tension and obstacles to the story.
abrswf's review against another edition
5.0
These are remarkable books and I find I can't stop reading. It's a bitter thought that there's only one more in this series. In this installment, the war is over, but the challenges remain. I am on the edge of my seat to find out what happens next.
didactylos's review against another edition
4.0
Another enjoyable one, this time post war Europe and the mess it was. Nicely tying up a whole range of things from previous books.
mightymaggie's review against another edition
5.0
My favorite of David Downing's Station series. No wait, maybe my favorite was Potsdam Station. Dangit! One of those two. They're both good. Zoo Station isn't SUPER, but you can tell it's going to get better and better, and then it does, and then you read Masaryk Station and you're like Huh. Anyway. Best books are the middle ones, but definitely worth reading all. The end.
speesh's review against another edition
5.0
It goes without saying that this is (another) beautifully written paced and structured, evocative, sometimes provocative, story from David Downing. All his books in the ‘Station’ series have been. I’m not quite sure how he’s done it - maintain such a high standard of writing and story-telling over six novels (yes, I’ve finished the sixth now, though this is number five). Maybe he wrote them all at one sitting and then divided it all into six parts. Who knows how he’s done it, they’re all uniformly superb and this is (obviously, after all that) no different.
‘Lehrter Station’ begins at the end of 1945. The war has ended and John Russell, Effi and John’s son, are holed up in London. Naturally, Effi misses Berlin, but so does John. Then, the bleak, post-war London woodwork squeaks and out comes Russell’s old Soviet contact Shchepkin with an offer Russell, after some consideration, finds he can’t, or would be stupid to - as in he wouldn’t live very long if he did so - refuse. So, Russell returns to Berlin to work for the Russians. And the Americans. He finds himself essentially, walking a tightrope at the cusp of the old war and the new, cold war. Clearly, as soon as the war was over, peace declared and celebrated, even before that, the parties were working behind the scenes on the next one.
At the heart of it, there’s uncertainty. “I’m beginning to think certainty died with the Nazis” as a Jewish activist puts it. The new future is in many ways more uncertain than it was under the Nazis. Even at the end of the war, even not knowing where the next bomb was going to fall. Before the end, you knew who to avoid, who was the enemy. Now, even though the ‘enemy’ have been defeated, things are more unclear than they were. It’s about the future obviously, but also the past. How to think about it, how to revenge it. Should it be revenged? Is not revenging it, letting those who died, down? Is it revenge, or is it ‘justice’? Even when the Jews do it? Do two wrongs make it alright? About people paying for their past sins. Should they? Should sins be passed down to their children? Should whole nations be held responsible for the actions of their countrymen, when the actual perpetrators can’t be identified? When is enough? Do we turn a blind eye, because they’ve been wronged? No one won. We all lost. No one is behaving properly. Maybe the losers were, of course the Jews. And the Russians sent to their slaughter by Stalin. And the German people, sent to their slaughter, by the Nazis. And the German people, who saw their future destroyed. Twice. And the Jews. Though, basically, everyone thought they had it worse than everyone else (read Max Hastings’ ‘All Hell Let Loose’ you’ll know what I mean).
It’s about expediency and realpolitik - our new enemy’s enemy is now our friend. Even if that means our enemy of five minutes ago, now has to be our friend. It’s about how complicated it was for the ordinary person, not involved in the new Great Game, just to survive. And about mothers and families. Ordinary people doing what they have to do to survive. People looking in from the outside seem to be able to judge and tell those they’re looking at, what is right or wrong. The people doing it think they’re right, that it was right to go to war and what they’re doing now, after that, justifies whatever they do - they must be right, because they ‘won.'
“You end up asking yourself - how much better off are we? Enough to justify 40 million dead?”
David Downing has built up a totally immersive picture and puts you in it. I have not so much feeling I’m reading about it - I’m there. Right there. Finest kind.
More world-class reviews on Speesh Reads
‘Lehrter Station’ begins at the end of 1945. The war has ended and John Russell, Effi and John’s son, are holed up in London. Naturally, Effi misses Berlin, but so does John. Then, the bleak, post-war London woodwork squeaks and out comes Russell’s old Soviet contact Shchepkin with an offer Russell, after some consideration, finds he can’t, or would be stupid to - as in he wouldn’t live very long if he did so - refuse. So, Russell returns to Berlin to work for the Russians. And the Americans. He finds himself essentially, walking a tightrope at the cusp of the old war and the new, cold war. Clearly, as soon as the war was over, peace declared and celebrated, even before that, the parties were working behind the scenes on the next one.
