taelights's review against another edition

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challenging dark emotional informative reflective medium-paced

3.0

While I did like some of the essays in this book and found some of the topics in it fascinating, this wasn't what I expected. I pictured more of a focus on horror through a queer eye and why the authors believe certain horror movies portray queer experiences. While some of the essays focused on this I found a lot of the essays were mainly focused on the writer's personal lives with some vague connections back to the horror movies. I did enjoy this a bit but wouldn't really recommend it because of some weak essays and a lot of them being more just memoirs than queer looks at horror. 

My favorite essays (in order of book) were:
- The Girl, the Well, the Ring 
- Imprint 
- The Wolf Man's Daughter 
- Loving Annie Hayworth 
- Blood, Actually 
- Sight Unseen 
- Bad Hombre 
- Black Body Snatchers 
- Long Nights in the Dark 

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mallory10100's review against another edition

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challenging dark emotional funny hopeful informative mysterious reflective sad tense medium-paced

5.0


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sydneynorman's review against another edition

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dark emotional informative reflective medium-paced

4.0


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overbooked207's review against another edition

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fast-paced

3.75

📖 It Came from the Closet: Queer Reflections on Horror edited by Joe Vallese Book Review 📖

6th book of January 2023 and 6th of the year:

I love the fact that I’m getting really into nonfiction books over the past few years! Being a queer person who loves the horror genre, this immediately caught my attention, with it being a nonfiction book by queer authors that talks about the queerness, whether seen explicitly in the text, in subtext, and/or through the audience’s interpretation, in horror media throughout the years and how the representation affects and is affected by the world around it! I enjoyed some of the stories a lot more than others, with some of my favorites being ‘The Girl, the Well, the Ring,’ ‘Three Men on a Boat,’ ‘Loving Annie Hayworth,’ ‘Centered and Seen,’ Sight Unseen,’ and ‘Black Body Snatchers,’ but I recommend it as a whole and want to read more things like it! I also love the cover and the title! TWs for ableism, abortion, abuse, bigotry, blood, body horror, death, drugs, gore, grief, homophobia, medical content/trauma, mental illness, miscarriage, murder, pedophilia, pregnancy, racism, rape, self-harm, sexual content, transphobia, violence, and vomit.📚🧟‍♂️🎃☠️🏳️‍🌈🏳️‍⚧️

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taleofabibliophile's review against another edition

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challenging dark emotional informative reflective medium-paced

5.0


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mihrreader's review against another edition

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dark emotional inspiring sad slow-paced

3.75

It was pretty eye opening to re-experience horror movies through other queer lenses and see how one piece of media can mean many different things to many different people. I understood before that the queer community tends to have a deeper and more personal affinity for horror, and the extent of that understanding was limited to camp and gender-bending villains, but now I see there are more (and sadder) reasons for it. Many essays touch on the theme of young queer and trans people, especially those who came of age during the AIDS crisis, feeling monstrous in some way and thus relating to horror movie monsters. Reading about that opened my eyes to how lucky I am to not have that same relation to monsters, murderers, and horror. This book is definitely in some ways a queer history book.

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keelin's review against another edition

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challenging dark reflective medium-paced

4.5


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ronan_lesh's review against another edition

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challenging dark emotional informative mysterious reflective tense slow-paced

4.25


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aliciawhatsthestory's review against another edition

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challenging dark reflective medium-paced

4.0

Book 37 of 2022: It Came From the Closet: Queer Reflections on Horror. ⭐️⭐️⭐️⭐️

As someone who has always been fascinated by horror movies, the premise of this book appealed to me immediately. It is a collection of essays from 25 different authors that reflect on horror in a memoir style. Though film theory is certainly discussed, this book is an interesting and accessible hybrid between social theory, film theory, and self-reflection. 

That said, it comes with all the difficult content one might expect from a book written by a large group of marginalized people reflecting on how fictional horrors reflect their own lives experience. Some of these essays are hard to read.

However, I found them all to be insightful, interesting, and (for the majority) very well written and readable, even if you are not familiar with the films they address. Due to the wide array of experience represented in this anthology, it is highly likely that no reader will connect with every single essay, just as no horror fan loves every single horror movie. 

However, for any fan of horror, or any person interested in how queer people have been represented in horror movies, this is definitely a worthwhile read.

Please be aware that this book discusses at least 20 different horror movies, and the content/trigger warnings from each movie should apply, including but not limited to: body horror, vomit, blood, murder, harm by fire, abuse, and captivity. Other triggers may also be present in the authors’ commentary on their own lives, including homophobia, transphobia, racism, slurs, sexism, lesbophobia, divorce, and other potential triggers.

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