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fran's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
3.75
Graphic: Drug abuse, Suicidal thoughts, Vomit, Death of parent, and War
Moderate: Homophobia, Sexual assault, and Transphobia
robin_reads's review against another edition
- Plot- or character-driven? A mix
1.0
It was very long, the pacing was odd and soooo much was happening. The connection between Viola and Gracewood just wasn’t there for me.
I did like the queerness and the historical aspect but that’s about it, unfortunately.
However, the narration of the audiobook wasn’t for me either.
Additional TW/CW: PTSD and flashbacks
Moderate: Ableism, Drug use, Homophobia, Sexism, Transphobia, Kidnapping, Gaslighting, Alcohol, and War
Minor: Vomit
kingcrookback's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
This isn't a critique of the book so much as me working out my preferences and how the book aligned with them. I'm still at the beginning of my foray into romance, and while I think some combination of LGBTQ+ and "not contemporary" are more my speed, I don't think I really hit my stride with this one. While I enjoyed the characters' introspection, I think I personally need more plot to keep me fully engaged.
Graphic: Addiction, Drug abuse, Sexual content, and Violence
Moderate: Ableism, Deadnaming, and War
Minor: Sexual assault, Transphobia, and Kidnapping
reniareads's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Ableism, Drug abuse, and Drug use
Moderate: Transphobia and Vomit
Minor: Biphobia
wardenred's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
“I don’t want to go back.” Gracewood reached for his cane and struggled upright. “I want to go forward. And I’m not looking for perfect. Only for you.”
Going by the page count and a couple of reviews I skimmed (and possibly misunderstood), I expected the kind of romance that has a lot in the way of external/non-romantic plot. Instead, most of this story is decidedly slice-of-life, with a super strong focus on the characters' relationship and inner world. Honestly, as much as I often enjoy slice-of-life stories, sometimes it got a little too much for me, probably just because of the sheer length of the book.
That isn't to say that I didn't like it! I have in fact quite enjoyed multiple things about the book. The relationship between Gracewood and Viola was absolutely beautiful. I just wish there wasn't so much repetition in a few parts of the story, where there were entire sections of the two of them walking in circles around a problem without considering more than a single way to solve them (and even then, it was usually only Gracewood considering it in a vague, "But what if something COULD be done about this?" way while Viola was adamant that there is no solution). When those beautiful pining moments were shown so often from different angles, without a lot of events to offset them, they became somewhat... less poignant than I feel they could and should have been.
I also completely loved how the subject of Viola being trans was handled. Yes, Gracewood was mad at her for leaving him and making him believe his friend was dead, but never for why she did so; in fact, once he properly processed why she did it, it immediately pushed him toward understanding and forgiveness and accepting that this wasn't about him, no matter how it impacted him. I loved how he started thinking about her as Viola as soon as all the dots were connected, and I really liked the writing choices Alexis Hall made to avoid full-scale deadnaming. Every time Viola's pre-transition life is mentioned, she's referred to by her original last name, and the pre-transition first name her family and friends knew her under is never mentioned. This choice feels like the best compromise one could make while staying true to the historical period's realities.
What I liked less was the handling of Gracewood's addiction, disability, and PTSD. Especially addiction and PTSD. It felt kind of like a lot of it just... got better once he focused on being in London and his relationship to Viola, because he decided to stop letting it affect his life so much or something. I'm really not sure it's possible to bounce back so fast from using opium to the extent he was using it early in the novel. Really, a lot of these themes felt like the author meant really well, but under-researched.
There were plenty of side characters here I completely adored, especially Miranda with her sweet quirkiness and her desperate want to have a good relationship with her brother, and Louise with her awesome brand of no-nonsense tough love. All the parts where either or both of them were heavily featured were my absolute favorites! The ton storyline later in the book brought some colorful awful rich people to the table, too—the kind I want to stab with a fork, but also find it fun to watch them in morbid fascination. It's a pity that the whole storyline with Miranda having a season wasn't tightened up a bit, and interwoven in a more solid way and with fewer gaps with the main plot. There was a lot of potential there.
Overall, I'm still glad I stuck through it through all of the slow, circular parts, because the characters were great, there were plenty of great dialogue, and I've barely stopped smiling since I read the epilogue. There's lots of good stuff here! It just... felt like reading a very clean first draft that could use some tightening and trimming down?
Graphic: Addiction and Drug abuse
Moderate: Deadnaming and War
Minor: Ableism, Misogyny, and Transphobia
mngwa's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Sexual content and Kidnapping
Moderate: Transphobia and War
sproutedpages's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Graphic: Ableism, Alcoholism, Deadnaming, Drug abuse, Gun violence, Panic attacks/disorders, Sexual content, Suicidal thoughts, Transphobia, Kidnapping, Grief, Abandonment, Dysphoria, and War
Moderate: Body shaming and Blood
mandathebiblio's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.0
I listened to the second half of this book on audio and I will say that I wouldn't recommend it really if you struggle with audiobooks. I didn't really love how the narrator read any dialogue. But it wasn't too bad once I got used to it.
Graphic: Mental illness and War
Moderate: Transphobia
thepoieszedlife's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.75
Graphic: Ableism, Alcoholism, Panic attacks/disorders, and Transphobia
Moderate: Mental illness and Misogyny
kylieqrada's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Addiction, Drug abuse, and Sexual content
Moderate: Ableism, Deadnaming, and War
Minor: Suicidal thoughts, Transphobia, and Kidnapping