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kleonard's review
5.0
This is an excellent novel a la The Yellow Wallpaper, told in the first person by a woman whose husband
had her forcibly admitted to an insane asylum after she suffered a traumatic miscarriage. Leaving the asylum to return to her husband. she finds him much changed, and begins to understand that he has been after her inheritance the whole time. Relying on advice from women many others find mad or evil, she plots her escape. Author De Luca uses the real-life figure of Mary Ann Cotton, convicted of poisoning members of her own family, as one of the narrator's mentors, and the very ending is a fabulous twist. Readers who enjoy the Gothic will like this book, as will anyone with an interest in the rights and treatment of women in the 19th century.
had her forcibly admitted to an insane asylum after she suffered a traumatic miscarriage. Leaving the asylum to return to her husband. she finds him much changed, and begins to understand that he has been after her inheritance the whole time. Relying on advice from women many others find mad or evil, she plots her escape. Author De Luca uses the real-life figure of Mary Ann Cotton, convicted of poisoning members of her own family, as one of the narrator's mentors, and the very ending is a fabulous twist. Readers who enjoy the Gothic will like this book, as will anyone with an interest in the rights and treatment of women in the 19th century.
turtlesreads's review
4.0
A woman befriends a prisoner that helps her in some unexpected ways. #onesentencesummary
This one was courtesy of my @night_worms
subscription.
I felt so helpless while reading this. It made me so thankful reflecting on how far women's rights have come so far. This book surprised me and was a delightful read.
This one was courtesy of my @night_worms
subscription.
I felt so helpless while reading this. It made me so thankful reflecting on how far women's rights have come so far. This book surprised me and was a delightful read.
hannah_faith97's review
4.0
I loved 85% of this book until Clara kept getting caught over. And over. And over. At one point I just wanted to put it down and say forget it, but I’m glad I finished. I just thought the climax droned on and was very repetitive. Also, I’ve never hated a character as much as I hated Henry!
pussnb00ks's review
3.0
ARC received from NetGalley in exchange for an honest review
As soon as I read the description of this book, I knew I needed to read it. Women's agency and bodily autonomy is a topic near and dear to my heart, and has been the subject of many a research project- especially in this time period.
DeLuca makes so many references to discourse and literature being published and discussed in the 19th century and before. Allusions to Mary Wollstonecraft's comparison of women's married life to slavery, fiction writing such as The Yellow Wallpaper, and many more, come up as little Easter eggs that I adored identifying and unraveling.
The novel touches on issues surrounding women's agency and bodily autonomy, or more so the social norms that prevent them from exercising these rights, and focuses especially on how these power dynamics manifest themselves in terms of health and reproductive rights.
*This might be spoiler but I'm not sure*
I do wish Henry had been a more complex character. Although unarguably a villain, I think showing different sides of him, or maybe fooling the reader into thinking him sympathetic character at some point, would have made the overall plot more interesting and engaging. The narrative and plot also became choppy in some parts of the book, which disrupted the reading experience for me.
Overall, an enjoyable read!
As soon as I read the description of this book, I knew I needed to read it. Women's agency and bodily autonomy is a topic near and dear to my heart, and has been the subject of many a research project- especially in this time period.
DeLuca makes so many references to discourse and literature being published and discussed in the 19th century and before. Allusions to Mary Wollstonecraft's comparison of women's married life to slavery, fiction writing such as The Yellow Wallpaper, and many more, come up as little Easter eggs that I adored identifying and unraveling.
The novel touches on issues surrounding women's agency and bodily autonomy, or more so the social norms that prevent them from exercising these rights, and focuses especially on how these power dynamics manifest themselves in terms of health and reproductive rights.
*This might be spoiler but I'm not sure*
I do wish Henry had been a more complex character. Although unarguably a villain, I think showing different sides of him, or maybe fooling the reader into thinking him sympathetic character at some point, would have made the overall plot more interesting and engaging. The narrative and plot also became choppy in some parts of the book, which disrupted the reading experience for me.
Overall, an enjoyable read!
sapphiczebra's review against another edition
dark
tense
fast-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.25
Content Warnings
Graphic: Mental illness, Domestic abuse, and Confinement
chasingholden's review
4.0
England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane following a breakdown after suffering a tragic loss. Now Clara just hopes to settle back in with her husband in their new home, and to do whatever necessary to remain free from the asylum, but when an unconventional relationship between herself and a serial killer blossoms many questions arise compelling readers to turn the pages as quickly as possible to see just what comes of Clara.
