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aly97's review
emotional
informative
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Abandonment, Emotional abuse, Colonisation, and Toxic relationship
Moderate: Gaslighting
Minor: Sexual assault
bella_cavicchi's review
emotional
funny
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I began OLGA DIES DREAMING back in February and lost the opportunity to finish it when I had to return it to the library. On a flight home, I took the chance to complete it and I'm so glad I saw it through. It's an ambitious novel, and I'm not sure it hits every mark, but it has a lot of heart and that I applaud. That this is González' debut just has me excited to see what else she has up her sleeve (!).
Content Warnings
Graphic: Death of parent, Grief, Death, Homophobia, Abandonment, and Colonisation
Moderate: Cursing, War, Racism, Rape, and Infidelity
haleyshort's review
adventurous
challenging
emotional
informative
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
I listened to this book, the first audiobook I’ve completed since my Harry Potter days. It was such a wonderful experience, I can’t recommend it enough. It was wonderfully produced and voice acted.
The story itself was stellar. I can’t remember the last contemporary fiction book I’ve read with as much depth and humanity. Every character is flawed and beautiful and complete, with so much growth and vulnerability. I so appreciated the multifaceted political perspective, which has such a difficult balance to strike. I feel so grateful to have been lost in this story for the past week, Olga’s life and challenges and growth shortening my commutes and forcing me to consider the deeper impacts of the pain of colonization and imperialism. Of course I am drawing parallels to the colonial genocide that is happening as we speak, and taking inspiration from the very flawed but incredibly honorable revolutionaries that live through this story. Pallante.
The story itself was stellar. I can’t remember the last contemporary fiction book I’ve read with as much depth and humanity. Every character is flawed and beautiful and complete, with so much growth and vulnerability. I so appreciated the multifaceted political perspective, which has such a difficult balance to strike. I feel so grateful to have been lost in this story for the past week, Olga’s life and challenges and growth shortening my commutes and forcing me to consider the deeper impacts of the pain of colonization and imperialism. Of course I am drawing parallels to the colonial genocide that is happening as we speak, and taking inspiration from the very flawed but incredibly honorable revolutionaries that live through this story. Pallante.
Content Warnings
Graphic: Violence, Abandonment, Xenophobia, Homophobia, and Suicide
Moderate: Rape
readbycarina's review
emotional
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Colonisation, Rape, Death of parent, Death, Emotional abuse, Gaslighting, and Abandonment
Moderate: Homophobia, Addiction, Drug abuse, Alcohol, Grief, and Toxic relationship
Minor: Pregnancy, Abortion, and Physical abuse
katiejohns's review
emotional
informative
reflective
tense
slow-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Content Warnings
Graphic: Death, Abandonment, Rape, Grief, Drug use, War, Sexual assault, Colonisation, Abortion, Violence, Toxic relationship, Racism, and Death of parent
mattyvreads's review
emotional
reflective
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.75
I don’t think I liked this book… I’m still thinking about it though.
Here are some things that I think that the author does quite well:
> Has a meaningful and nuanced dialogue about parental neglect, emotional abuse, and exploitation, in an otherwise less-than-subtle story.
> Centers gay people and women.
> Was genuinely exciting in parts.
> Has moments of emotionality and tenderness.
> Has a beautiful book cover. The best I’ve seen all year.
Okay, that’s about it.
Honestly, once I suspended disbelief, I enjoyed a lot of the story, particularly the middle third which was really successful for me. The characters themselves are very intriguing, and the plot kept me guessing. I thoroughly enjoyed a lot of it. Other times, it was a chore to turn the page.
Here are things about the book I don’t care for:
> The dialogue and actions of the characters is ultra-stylized and over-the-top. That style didn’t really click for me.
> I found all the characters vaguely annoying. All of them.
> Some of the talking points in the book felt entirely unfinished, unearned, or even sometimes, disrespectful. (Many made contextual sense! These moments were really successful: a thorough discussion of closeted homosexuality and the pressures of a Catholic upbringing. Emotional abuse and neglect. The problematicism of white social justice warriors. Colorism. A denouncement of “elevating” foreign food. Talking about the lack of mainland aid from America in the wake of Hurricane Irma and Maria. That was all fascinating and so successful.) The talking points which felt unearned or disrespectful: random invocation of unrelated national tragedies and genocide. A quick and unresolved discussion of sexual assault. Seemingly, a few misguided jabs at the leftist youth of America?
The author would sometimes make actual critique, but I often wondered what point the author was trying to make, or if there was a point with those latter topics. Mostly it felt that the author was almost saying something, and then chose not to. Saying a lot, but saying nothing —
In the latter third of the book, Olga is sexually assaulted by an ex. This scene, and its subsequent fallout, was not handled with particular care by the author. First of all, the assault is from the POV of the assailant, which is particularly disturbing. I question why the author decided to frame the scene in that way. The aftermath is also troubling.
Olga briefly mentions that she refuses to think about the incident as it would “make her a victim.” As if people who are survivors of sexual assault are somehow inferior? Or just the way that they respond to it makes them somehow inferior? Hmm… It’s a deeply troubling sentiment.
When she reveals this news to her boyfriend, the author had the chance to say something in that moment. Instead he responds with some unimpressive remark, and then proceeds to scold her about other elements of their relationship! And that’s the last we hear of it!! Like….? I just don’t get it.
And one could make the argument that sometimes people don’t know what to say, and maybe this is the realistic response for that character, but the rest of the book doesn’t have realistic dialogue! Why should we just settle for this right before the “happily ever after”?
