Take a photo of a barcode or cover
4.31 AVERAGE
4.31 AVERAGE
challenging
inspiring
mysterious
reflective
slow-paced
Książka zmusza do pewnych refleksji na własnym umysłem, przez to czas jej czytania jest dłuższy.
My mom got me a HUGE coffee table edition of this when I was younger and I have always been fascinated by it and loved flipping through and reading random sections. Never read it back to front, though so I may have to do that soon.
Reading The Red Book was akin to a trip. Uncomfortable and unsettling at times, uplifting and exciting at others, and ultimately leaving me refreshed and rejuvinated at its end.
The Red Book was one of the intriguing books I have read. It consists of Jung's deep fantasies and interactions with figures in his mind, which he treats as symbols of psychic processes. After describing these interactions, Jung espouses conclusions from them, thereby absorbing the experiences. The language used is entirely unlike any of Jung's other works. His visions and dialogues are fantasical, while his conclusion are deeply religious and philosophical. Yet one can find the foundations of Jung's psychological theories in the conclusions of his dialogues.
While Jung wasn't psychotic in the modern sense, Jung, and some contempraries, have commented that his experiences bore similarities to a psychosis. Indeed, Jung believed he would have gone mad had he not been able to absorb and integrate his intense fantasies. I found that Jung's fantasies had an aura of 'madness' to them, in that they were disconnected from the collective conscious and reality. Yet as the introduction points out, Jung's experiences were not unique and similar to the self exploration of other intellectuals during this time period. Certainly then, The Red Book raises many interesting questions about the nature of psychosis, fantasy, and the creative function of the psyche.
Moreover, I found parallals between the ideas of The Red Book and that of other texts such as The Bhagavad Gita, Joseph Campbell's Hero With a Thousand Faces, and some precepts of Buddhist philosophy. All touch on similar ideas of a unitary divinity behind existence and the dialectical nature of reality. Yet Jung's work was fascinatingly unique, vast, and difficult to explain. I suspect I will reread it in the future to grasp it more fully.
Overall, The Red Book is an incredible document in the intellectual history of the 20th century and the history of psychology. I recommend that anyone interested in Jung's psychology and ideas read this book.
The Red Book was one of the intriguing books I have read. It consists of Jung's deep fantasies and interactions with figures in his mind, which he treats as symbols of psychic processes. After describing these interactions, Jung espouses conclusions from them, thereby absorbing the experiences. The language used is entirely unlike any of Jung's other works. His visions and dialogues are fantasical, while his conclusion are deeply religious and philosophical. Yet one can find the foundations of Jung's psychological theories in the conclusions of his dialogues.
While Jung wasn't psychotic in the modern sense, Jung, and some contempraries, have commented that his experiences bore similarities to a psychosis. Indeed, Jung believed he would have gone mad had he not been able to absorb and integrate his intense fantasies. I found that Jung's fantasies had an aura of 'madness' to them, in that they were disconnected from the collective conscious and reality. Yet as the introduction points out, Jung's experiences were not unique and similar to the self exploration of other intellectuals during this time period. Certainly then, The Red Book raises many interesting questions about the nature of psychosis, fantasy, and the creative function of the psyche.
Moreover, I found parallals between the ideas of The Red Book and that of other texts such as The Bhagavad Gita, Joseph Campbell's Hero With a Thousand Faces, and some precepts of Buddhist philosophy. All touch on similar ideas of a unitary divinity behind existence and the dialectical nature of reality. Yet Jung's work was fascinatingly unique, vast, and difficult to explain. I suspect I will reread it in the future to grasp it more fully.
Overall, The Red Book is an incredible document in the intellectual history of the 20th century and the history of psychology. I recommend that anyone interested in Jung's psychology and ideas read this book.
Just look for the Truth in you, it’ll be simpler than interpreting this book
challenging
informative
reflective
slow-paced
12.1.09
I couldn't sleep last night, as inspired as I was having begun to read Carl Jung's Liber Novus, his "Red Book." My first impression is that this is a massive tome; at 16x12x2'' it is easily the largest book I've ever laid hand on, and just turning the pages takes a substantial effort. But it's well worth it.