Marjorie Deluca has provided us with one gripping gem that hooks you from the start with absolutely stunningly constructed prose, the reader is immediately catapulted in to the past where we are caressed with striking period accuracy, not once is this illusion broken throughout the whole book, which is a huge breath of fresh air in the historical fiction genre as of late.
The Savage Instinct is certainly a dark, twisty, slightly uncomfortable (in the best way possible) story. History mixed with a stunning fictional narrative this is one you do not want to miss!
A huge thank you to netgalley, publishers, and Marjorie DeLuca for providing me with an advanced digital copy for me to be able to provide my honest, unfiltered feed back.
Marjorie Deluca has provided us with one gripping gem that hooks you from the start with absolutely stunningly constructed prose, the reader is immediately catapulted in to the past where we are caressed with striking period accuracy, not once is this illusion broken throughout the whole book, which is a huge breath of fresh air in the historical fiction genre as of late.
The Savage Instinct is certainly a dark, twisty, slightly uncomfortable (in the best way possible) story. History mixed with a stunning fictional narrative this is one you do not want to miss!
A huge thank you to netgalley, publishers, and Marjorie DeLuca for providing me with an advanced digital copy for me to be able to provide my honest, unfiltered feed back.
acrosstheskyinstars's review
2.0
This book had majorly similar vibes to another book I reviewed, After Alice Fell by Kim Taylor Blakemore. You can read my review of that book here. Both of these books are set in the late 1800s. Both main characters have some elements of unreliable narrating. Both main characters have niche professor husbands who are concerned with status and are ultimately betrayed by their husband’s colleagues. (That last similarity was a bit much for me.)
This book tells the story of Clara, locked away in an asylum after a tragic combination of miscarriage and stillbirth, now free to integrate back into society and join her husband in a new city as he begins climbing the ranks of the college he works at. However, all is not as it seems. He much prefers a wife who is obedient and socially acceptable than one that is mentally well. It’s obvious from the start that he doesn’t have Clara’s best interests at heart. One of the ways in which Clara is supposed to acclimate to her new life is through charity work. She begins to visit the local prison where she meets Mary Ann Cotton, a serial killer who targeted mainly her husbands and children via poison. Clara is instantly intrigued by Mary Ann and sees her as a fellow woman who has been scorned and rejected by society and let down by the men in her life. However, there is more to Mary Ann than Clara can see, and Mary Ann is always one step ahead.
Based on a real-life person, Mary Ann is probably the most intriguing story element. The audience is left uncertain of whether Mary Ann really did poison her family because virtually all of the evidence against her is circumstantial. Personally speaking, my view is that she did it based on the evidence presented in the book. However, the reader cannot be sure as Clara is unsure.
I did not end up liking this book. My biggest problem is that a lot of the characters and interactions in this book felt painfully one-dimensional. Clara’s husband undergoes somewhat of a flanderization throughout the book. He starts out seeming well-meaning though he misses the mark. He ends the book being outlandishly cartoonish and wholely unbelievable. (The same can be said of the reverend character). The doctors in this book are also cartoonishly evil, trying to imprison Clara based on fabricated evidence that she is insane. Furthermore, many of the conversations between Clara and Mary Ann are painfully one-dimensional as well, though this time focused on sexism.
I wish the book had stuck to more believable characterization for individual characters and interactions. Ultimately, the way many of these issues were handled was so ham-fisted as to detract from the important message. Many of the scenes between Clara and her husband (and the ever-present reverend) essentially read as follows:
“Henry, I’d be more happy here if I were allowed any modicum of personal freedom. I feel a bit stifled.”
“You women folk take advantage of man’s good nature! Harumph harumph Bah Humbug! I’ll be sure to send you back to the asylum unless you perform your wifely duties, take care of the house, and submit to me–your caring and god-given husband.”
*The reverend chimes in* “You women folk need to learn your place and keep your diseased lady uteruses from wandering around your body and disadvantaging your husband.”
*End Scene*
I really think the book would have worked so much better if the husband was made less cartoonishly evil and leaned more into him being justifiably sexist for the time. For example, the plot could have remained largely the same had the tension come from of the looming threat of Clara’s commitment at the hands of her husband, who thought that it was genuinely best for her based on the science of the time. Medicine is still sexist today! Plenty of Victorian medicine was sexist then too. This would have portrayed the main message of the book (Sexism!) more subtly, which I think would have made the message more relatable and realistic.