Oh also, at one point, the protagonist randomly sh!ts on sex workers, and there’s another part where her niece corrects her brother to say “queer” instead of “gay”. Those moments gave me slight pause. It does center a gay character, but the text oozed heterosexuality in a way that was confusing and disinteresting to me.
Overall, I liked parts of the book, but would probably not read it again.
Here are some things that I think that the author does quite well:
> Has a meaningful and nuanced dialogue about parental neglect, emotional abuse, and exploitation, in an otherwise less-than-subtle story.
> Centers gay people and women.
> Was genuinely exciting in parts.
> Has moments of emotionality and tenderness.
> Has a beautiful book cover. The best I’ve seen all year.
Okay, that’s about it.
Honestly, once I suspended disbelief, I enjoyed a lot of the story, particularly the middle third which was really successful for me. The characters themselves are very intriguing, and the plot kept me guessing. I thoroughly enjoyed a lot of it. Other times, it was a chore to turn the page.
Here are things about the book I don’t care for:
> The dialogue and actions of the characters is ultra-stylized and over-the-top. That style didn’t really click for me.
> I found all the characters vaguely annoying. All of them.
> Some of the talking points in the book felt entirely unfinished, unearned, or even sometimes, disrespectful. (Many made contextual sense! These moments were really successful: a thorough discussion of closeted homosexuality and the pressures of a Catholic upbringing. Emotional abuse and neglect. The problematicism of white social justice warriors. Colorism. A denouncement of “elevating” foreign food. Talking about the lack of mainland aid from America in the wake of Hurricane Irma and Maria. That was all fascinating and so successful.) The talking points which felt unearned or disrespectful: random invocation of unrelated national tragedies and genocide. A quick and unresolved discussion of sexual assault. Seemingly, a few misguided jabs at the leftist youth of America?
The author would sometimes make actual critique, but I often wondered what point the author was trying to make, or if there was a point with those latter topics. Mostly it felt that the author was almost saying something, and then chose not to. Saying a lot, but saying nothing —
Olga briefly mentions that she refuses to think about the incident as it would “make her a victim.” As if people who are survivors of sexual assault are somehow inferior? Or just the way that they respond to it makes them somehow inferior? Hmm… It’s a deeply troubling sentiment.
When she reveals this news to her boyfriend, the author had the chance to say something in that moment. Instead he responds with some unimpressive remark, and then proceeds to scold her about other elements of their relationship! And that’s the last we hear of it!! Like….? I just don’t get it.
And one could make the argument that sometimes people don’t know what to say, and maybe this is the realistic response for that character, but the rest of the book doesn’t have realistic dialogue! Why should we just settle for this right before the “happily ever after”?
Oh also, at one point, the protagonist randomly sh!ts on sex workers, and there’s another part where her niece corrects her brother to say “queer” instead of “gay”. Those moments gave me slight pause. It does center a gay character, but the text oozed heterosexuality in a way that was confusing and disinteresting to me.
Overall, I liked parts of the book, but would probably not read it again.
Content Warnings
Graphic: Homophobia, Rape, Addiction, Drug abuse, Emotional abuse, Suicide, Abandonment, Racism, and Racial slurs
Moderate: Colonisation, Domestic abuse, Alcoholism, and Outing
knunderb's review
challenging
inspiring
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
A few parts dragged a bit for me. But overall,.this was a great novel. A story of dealing with loss, finding yourself, and reconciling ideas of something with the reality of it.
Content Warnings
Graphic: Abandonment and Violence
Moderate: Rape, War, and Gun violence
Minor: Abortion
chasmine's review
adventurous
dark
emotional
lighthearted
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Content Warnings
Moderate: Abandonment, Rape, and Addiction
ssamdaly's review
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.0
Content Warnings
Graphic: Death of parent and Abandonment
Moderate: Drug use, Sexual assault, and Outing
astoriareader's review
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
2.5
SYNOPSIS:
- Olga & Pedro (“Pierto”) Acevedo are siblings, who were born & raised in Brooklyn. Olga is a wedding planner for rich folks, and Pierto is a Congressman. They are in their 40s.
- Both siblings are smart, savvy, educated, and Puerto Rican.
- Their father died when they were young, and their mother abandoned them prior to their dad’s death. Their mother is an estranged radical, who is fighting for the liberation of Puerto Rico.
- When Hurricane Maria hits, many issues come up for the siblings.
MY THOUGHTS
- I wanted to like this novel, as it nice to see Puerto Rican representation in literature, but this fell flat for me. Although, clearly, I am an outlier with the rave reviews.
- There were too many plots going on at once.
- The writing style felt very juvenile, YA to me.
- I didn’t find the two main characters very likable. I also didn’t like how the author portrayed them.
- I didn’t find being closeted in NYC in 2017 to be very believable.
- Some of the characters felt like caricatures & not realistic.
- I appreciated a lot of points made about colonization & Puerto Rico, but I felt the author wasn’t clear where she actually landed. The “radical” group of revolutionaries are vilified throughout the book, and government intervention is equally criticized. It makes it unclear what route people should support.
TL;DR: ⭐️⭐️.75. Meh, fell flat for me.
Content Warnings
Graphic: Colonisation and Abandonment
Moderate: Racism, Sexual harassment, Emotional abuse, Death, Drug abuse, Homophobia, Sexual assault, Rape, Suicide, Sexual violence, Drug use, and Classism
Minor: Abortion