The Liber Novus is Jung's account of his decades long process of psychological and subconscious self experimentation, through a technique called "active imagination;" a process that he claimed was the seeds to all his work. Written first in a series of Black Books, this masterpiece was later painstakingly copied into a red leather-bound book, though never finished. And by copy I mean create an entire illuminated manuscript, complete with exquisite calligraphy and full color mandala and dream illustrations, that Jung worked on till his fascination with alchemy took hold, and then sat in a box until long after he died.
This first edition presents not just a translation of the text (by Jung scholar Sonu Shamdasani), but a full facsimile of the original folio plates, which have been kept in a safe deposit box unlooked at for the last 80 years and so are in excellent condition. The edition also includes critical apparatuses; a historical essay to contextualize the significance of the Liber Novus in Jung's life and work (and was the main thrust to convince the Society for the Heirs of Jung to finally let the book be published), as well as paratextual citations to highlight the variety of references in the manuscript itself, which should make the read that much more insightful.
Flipping through the folio I was struck by the richness of the illustrations, some of which I would consider masterpieces in themselves, filled with fractals, swirling colors, archetypal situations, and a surreal dream-sense that was apparently under-appreciated by the Surrealists. The calligraphy is in German, which I unfortunately don't speak, and can only comment on the precise appearance of.
As for the text itself, that will be my next attempt. I will say that it begins with the title: "The way of what is to come," along with some prophetic quotations from Isaiah, and much of it is in dialogue form between Jung and his spirit guide (in the tradition of Mephistopheles), placing the work as a modern take of the tradition of revelatory literature, which isn't so far off considering the inclusion of Jung's dreams prophesying the World Wars.
On the whole, the book seems to be Jung's attempt to reconcile the scientific with the mythic and spiritual, the personal with collective, and as such could not be more timely than to finally see the light of people's eyes. As a writer interested in the use of dreams and personal narratives, as well as having taken this process to my own experimental, revelatory, self-mythology and understand the danger of attempting vs. the incredibly potent imagery that can come out of such a process, I suspect the Liber Novus may have far reaching cultural effects that we could only begin to imagine.
12.11.09
I finally started reading the text of Jung's Red Book last night, and it is as revelatory, revolutionary, and vitally important as I suspected it would be, not just in terms of Jung's psychological theories but in taking a stance for a broader spiritual approach to reality that is even more lacking now than when Jung was writing. Reading this is like reading Blake, I want to quote every passage (as they are almost all brilliant), but if my cat will get off the tome I'll look at some of the important symbols and themes that Jung was attempting to articulate.
The spirit of the times vs. the spirit of the depths - Jung makes a distinction between the spirit or stance of the time in which he lives vs. the spirit of a greater, ancient, and universal reality that is entirely overlooked by the present, and is striving to come forth through Jung. This is historical consciousness vs. the mythic subconsciousness, and Jung frames the Red Book as a way of getting past all the small-minded, violent, materialistic impulses of his age (including a harsh criticism of Christianity), while recognizing that this present world may entirely ignore his warning and call for an understanding of the subconscious.
The supreme meaning - Jung claims that God and gods are only images of an eternal supreme meaning oscillating between meaning and absurdity, and it is this supreme meaning that men must come to recognize as a solution to the spirit of the times. This is entirely consistent with my concept of ultimate significance, in that the supreme meaning is more truly real than the images we conceive of it through.
Dreams and epiphanic visions - Jung recounts a number of visions prophesying the world wars as well as his own future work. He claims an uncontrollable compulsion to record these dreams, though he never did before. Similarly, a number of the passages Jung claims are actually the spirit of the depths or his soul speaking through him as a medium.
The soul - Much of the early part of this book is Jung's attempt to reconnect with his soul. This is the formation of his archetype of the anima/animus, but it is not made explicit in his academic writings that the archetype is not just an image but one's actual, living soul, which encourages us to live and do everything we dream of living and doing. The soul is one's God and opposite, which perfects us in the supreme meaning. The soul is not part of us, we are only the expression and symbol of our soul in the world.
The desert - Though Jung's academic writings discuss the archetypes they do not discuss (as far as I've read) the importance of subconscious locations. In particular Jung discusses here the image of the desert, which is the conception of oneself and soul that one must journey into and rejuvenate in order to overcome the spirit of the times. Jung believes he saw a desert because his soul had been withered (and perhaps those in touch with their souls experience a garden). From my own explorations of the subconscious I also found this "desert of the soul" as the location for the deeper, mythic realities I had to contend with outside of the city (the symbol for the everyday world and times). As my own process continued, this desert was first flooded and became a garden before the entire inner world was set to flames so that a new internal reality could form. I am curious how these locations change through Jung's process in the remainder of the Red Book, as I find such psychogeographies an essential compliment to the character archetypes.
