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hopeful
inspiring
lighthearted
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
No
emotional
hopeful
informative
inspiring
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated
This book was a little disappointing for me. I just felt as though not much was going on through throughout the story. I mean, there are a few events here and there where I was really interested, but most of the time I was just reading along and thinking how mediocre the book was.
emotional
hopeful
informative
inspiring
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
emotional
hopeful
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
hopeful
inspiring
slow-paced
Plot or Character Driven:
Character
Strong character development:
Complicated
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
emotional
funny
informative
inspiring
sad
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
N/A
Flaws of characters a main focus:
No
emotional
hopeful
informative
inspiring
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
No
inspiring
reflective
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated
Women should not be allowed to go to Oxford University, or write novels on the subject - because they’re too darned good at it. Joanna Miller’s debut, ‘The Eights’ coming this April, has stirred a very unbecoming excess of emotion, unbalanced and overheated my brain, and made me fall utterly, eternally in love with its four heroines: Beatrice, Dora, Marianne, and Otto (in order of appearance not esteem - I cannot decide who I love most). [PR Copy]
Set in Oxford in 1920-1, ‘The Eights’ is a fictionalised account of four of the first women to matriculate as full students able to take degrees.
The women’s academic ambitions and the barriers they face, including their own sense of self-doubt and guilt, are wholly convincing, inspiring, and relatable. Their position as women finding their own way in a world very different from that of their mothers is powerful and poignant. The profound aftershocks of the Great War are heartbreaking (much blubbing on my part), but the green shoots of hope were as uplifting as a hot air balloon ride (also much grinning, and happy blubbing on my part).
Sense of place is spot on, and period details were perfect without ever overwhelming the characters at the story’s heart.
Oxford has been the setting for 8.8 million novels over the past two centuries (official made up stats), but this miraculously offers a fresh, clear-eyed and modern perspective while retaining magic and charm. It’s pure Brideshead era - a city of aquatint - but shows one of the many other sides of the city and the university. It also contains fascinating insights into women’s work and lived experience during the war, plus the suffrage movement and manages not to feel preachy.
I will probably spend the next few weeks harvesting copies of Vera Brittain and Robert Graves from secondhand shops. When I’ve finished the essay I’m meant to be writing as a current student at the university, in honour of the Eights. Obviously.
Brava Joanna - can’t wait to read it again in hard copy! Thanks to Penguin Fig Tree and Netgalley for the advanced copy.
Set in Oxford in 1920-1, ‘The Eights’ is a fictionalised account of four of the first women to matriculate as full students able to take degrees.
The women’s academic ambitions and the barriers they face, including their own sense of self-doubt and guilt, are wholly convincing, inspiring, and relatable. Their position as women finding their own way in a world very different from that of their mothers is powerful and poignant. The profound aftershocks of the Great War are heartbreaking (much blubbing on my part), but the green shoots of hope were as uplifting as a hot air balloon ride (also much grinning, and happy blubbing on my part).
Sense of place is spot on, and period details were perfect without ever overwhelming the characters at the story’s heart.
Oxford has been the setting for 8.8 million novels over the past two centuries (official made up stats), but this miraculously offers a fresh, clear-eyed and modern perspective while retaining magic and charm. It’s pure Brideshead era - a city of aquatint - but shows one of the many other sides of the city and the university. It also contains fascinating insights into women’s work and lived experience during the war, plus the suffrage movement and manages not to feel preachy.
I will probably spend the next few weeks harvesting copies of Vera Brittain and Robert Graves from secondhand shops. When I’ve finished the essay I’m meant to be writing as a current student at the university, in honour of the Eights. Obviously.
Brava Joanna - can’t wait to read it again in hard copy! Thanks to Penguin Fig Tree and Netgalley for the advanced copy.