Reviews with content warning for Cancer - Kitchen

very surprised to find that i actually prefer the english version to this thai version. the language is def beautiful at times and it's more detailed than the english ver overall, but somehow i bafflingly find it less impactful. yoshimoto's stories still ring true w/ their melancholic yet hopeful tone, tho kitchen is markedly better than moonlight shadow imo.

Content Warnings

syinhui's review

Go to review page

emotional hopeful reflective sad medium-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? No

3.75

Cold and gloomy. Whimsical and serene. Charming and quirky characters.

The quiet melancholy and gentle but sorrowful atmosphere of these two novellas seem to be a perfect read for cold nights or rainy afternoons. While the themes of death and loss are central in Kitchen and Moonlight Shadow, it’s also about the process of healing and finding comfort in the most mundane things. The kitchen becomes a place of solace. Good food is like a soothing balm for a tired and wounded spirit.

As someone who also has an affinity for kitchens and loves cooking, I found myself inevitably drawn to the titular story, Kitchen. I’ve always had a certain fondness for books that offer exquisite descriptions and appreciation of food and eating. While the prose is rather simplistic and I think the approach to character dynamics and relationships is sometimes a bit too shoujo-esque or slice-of-life for my tastes, some lines relating to food and the transformative power of shared meals - turning ordinary into something extraordinary and deeply touching really resonated with me.

Truly happy memories always live on, shining. Over time, one by one, they come back to life. The meals we ate together, numberless afternoons and evenings.
When was it that Yuichi said to me, "Why is it that everything I eat when I'm with you is so delicious?"

"It's amazing how good this is," I said. The tempura on rice we were eating, seated at the counter in this new little shop smelling of fresh wood, was so good it revived my appetite.
"Isn't it?" said Hiiragi.
"Yes. It's delicious. So delicious it makes me grateful I'm alive."

Content Warnings

iw4kur4l4in's review against another edition

Go to review page

emotional hopeful sad medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

5.0

Gave me a newfound hope for life.

Content Warnings

risemini's review

Go to review page

dark emotional hopeful reflective sad fast-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

3.75

Content Warnings

james1star's review against another edition

Go to review page

emotional reflective sad medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

4.0

I picked this up as a ‘blind date with a book’ and was pleasantly impressed. It’s quite a strange one consisting of two short stories (the first split into two parts so three chapters in total), the first about a young woman Mikage who recently lost her sole family member, her grandmother. Yuichi who knew her grandmother asks Mikage round with the possibility of moving in wi yh him and his mother Eriko, who’s a trans woman. The second story follows Satsuki who recently lost her high school lover of four years Hitoshi as she tries to look to the future. Out running she meets a strange woman called Urara who says a once in a hundred year event will take place, Hitoshi’s you get brother Hiiragi is another strange but lovable character we meet.

The prominent motif throughout is grief, the many forms and how it impacts oneself. This sensation is heavily explored and Yoshimoto does a great job at realising these characters and thus how they’re impacted by the death of loved ones. Her storytelling isn’t particularly imaginative but is very real and flows well. The characters are for the most part loveable but what’s done best is how we’re attached to them as a reader in an emotional way. Some sentences maybe went on too long with many passages but her nuance/craft could’ve been lost in translation. Being written in 1988, I thought the inclusion of a transgender character was rather ‘modern’ and greatly appreciated, Yoshimoto’s work was hailed as very contemporary in Japan so this is great. That being said, some parts made me a little uncomfortable where there’s an emphasis played on Eriko (and later Chika)’s ‘masculine’ features, with some outdated terms like ‘transsexual’ with deadnaming and Yuichi has a ‘she was/is a man’ ideology. But this was about it and overall I was impressed by this book. It’s not a favourite but definitely decent and one I’d recommend, the author does an amazing job at making grief a very real and important emotion.

Content Warnings