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mooka's review against another edition
Moderate: Classism, Death, Violence, Death of parent, and Child abuse
madamenovelist's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Graphic: Violence, Xenophobia, Torture, Misogyny, Cursing, Medical trauma, Fatphobia, Animal death, Animal cruelty, Ableism, Abandonment, Blood, Sexism, Slavery, Death of parent, Confinement, Classism, Child death, Child abuse, Alcoholism, Body shaming, Sexual content, Police brutality, Gore, Grief, Excrement, Death, Physical abuse, and Injury/Injury detail
vicky3's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Violence, Death, and Murder
Moderate: Child abuse and Abandonment
daisythebrownie's review against another edition
Graphic: Cursing, Child abuse, and Violence
apotheosis's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Torture, Classism, Murder, Violence, and Cursing
Moderate: Child death, Child abuse, Blood, Vomit, Animal death, and Death
Minor: Slavery, Genocide, Trafficking, Rape, and Ableism
There is a lot of swearing in this book and is one of the more prominent complaints about it (I enjoy it but your mileage may vary).mikhoest's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
5.0
The world is cool and unique, with a strong atmosphere and tons of little cultural touches that bring it to life. Camorr is an unforgettable place. I'd hate to live there, but I feel like I could read a hundred books about this twisted, layered version of Venice. I love concepts like elderglass, the alchemical drinks, the strict social orders and the nuanced religions.
The characters are fun and lovable. Locke proves himself to be more heroic than I had expected, but even if he were as much as a 'bastard' as he claims to be, I think I'd still have fun reading about him. His charisma is magnetic. The others are great, too, and their interactions are pure gold.
The main plot takes a bit to kick in, but only because we first have to be treated to an absolutely beautiful scam by Locke's gang, in which they pretty much pull out a nobleman's wealth with one hand, while pushing it with the other. That is some Better Call Saul-grade chicanery, and I ate it up. The rest is a revenge-driven power struggle between Camorr's major players, with the surprising angle that
The regular flashback sequences took a bit for me to get used to, but the book is written that way for a reason. A lot of moments are given extra meaning in the context of Locke's childhood. It also works really well for setting up jokes.
I've never read a better 'thief fantasy' story, and I doubt I ever will. Not with this kind of imagination poured into it, at least.
Graphic: Torture
Moderate: Violence and Sexual content
Minor: Child abuse
forsidious's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Overall characters I think are where this book shines - even the side characters are great. One of my favorite characters is Sofia Salvara - she ends up being a badass and I overall love how Lynch writes his female characters. I think this is a book series that easily could have gone wrong in that department, but every female character we meet is a badass in their own right. I hope to see more female main characters in the future rather than them being sidelined.
Graphic: Torture, Murder, Child death, and Injury/Injury detail
Minor: Child abuse and Sexual violence
bluejayreads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Torture, Blood, Gore, Violence, Child death, Death, Injury/Injury detail, and Murder
Moderate: Child abuse, Excrement, Death of parent, and Animal cruelty
Minor: Terminal illness and Sexual content
olityr's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: Violence
Moderate: Trafficking, Child abuse, Child death, Torture, and Pedophilia
Heavy profanity, doesn't bug me, but I know it would some people.randanopterix's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
It’s heists are genius in their construction, the characters are insanely loveable, the dialogue is realistic and hilarious, and the relationships built between the cast are surprisingly heartwarming. Now, if you think the stakes are high 100 pages in, friend, I hope you’re ready to be stressed as FUCK because the stakes only get higher and higher.
I’m obsessed with this book, not much more to say past that.
Tagging the rest of this review as spoilers as it’s pretty much going to include notes from my annotations:
• Jean Tannen is a murderous, sensitive, smart, fat king and I hope he lives to be 200 and the rest of his life full of happiness and joy.
• Locke is a terrible little rat of a man who I desperately want to be happy. I’m sorry you had to go through all of that, king.
• Calo and Galdo, real ones. Y’all didn’t deserve any of that.
• Bug absolutely fucking broke me. Heartbroken. The worst part was that I read up to Calo and Galdo’s death when I had to clock out from work. I had the whole ride home to be shattered about them and scheme about how Bug, Jean, and Locke were gonna take revenge before I finally got home to read the rest of the chapter….
• WHERE. IS. SABETHA.
• Bondsmagi OP, plz nerf /s
• Doña Vorchenza keeps taking those L’s.
• Let me preface this by saying that I LOVED the way women were written and portrayed in this book. Absolutely none of it was patronizing or unrealistic and they were all distinct characters capable of the same level of cunning and brutality as any of their male counterparts. THAT BEING SAID: Was a little disappointed that the two women characters who had potential to be a part of the main crew as it were (Nazca and Sabetha) were neatly folded up and put away for the majority of the novel. Hoping I get to know what the deal is w Sabetha in the next book because she didn’t even show up in the flashback portions of this one and it made her feel like she wasn’t even a part of the Bastards…
• The bank scene is genuinely one of the most insane, most clever, and most hilarious things I’ve ever read. POOR BENJAVIER.
• I was on the toilet during the scene where Locke speaks Bug’s true name and let me tell you, crying heartily about that while pooping was not my most dignified moment.
Graphic: Blood, Animal death, Murder, Child death, Cursing, Alcohol, Death, Gore, Injury/Injury detail, Torture, and Violence
Moderate: Vomit, Kidnapping, Sexual content, Alcoholism, Child abuse, Confinement, Fire/Fire injury, Grief, Trafficking, and Slavery
Minor: Abandonment, Classism, Fatphobia, Pedophilia, Rape, War, and Drug abuse