At the heart of it, there’s uncertainty. “I’m beginning to think certainty died with the Nazis” as a Jewish activist puts it. The new future is in many ways more uncertain than it was under the Nazis. Even at the end of the war, even not knowing where the next bomb was going to fall. Before the end, you knew who to avoid, who was the enemy. Now, even though the ‘enemy’ have been defeated, things are more unclear than they were. It’s about the future obviously, but also the past. How to think about it, how to revenge it. Should it be revenged? Is not revenging it, letting those who died, down? Is it revenge, or is it ‘justice’? Even when the Jews do it? Do two wrongs make it alright? About people paying for their past sins. Should they? Should sins be passed down to their children? Should whole nations be held responsible for the actions of their countrymen, when the actual perpetrators can’t be identified? When is enough? Do we turn a blind eye, because they’ve been wronged? No one won. We all lost. No one is behaving properly. Maybe the losers were, of course the Jews. And the Russians sent to their slaughter by Stalin. And the German people, sent to their slaughter, by the Nazis. And the German people, who saw their future destroyed. Twice. And the Jews. Though, basically, everyone thought they had it worse than everyone else (read Max Hastings’ ‘All Hell Let Loose’ you’ll know what I mean).
It’s about expediency and realpolitik - our new enemy’s enemy is now our friend. Even if that means our enemy of five minutes ago, now has to be our friend. It’s about how complicated it was for the ordinary person, not involved in the new Great Game, just to survive. And about mothers and families. Ordinary people doing what they have to do to survive. People looking in from the outside seem to be able to judge and tell those they’re looking at, what is right or wrong. The people doing it think they’re right, that it was right to go to war and what they’re doing now, after that, justifies whatever they do - they must be right, because they ‘won.'
“You end up asking yourself - how much better off are we? Enough to justify 40 million dead?”
David Downing has built up a totally immersive picture and puts you in it. I have not so much feeling I’m reading about it - I’m there. Right there. Finest kind.
More world-class reviews on Speesh Reads
hlandes1's review against another edition
4.0
I found this the most compelling of the series so far.
avid_d's review against another edition
4.0
3.5 really. Does a good job of moving Effi and John in to the immediate post-war of Germany.
jameskemp's review against another edition
4.0
With the fifth in the series we're in the immediate post-war period, six months after Berlin fell to the Soviets John & Effi are back. Having escaped to London with the surviving family members John is blackmailed by the Soviets into returning in the guise of a double agent.
As with the previous books the real central character is Berlin and its people. The theme is one of devastation, both human and physical. John & Effi both get involved in finding out what happened to people they knew, and the friends of the survivors. It's mainly upbeat, although sprinkled with tragedy as one would expect.
The book evokes the chaos following the end of the war very well, and the overturning of tables. The 'victims of fascism' are exalted and on double rations, the nazis are trying to hide and avoid retribution. As yet, no-one really feels safe, but things are getting better.
We also see the start of the cold war here. John is working for both American and Soviet intelligence services, although more for himself and Schepkin than for either power. The whole situation is deliberately murky, and Berlin isn't formally divided, the four powers govern it jointly. This creates room for administrative pressure, and allows wandering between zones without fuss. This is used to good effect to add tension and obstacles to the story.
As with the previous books the real central character is Berlin and its people. The theme is one of devastation, both human and physical. John & Effi both get involved in finding out what happened to people they knew, and the friends of the survivors. It's mainly upbeat, although sprinkled with tragedy as one would expect.
The book evokes the chaos following the end of the war very well, and the overturning of tables. The 'victims of fascism' are exalted and on double rations, the nazis are trying to hide and avoid retribution. As yet, no-one really feels safe, but things are getting better.
We also see the start of the cold war here. John is working for both American and Soviet intelligence services, although more for himself and Schepkin than for either power. The whole situation is deliberately murky, and Berlin isn't formally divided, the four powers govern it jointly. This creates room for administrative pressure, and allows wandering between zones without fuss. This is used to good effect to add tension and obstacles to the story.
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