Overall, this book wasn’t a bad book. It just appears to be surface-level critique of sexism masquerading as a deeper message. I’d recommend After Alice Fell instead. I think that book handled the themes better. The suspense also worked better in that book than in this one. There were several points in this book that made me unpleasantly tense. I found myself growing increasingly frustrated by every chance Clara had to escape her situation, particularly when she would inevitably screw it up instead. Ultimately, Clara doesn’t even save herself. Without giving away the ending, the plot is resolved by a deus ex machina event.
I wanted to like this book, but found myself increasingly frustrated by the plot and how the message was handled. If Victorian sexism interests you, and it’s not a topic you’re familiar with, this book might be for you. If you’re intrigued by the “woman in an asylum” aspect and ambiguous storytelling, check out After Alice Fell instead.
This book tells the story of Clara, locked away in an asylum after a tragic combination of miscarriage and stillbirth, now free to integrate back into society and join her husband in a new city as he begins climbing the ranks of the college he works at. However, all is not as it seems. He much prefers a wife who is obedient and socially acceptable than one that is mentally well. It’s obvious from the start that he doesn’t have Clara’s best interests at heart. One of the ways in which Clara is supposed to acclimate to her new life is through charity work. She begins to visit the local prison where she meets Mary Ann Cotton, a serial killer who targeted mainly her husbands and children via poison. Clara is instantly intrigued by Mary Ann and sees her as a fellow woman who has been scorned and rejected by society and let down by the men in her life. However, there is more to Mary Ann than Clara can see, and Mary Ann is always one step ahead.
Based on a real-life person, Mary Ann is probably the most intriguing story element. The audience is left uncertain of whether Mary Ann really did poison her family because virtually all of the evidence against her is circumstantial. Personally speaking, my view is that she did it based on the evidence presented in the book. However, the reader cannot be sure as Clara is unsure.
I did not end up liking this book. My biggest problem is that a lot of the characters and interactions in this book felt painfully one-dimensional. Clara’s husband undergoes somewhat of a flanderization throughout the book. He starts out seeming well-meaning though he misses the mark. He ends the book being outlandishly cartoonish and wholely unbelievable. (The same can be said of the reverend character). The doctors in this book are also cartoonishly evil, trying to imprison Clara based on fabricated evidence that she is insane. Furthermore, many of the conversations between Clara and Mary Ann are painfully one-dimensional as well, though this time focused on sexism.
I wish the book had stuck to more believable characterization for individual characters and interactions. Ultimately, the way many of these issues were handled was so ham-fisted as to detract from the important message. Many of the scenes between Clara and her husband (and the ever-present reverend) essentially read as follows:
“Henry, I’d be more happy here if I were allowed any modicum of personal freedom. I feel a bit stifled.”
“You women folk take advantage of man’s good nature! Harumph harumph Bah Humbug! I’ll be sure to send you back to the asylum unless you perform your wifely duties, take care of the house, and submit to me–your caring and god-given husband.”
*The reverend chimes in* “You women folk need to learn your place and keep your diseased lady uteruses from wandering around your body and disadvantaging your husband.”
*End Scene*
I really think the book would have worked so much better if the husband was made less cartoonishly evil and leaned more into him being justifiably sexist for the time. For example, the plot could have remained largely the same had the tension come from of the looming threat of Clara’s commitment at the hands of her husband, who thought that it was genuinely best for her based on the science of the time. Medicine is still sexist today! Plenty of Victorian medicine was sexist then too. This would have portrayed the main message of the book (Sexism!) more subtly, which I think would have made the message more relatable and realistic.
Overall, this book wasn’t a bad book. It just appears to be surface-level critique of sexism masquerading as a deeper message. I’d recommend After Alice Fell instead. I think that book handled the themes better. The suspense also worked better in that book than in this one. There were several points in this book that made me unpleasantly tense. I found myself growing increasingly frustrated by every chance Clara had to escape her situation, particularly when she would inevitably screw it up instead. Ultimately, Clara doesn’t even save herself. Without giving away the ending, the plot is resolved by a deus ex machina event.
I wanted to like this book, but found myself increasingly frustrated by the plot and how the message was handled. If Victorian sexism interests you, and it’s not a topic you’re familiar with, this book might be for you. If you’re intrigued by the “woman in an asylum” aspect and ambiguous storytelling, check out After Alice Fell instead.
paperwitches's review
4.0
This book was very hard to read for me, but not because I didn't enjoy it. It drove me a little mad. However, it provides amazing insight into the 1800s and mental health treatment during the 17th century. The character's, and the mental health aspects were historically accurate, and well researched. The character's were human enough for you to like and hate them at the same time. It was a fun, if thoughtful, read.
ktakeeley's review
dark
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0