Reviews

Falling from Horses by Molly Gloss

bluebonnet_books's review

Go to review page

slow-paced

3.0

bjr2022's review

Go to review page

3.0

This book is told more than finely written: Many chapters are told first person by the protagonist, Bud Frazer, a rancher turned stunt rider in the movies in the 1930s. And even the interspersed third-person sections have a meandering "telling a story" feel.

I've never really thought about old Western movies, but after reading Falling from Horses (an Advanced Reading Copy), I never want to watch a Western of any era again. The violence against horses is hard on the stomach. There is violence against people as well, but the people chose to participate in it; the horses did not. And the book is, in many ways, about the commonplace violence that is often a part of living. Author Molly Gloss says it a lot better than I can (from chapter 33):

. . . I always seem to be looking at the hard knot that is our myth of the cowboy West: the violence on the movie screen and behind it and the way the humanity has been hollowed out of our movie heroes and villains, the poverty, isolation, and precariousness of ranch work, the dignity and joy of it, and the necessary cruelty. At the start I thought that if I could get everything right, people would see where the cowboy stories went wrong, what we have missed or lost, and they might see that the cowboy life doesn't have to be so goddamn brave and bloody and lonesome as the movies make it out to be. But I have learned over the years that all I can do is reach for something difficult--try to get the colors right and the negative space, the angle of the light. And if a few people can see it, that has to be enough.


I can see it, Ms. Gloss. I'm glad I read this, but it was tough on the emotions.

wordnerdy's review

Go to review page

4.0

https://wordnerdy.blogspot.com/2022/04/2022-book-63.html

I was a good quarter of the way into this before I realized it’s a sequel to The Hearts of Horses, in that the protagonist here is the son of the protagonist in that one. Anyway, the story starts with a nineteen year old boy on his way to Hollywood in 1938, where he wants to be a stunt rider in cowboy movies. Along the way he befriends a young woman who wants to be a screenwriter. I liked the narrative voice here a lot; he’s telling the story as a much older man, looking back on his year in Hollywood, and flashing back to his childhood and to a family tragedy. I did kind of want a little bit more from the friendship, or from his older years in general, but I liked seeing the bits and pieces of it that we did get. Note that movies in the 1930s did not care about animal safety and there are some grim scenes with horses (and riders). A/A-.

atschakfoert's review against another edition

Go to review page

3.0

This wasn't a bad story, just a little slow.

jchant's review

Go to review page

3.0

I have heard Molly Gloss described as an amazing writer, but the only book of hers that I had previously picked up and tried to read (Wild Life) was not my cup of tea. This year, her latest book was chosen as the "city read" for my town. I was on the committee that picks the annual "reads" book from 2008 through 2014, and this year, when I heard it was a Molly Gloss book that was chosen, I wasn't very enthused, and decided not to read it. Then a week before the author presentation, I changed my mind and got it from the library.

Molly Gloss is definitely an exceptional writer, and the book kept my interest, even though the subject matter, movie stunt riding, is not something I am interested in. What puzzled me, though, is that I didn't really feel much for the main characters, Bud and Lily, or, for that matter, Bud's back story, which certainly had its devastating events. All in all, the story seemed as dry as the desert scenes where the action took place. The plot point that affected me the most was the callous and despicable treatment of the horses used for the movie stunts depicted in the book. I'm sure Ms Gloss wanted to make this point, but it seems strange to me that I cared more for the horses in the story than I did for the human characters.

I have to admit that there is one other factor that may be influencing my opinion of the book. Two days before the author presentation—which I was planning to attend—I received an email saying that it had been cancelled. I know these things happen, often because of illness, death in the family, or other circumstances beyond the author's control, but I was disappointed and I also felt bad for my former colleagues on the committee. I'm pretty sure that the cancellation affected my opinion of the book, which I was still reading at the time of the cancellation.

So, definitely a well-written book, but only three stars from me.

lootsfoz's review

Go to review page

4.0

A haunting tale and a hard read for those who love horses. I will not be able to watch old movies with action scenes involving horses again without getting sad and angry.

jenlouden's review

Go to review page

4.0

I am officially a total Molly Gloss fan. What an unusual book - a different kind of structure that I've encountered - the way she uses the various timelines was very effective, and the arc of the character was fascinating too.. you know how he changes in some ways early on in the story and then you get to watch it unfold. And it's a subtle realistic change, the kind real humans need to make in their lives. And her writing - so plain, economical, and evocative all at once.

My only quibble - she loves horses so much, her anger at the movie business's early horrible treatment overpowers the story at times.

janetlun's review

Go to review page

I've loved all of Molly Gloss' novels, so it's no surprise that I gulped this one down within 2 days. I just fell into Bud's voice.

The book is told like a memoir, with a 50-ish artist looking back on the year when he was 19, and left ranching in eastern Oregon to head to Hollywood and ride stunts in westerns. The year in Hollywood is the late '30s. On the bus to California, he meets Lily, a young woman from Seattle who plans to be a big-shot scriptwriter. They become life-long friends, but there's no romance.

The two young people not falling in love is one of the ways the book tweaks your expectations. His parents on the ranch are as tough and hard-working as you'd expect, but don't quite fit into stereotype. Her characters are never cardboard. Bud talks about the movies, but also about growing up and his family. There's a description of the country he's seeing outside the bus window that I had to stop and show to Ron. Lovely writing.

librarianelizabeth's review

Go to review page

3.0

The most interesting part of this book was getting to see what filming Western movies was really like, stunt riding techniques, scripting and filming to conjure up cowboys in the back lot in Hollywood. Contrasting with flashbacks to ranching. A decently crafted story that I appreciated for its historical perspective.

dearbhla's review

Go to review page

5.0

Loved it. My full review won't be online until the book is published in October, but I really loved this book. Go read it when it comes out.