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seherina's review against another edition
challenging
dark
emotional
funny
hopeful
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
The Carnival of Ash by Tom Beckerlegge is an adult fantasy novel. Most readers would much rather call it an alternative history book. NetGalley decided to put it in the poetry section! This is probably why the Goodreads reviews are currently at 3.18, when this book is clearly a 5 star read!
The book was published on the 15th of March, 2022, by Rebellion Publishing, and is 600 pages long. It’s the second novel by Tom Beckerlegge, with the first being Cold Trap.
I was lucky enough to receive an e-galley via the wonderful NetGalley, but I’ll be honest, getting a paperback from The Write Reads did influence my review, because this is one of those books that just hits me better in paperback. There are some books I can read as an ebook, and still enjoy. This one I would have enjoyed, but I would have wanted a paperback pretty badly!
Book Review:
The city of Cadenza is known to be a city of words. We have ink maids, who write smut for you, plagiarists who kidnap writers and compete to write the most beautiful ransom notes, and poets who rule. The city is threatened by Venice whose inhabitants would gladly burn it down; if the poets of Cadenza don’t do it themselves.
Of course a city of words, ruled by poets, is steeped in madness.
The story is told through 14 chapters, each called a canto. If you’re thinking that’s a reference to Dante’s Inferno, then you’re right. The city was ruled by someone close to the devil (not literally, but you get what I mean), and with each chapter, you go deeper into the darkness of the city. With each chapter the fall becomes more and more inevitable. Of course, there is hope at the end and they discover what they thought was lost forever. Each canto is told from the point of view of a different character, and each is linked into the story of each another, from Carlo and Vittoria, to Lucia and the Duelling counts. We even hear from Fiametta at the end.
The story starts with young Carlo as he comes to the city to prove himself a poet. He is not welcomed, to say the least, and becomes friend with a gravedigger for his remaining days in the city. They’re not very many of those, but don’t worry, he doesn’t die, and he turns out to be a lot smarter than he looks, even if he isn’t a brilliant poet. He also has a lot of emotional intelligence, which, as it turns out, is not in abundance in a city of writers.
Do keep in mind, that this first chapter is interesting, but also one of the slowest ones in the book because you’re being told the history of how the city came to be. That being said, it’s also your first taste of how dramatic and lovely and funny this book will be!
There is a lot of stuff on goodreads about trigger warnings, and I am not the best person to comment on those, I think you do need to remember that this is a city that’s falling apart. This is the descent into hell and there will be violence in there. While I don’t think Tom Beckerlegge makes it particularly graphic, I would like to stress again that I am not the best person to judge.
The book was published on the 15th of March, 2022, by Rebellion Publishing, and is 600 pages long. It’s the second novel by Tom Beckerlegge, with the first being Cold Trap.
I was lucky enough to receive an e-galley via the wonderful NetGalley, but I’ll be honest, getting a paperback from The Write Reads did influence my review, because this is one of those books that just hits me better in paperback. There are some books I can read as an ebook, and still enjoy. This one I would have enjoyed, but I would have wanted a paperback pretty badly!
Book Review:
The city of Cadenza is known to be a city of words. We have ink maids, who write smut for you, plagiarists who kidnap writers and compete to write the most beautiful ransom notes, and poets who rule. The city is threatened by Venice whose inhabitants would gladly burn it down; if the poets of Cadenza don’t do it themselves.
Of course a city of words, ruled by poets, is steeped in madness.
The story is told through 14 chapters, each called a canto. If you’re thinking that’s a reference to Dante’s Inferno, then you’re right. The city was ruled by someone close to the devil (not literally, but you get what I mean), and with each chapter, you go deeper into the darkness of the city. With each chapter the fall becomes more and more inevitable. Of course, there is hope at the end and they discover what they thought was lost forever. Each canto is told from the point of view of a different character, and each is linked into the story of each another, from Carlo and Vittoria, to Lucia and the Duelling counts. We even hear from Fiametta at the end.
The story starts with young Carlo as he comes to the city to prove himself a poet. He is not welcomed, to say the least, and becomes friend with a gravedigger for his remaining days in the city. They’re not very many of those, but don’t worry, he doesn’t die, and he turns out to be a lot smarter than he looks, even if he isn’t a brilliant poet. He also has a lot of emotional intelligence, which, as it turns out, is not in abundance in a city of writers.
Do keep in mind, that this first chapter is interesting, but also one of the slowest ones in the book because you’re being told the history of how the city came to be. That being said, it’s also your first taste of how dramatic and lovely and funny this book will be!
There is a lot of stuff on goodreads about trigger warnings, and I am not the best person to comment on those, I think you do need to remember that this is a city that’s falling apart. This is the descent into hell and there will be violence in there. While I don’t think Tom Beckerlegge makes it particularly graphic, I would like to stress again that I am not the best person to judge.
Content Warnings
Moderate: Genocide, Fatphobia, Addiction, and Body shaming
laurareads87's review against another edition
I’ve opted to DNF this book; I made it to 65%. It was difficult to push through as far as I did; I had resolved to finish the book for the purposes of writing a full and complete review, but ultimately some of the body horror content led me to put it down.
What I appreciate about this book: I appreciate when a book’s world-building is so intricate that the city becomes, in a sense, the lead character of the book: Cadenza was developed in this way, and the multiple POV storytelling gave a thorough and multi-faceted portrayal of the city. Beckerlegge’s writing style is, I think, well suited to a book in which many of the characters are poets.
What didn’t work for me: A section which very graphically described a plague quarantine building in which various forms of torture, including sexual torture, were occurring led me to put it down. This book calls for pretty much every content warning one can come up with. It was also not what I expected at all based on the description – maybe I just didn’t read far enough, but in the first 65% there were really no fantasy elements in the book; it was a historical fiction novel focused on the power politics of a fictionalized Italian city. The premise – the politics of a city of poetry – I was very much intrigued by, but ultimately the book didn’t quite live up to my excitement for the premise.
A POV is never returned to as far as I can tell, which was an interesting storytelling strategy; I ultimately thought it worked, giving many angles on the city, though I did think that some of the POVs were far more compelling than others – some I thought could’ve been entire books unto themselves, while others I could’ve done without.
Finally, and most seriously, I have some deep reservations with how gender is depicted in this book. The city depicted is deeply patriarchal and most of the POV characters are men – neither of these factors is necessarily a problem in and of itself; however, these combined with a few other issues do add up to a serious problem as far as I’m concerned. The female characters in the book are consistently sexually objectified, often described in terms of body parts and physical appearance and little else. Women in this book are not developed into multi-faceted individual personalities at all. On top of this, a significant number of the male characters in the book are sexually violent and predatory, with women for the most part only present in the book as victims of male characters’ violence. The result is a pervasive sense that women, in this book / city, exist only to be subject to violence and are described almost exclusively by way of misogynist commentary. On this basis, I cannot recommend this book.
Content Warnings
Graphic: Ableism, Blood, Body horror, Body shaming, Child abuse, Confinement, Death, Domestic abuse, Excrement, Fatphobia, Forced institutionalization, Gore, Injury/Injury detail, Kidnapping, Medical content, Medical trauma, Misogyny, Murder, Physical abuse, Rape, Sexism, Sexual assault, Sexual harassment, Sexual content, Sexual violence, Stalking, Torture, Violence, Vomit, and War
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