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dragonaion's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
"Liar... Liar... Liar... Bastard!"
Edit: I've found another book that is a sibling-story to this. If you enjoyed The Lies of Locke Lamora, you will absolutely feel right at home with Nevernight by Jay Kristoff.
Graphic: Animal death and Blood
Moderate: Animal cruelty, Torture, Violence, Sexual content, and Gore
Minor: Gore, Murder, Pandemic/Epidemic, Bullying, Cursing, Injury/Injury detail, Death of parent, Medical content, Slavery, Fire/Fire injury, Torture, Alcohol, and Medical trauma
This is intended for adult readers, starting at the end of an epidemic sparing only children, contains sexual content, violence, gore, animal cruelty, graphic animal death (only at one point), and mentions slavery all in a realistic lense.madamenovelist's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Graphic: Violence, Xenophobia, Torture, Misogyny, Cursing, Medical trauma, Fatphobia, Animal death, Animal cruelty, Ableism, Abandonment, Blood, Sexism, Slavery, Death of parent, Confinement, Classism, Child death, Child abuse, Alcoholism, Body shaming, Sexual content, Police brutality, Gore, Grief, Excrement, Death, Physical abuse, and Injury/Injury detail
apotheosis's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Torture, Classism, Murder, Violence, and Cursing
Moderate: Child death, Child abuse, Blood, Vomit, Animal death, and Death
Minor: Slavery, Genocide, Trafficking, Rape, and Ableism
There is a lot of swearing in this book and is one of the more prominent complaints about it (I enjoy it but your mileage may vary).triforception's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
The writing is clever enough that it can be almost annoying in places, almost as though it were being written by the protagonist, who is a wonderfully arrogant and frustrating and loveable little shit. Speaking of these characters, they’re very effective at provoking the intended reaction from the reader. Locke Lamora is competent enough that his arrogance is justified, but vulnerable and susceptible to failure enough that he never comes off as invincible (and this boring). His companions are all likeable in their own way, and the book is excellent at making you attached to this (fairly morally dubious) gang of criminals, and very very good at making you hate and fear their enemies. The lack of diversity is a bit disappointing- while the book features formidable female characters, none of them are main protagonists and there are no LGBT characters to be found. That said, The Lies of Locke Lamora is a dryly funnny, often very dark, always extremely exciting fantasy novel and I look forward to picking up the sequel.
Graphic: Torture, Violence, and Child death
Moderate: Sexual content and Slavery
Minor: Sexism
corvicore's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Blood, Body horror, Excrement, Alcohol, Animal death, Body shaming, Child death, Classism, Cursing, Death, Death of parent, Fire/Fire injury, Gore, Grief, Injury/Injury detail, Kidnapping, Murder, Torture, and Violence
Moderate: Vomit, Trafficking, Slavery, and Fatphobia
randanopterix's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
It’s heists are genius in their construction, the characters are insanely loveable, the dialogue is realistic and hilarious, and the relationships built between the cast are surprisingly heartwarming. Now, if you think the stakes are high 100 pages in, friend, I hope you’re ready to be stressed as FUCK because the stakes only get higher and higher.
I’m obsessed with this book, not much more to say past that.
Tagging the rest of this review as spoilers as it’s pretty much going to include notes from my annotations:
• Jean Tannen is a murderous, sensitive, smart, fat king and I hope he lives to be 200 and the rest of his life full of happiness and joy.
• Locke is a terrible little rat of a man who I desperately want to be happy. I’m sorry you had to go through all of that, king.
• Calo and Galdo, real ones. Y’all didn’t deserve any of that.
• Bug absolutely fucking broke me. Heartbroken. The worst part was that I read up to Calo and Galdo’s death when I had to clock out from work. I had the whole ride home to be shattered about them and scheme about how Bug, Jean, and Locke were gonna take revenge before I finally got home to read the rest of the chapter….
• WHERE. IS. SABETHA.
• Bondsmagi OP, plz nerf /s
• Doña Vorchenza keeps taking those L’s.
• Let me preface this by saying that I LOVED the way women were written and portrayed in this book. Absolutely none of it was patronizing or unrealistic and they were all distinct characters capable of the same level of cunning and brutality as any of their male counterparts. THAT BEING SAID: Was a little disappointed that the two women characters who had potential to be a part of the main crew as it were (Nazca and Sabetha) were neatly folded up and put away for the majority of the novel. Hoping I get to know what the deal is w Sabetha in the next book because she didn’t even show up in the flashback portions of this one and it made her feel like she wasn’t even a part of the Bastards…
• The bank scene is genuinely one of the most insane, most clever, and most hilarious things I’ve ever read. POOR BENJAVIER.
• I was on the toilet during the scene where Locke speaks Bug’s true name and let me tell you, crying heartily about that while pooping was not my most dignified moment.
Graphic: Blood, Animal death, Murder, Child death, Cursing, Alcohol, Death, Gore, Injury/Injury detail, Torture, and Violence
Moderate: Vomit, Kidnapping, Sexual content, Alcoholism, Child abuse, Confinement, Fire/Fire injury, Grief, Trafficking, and Slavery
Minor: Abandonment, Classism, Fatphobia, Pedophilia, Rape, War, and Drug abuse
anniereads221's review against another edition
- Plot- or character-driven? A mix
- Loveable characters? Yes
4.0
Moderate: Abandonment, Body shaming, Bullying, Child abuse, Child death, Cursing, Death, Death of parent, Fatphobia, Grief, Murder, Violence, Torture, Suicidal thoughts, Slavery, Kidnapping, Injury/Injury detail, Fire/Fire injury, Alcohol, and Animal cruelty
vittorioseg's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
The plot were very well crafted, the story polished and the action tense and so very vivid. Its truly a heist story with mastermind against mastermind for the right of life and vengeance.
Graphic: Body horror, Grief, Gore, and Emotional abuse
Moderate: Misogyny, Physical abuse, Slavery, Kidnapping, and Injury/Injury detail
The story its has some strong white american misoginy on its background. I think only two female characters where not reduced in a sexual way or sexualized inapropiely and one of them was a 70 year old. Its not in your face and it seems at face value to be quite egalitarian, until your realize that 99% of the women presented are: dumb muscle, whore, seductress and/or tragic victim. But its not graphic and I think its mostly unseen by the author in his type of writing, like say Asimov (but without being a piece of shit in real life) or say Marvel directors. Besides that, it can be a little hard the sheer spike it gets into the dark side of murder, betrayal and torture that it get in the second half.felofhe's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Animal death, Murder, Animal cruelty, Child abuse, Death of parent, Gore, Violence, Injury/Injury detail, Torture, Blood, Cursing, and Death
Moderate: Classism, Drug abuse, Physical abuse, Pandemic/Epidemic, Slavery, Alcohol, Body shaming, Drug use, Grief, Bullying, and Vomit