The descent into hell - Jung has a vision in which he realizes that he must descend to hell in order to individuate himself and find the supreme meaning. Such descensus avernum are common in mythic and revelatory literature and serve as another example of the importance of place as symbol for Jung's theories. Jung equates this descent with the possibility of going mad, and sees himself as a sacrificed hero who must overcome that potential madness for a more divine madness lacking in the spirit of the times. This section (and the titles of the other sections) suggest that Jung is on a hero's journey comparable to that described by Joseph Campbell. This hell is all the absurd meaninglessness of our times that we must go through in order to construct our own meaning of events, which is the supreme meaning.
I couldn't sleep last night, as inspired as I was having begun to read Carl Jung's Liber Novus, his "Red Book." My first impression is that this is a massive tome; at 16x12x2'' it is easily the largest book I've ever laid hand on, and just turning the pages takes a substantial effort. But it's well worth it.
The Liber Novus is Jung's account of his decades long process of psychological and subconscious self experimentation, through a technique called "active imagination;" a process that he claimed was the seeds to all his work. Written first in a series of Black Books, this masterpiece was later painstakingly copied into a red leather-bound book, though never finished. And by copy I mean create an entire illuminated manuscript, complete with exquisite calligraphy and full color mandala and dream illustrations, that Jung worked on till his fascination with alchemy took hold, and then sat in a box until long after he died.
This first edition presents not just a translation of the text (by Jung scholar Sonu Shamdasani), but a full facsimile of the original folio plates, which have been kept in a safe deposit box unlooked at for the last 80 years and so are in excellent condition. The edition also includes critical apparatuses; a historical essay to contextualize the significance of the Liber Novus in Jung's life and work (and was the main thrust to convince the Society for the Heirs of Jung to finally let the book be published), as well as paratextual citations to highlight the variety of references in the manuscript itself, which should make the read that much more insightful.
Flipping through the folio I was struck by the richness of the illustrations, some of which I would consider masterpieces in themselves, filled with fractals, swirling colors, archetypal situations, and a surreal dream-sense that was apparently under-appreciated by the Surrealists. The calligraphy is in German, which I unfortunately don't speak, and can only comment on the precise appearance of.
As for the text itself, that will be my next attempt. I will say that it begins with the title: "The way of what is to come," along with some prophetic quotations from Isaiah, and much of it is in dialogue form between Jung and his spirit guide (in the tradition of Mephistopheles), placing the work as a modern take of the tradition of revelatory literature, which isn't so far off considering the inclusion of Jung's dreams prophesying the World Wars.
On the whole, the book seems to be Jung's attempt to reconcile the scientific with the mythic and spiritual, the personal with collective, and as such could not be more timely than to finally see the light of people's eyes. As a writer interested in the use of dreams and personal narratives, as well as having taken this process to my own experimental, revelatory, self-mythology and understand the danger of attempting vs. the incredibly potent imagery that can come out of such a process, I suspect the Liber Novus may have far reaching cultural effects that we could only begin to imagine.
12.11.09
I finally started reading the text of Jung's Red Book last night, and it is as revelatory, revolutionary, and vitally important as I suspected it would be, not just in terms of Jung's psychological theories but in taking a stance for a broader spiritual approach to reality that is even more lacking now than when Jung was writing. Reading this is like reading Blake, I want to quote every passage (as they are almost all brilliant), but if my cat will get off the tome I'll look at some of the important symbols and themes that Jung was attempting to articulate.
The spirit of the times vs. the spirit of the depths - Jung makes a distinction between the spirit or stance of the time in which he lives vs. the spirit of a greater, ancient, and universal reality that is entirely overlooked by the present, and is striving to come forth through Jung. This is historical consciousness vs. the mythic subconsciousness, and Jung frames the Red Book as a way of getting past all the small-minded, violent, materialistic impulses of his age (including a harsh criticism of Christianity), while recognizing that this present world may entirely ignore his warning and call for an understanding of the subconscious.
