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I read this ages ago, but someone reminded me that Jael's world has what are basically trans women living in the "male" space and the book treats them hideously. Like. They're presented as clearly women, and treated as women inside the male-only space, including being subject to abuse for being women, they're literally called "feminine", but they're not "real women". As soon as the main character women see a "half-changed", they get angry and hate them. The "changed and half-changed" are presented as horribly as possible. It's fucking vile. Like. Trans women were not totally unknown when Russ wrote this book. But she talks about them with a hatred that the men don't receive. Being a "half-man" is worse than being a "real man" to her, I guess.
The rest of the book has its moments and some deeply moving parts and it's incredibly personal but also often incredibly confusing because of the weird structure. It's very stereotypically second-wave feminist. Some of the ideas are good but I can't rate a book highly which has such a "Transexual Empire" vision of trans women.
The rest of the book has its moments and some deeply moving parts and it's incredibly personal but also often incredibly confusing because of the weird structure. It's very stereotypically second-wave feminist. Some of the ideas are good but I can't rate a book highly which has such a "Transexual Empire" vision of trans women.
challenging
dark
reflective
slow-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Complicated
Flaws of characters a main focus:
Complicated
It took me a while to get into this book, but it was worth it.
Moderate: Misogyny, Sexism
Minor: Rape
challenging
inspiring
reflective
medium-paced
Plot or Character Driven:
N/A
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
Complicated
Flaws of characters a main focus:
Yes
The simultaneous world building from three separate perspectives combined with very short chapters meant I just couldn’t connect with any character in this book. I was forcing myself through it for the sake of it.
challenging
dark
slow-paced
challenging
mysterious
slow-paced
Plot or Character Driven:
A mix
Strong character development:
Complicated
Loveable characters:
No
Diverse cast of characters:
Complicated
Flaws of characters a main focus:
Yes
challenging
reflective
slow-paced
adventurous
challenging
dark
emotional
funny
reflective
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
Russ is burning with white-hot feminist rage in this book, which is mostly great. It feels so of its time (1975) - the bad old days, when being a feminist was fighting a war, even more so than it is today. In parts near the end it gets weird and gender-essentialist and transphobic, and that's a problem. But I am mostly glad this book exists. It's very unconventional, makes a lot of really good points, and is unafraid of being radical.