The supreme meaning - Jung claims that God and gods are only images of an eternal supreme meaning oscillating between meaning and absurdity, and it is this supreme meaning that men must come to recognize as a solution to the spirit of the times. This is entirely consistent with my concept of ultimate significance, in that the supreme meaning is more truly real than the images we conceive of it through.
Dreams and epiphanic visions - Jung recounts a number of visions prophesying the world wars as well as his own future work. He claims an uncontrollable compulsion to record these dreams, though he never did before. Similarly, a number of the passages Jung claims are actually the spirit of the depths or his soul speaking through him as a medium.
The soul - Much of the early part of this book is Jung's attempt to reconnect with his soul. This is the formation of his archetype of the anima/animus, but it is not made explicit in his academic writings that the archetype is not just an image but one's actual, living soul, which encourages us to live and do everything we dream of living and doing. The soul is one's God and opposite, which perfects us in the supreme meaning. The soul is not part of us, we are only the expression and symbol of our soul in the world.
The desert - Though Jung's academic writings discuss the archetypes they do not discuss (as far as I've read) the importance of subconscious locations. In particular Jung discusses here the image of the desert, which is the conception of oneself and soul that one must journey into and rejuvenate in order to overcome the spirit of the times. Jung believes he saw a desert because his soul had been withered (and perhaps those in touch with their souls experience a garden). From my own explorations of the subconscious I also found this "desert of the soul" as the location for the deeper, mythic realities I had to contend with outside of the city (the symbol for the everyday world and times). As my own process continued, this desert was first flooded and became a garden before the entire inner world was set to flames so that a new internal reality could form. I am curious how these locations change through Jung's process in the remainder of the Red Book, as I find such psychogeographies an essential compliment to the character archetypes.
The descent into hell - Jung has a vision in which he realizes that he must descend to hell in order to individuate himself and find the supreme meaning. Such descensus avernum are common in mythic and revelatory literature and serve as another example of the importance of place as symbol for Jung's theories. Jung equates this descent with the possibility of going mad, and sees himself as a sacrificed hero who must overcome that potential madness for a more divine madness lacking in the spirit of the times. This section (and the titles of the other sections) suggest that Jung is on a hero's journey comparable to that described by Joseph Campbell. This hell is all the absurd meaninglessness of our times that we must go through in order to construct our own meaning of events, which is the supreme meaning.
challenging
informative
reflective
tense
slow-paced
challenging
inspiring
reflective
slow-paced
I read this massive book from eclipse to equinox, and in that time dove into the dead and the animal; devils and gods; the lowest muck and something sort of like salvation.
Jung's handy misogyny and Hegelian ethnocentrism distract me, but at the base of it I love this book. I love the adventures into inner worlds, I love his calligraphy and bizarre and beautiful paintings. It has altered my relationship to my dreams and my meditations, and leaves me feeling abuzz with creativity. Also: it gives me loose ends to peel at to decipher my own soul and shadow-side.
Random smatterings from the 17 pages of quotes I wrote down from this tome:
Jung's handy misogyny and Hegelian ethnocentrism distract me, but at the base of it I love this book. I love the adventures into inner worlds, I love his calligraphy and bizarre and beautiful paintings. It has altered my relationship to my dreams and my meditations, and leaves me feeling abuzz with creativity. Also: it gives me loose ends to peel at to decipher my own soul and shadow-side.
Random smatterings from the 17 pages of quotes I wrote down from this tome:
"Did you ever think of the evil in you? Oh, you spoke of it, you mentioned it, and you confessed it smilingly, as a generally human vice, or a recurring misunderstanding. But did you know what evil is, and that it stands precisely right behind your virtues, that it is also your virtues themselves, as their inevitable substance? You locked Satan in the abyss for a millennium, and when the millennium had passed, you laughed at him, since he had become a children’s fairy tale. But if the dreadful great one raises his head, the world winces."
"If ever you have the rare opportunity to speak with the devil, then do not forget to confront him in all seriousness. He is your devil after all. The devil as the adversary is your own other standpoint; he tempts you and sets a stone in your path where you least want it."
"Thoughts grow in me like a forest, populated by many different animals. But man is domineering in his thinking, and therefore he kills the pleasure of the forest and that of the wild animals."