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mar's review
adventurous
emotional
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHH
Graphic: Racism, Violence, Gore, and Death
Moderate: Sexism, Racial slurs, and Slavery
Minor: Religious bigotry, Stalking, and Police brutality
zarap's review against another edition
adventurous
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
4.75
Moderate: Violence, Gore, and Racism
ceallaighsbooks's review against another edition
adventurous
dark
emotional
funny
hopeful
informative
inspiring
lighthearted
mysterious
reflective
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
“Usually the secrets we keep deep down, ain’t meant to hurt other people,” he said. “Not saying they won’t, but not through intentions. Those deep secrets, we hide away because we’re afraid what other people might think. How they might judge us, if they knew. And nobody’s judgment we scared of more than the one we give our hearts to.”
TITLE—A Master of Djinn
AUTHOR—P. Djèlí Clark
PUBLISHED—2021
GENRE—historical fantasy; steampunk
SETTING—alternate historical 1912 Cairo
MAIN THEMES/SUBJECTS—djinn magic & mythology, secret societies, ancient Egyptian mythology & religion, colonialism, white supremacy, racism, Islamic, Near East, and East African history, bibliophilia
WRITING STYLE—⭐️⭐️⭐️⭐️⭐️—Everything I ever wanted in an adult fantasy book.
CHARACTERS—⭐️⭐️⭐️⭐️⭐️—Siti is my new obsessionnnnn... 😍 But Ahmad also really grew on me lol
PLOT—⭐️⭐️⭐️⭐️⭐️—🤯
BONUS ELEMENT/S—This book is SO atmospheric—the scene setting is phenomenal! Usually I find myself scanning descriptions of landscapes and architecture etc but in this book I always made sure to linger over Clark’s descriptions because they were SO beautiful!! And there are so many amazing places the reader gets to visit in this book from palaces to libraries to markets to speakeasies to bookshops to cemeteries like it is ALL here. 🥰
PHILOSOPHY—⭐️⭐️⭐️⭐️⭐️—Literally perfect. Like SO so good. Especially with the nature of one of the types of illusion magic: “An illusion whose magic works by getting you to play a part in your own deception”, omg. Just brilliant.
“Justice comes for the wicked in time. The scales of Thoth demand it.”
Summary: Super sexy queerfemme Muslim Sherlock Holmes who dresses in dapper suits meets Indiana Jones in an early 20th c. steampunk Cairo with djinn magic and various supernatural and mythological creatures with fantastically intricate worldbuilding and SOLID philosophical underpinnings and is also hilarious but like EVEN BETTER THAN THAT. *NEED* I GO ON?
This book kind of blew my mind. I went in expecting this to be one of my top reads of the year but this might be one of my top reads of all TIME. It is everything I ever wanted in an adult fantasy novel. Chapter 21 especially. PERFECT fantasy mystery with great elements of history, academia, and bibliophilia. And the worldbuilding was incredible and solid, the philosophy was solid, and the characters were all fantastic. I can’t think of anyone I wouldn’t recommend this book to, seriously. It’s so so good.
“If you steal, steal a camel, she heard her mother whisper. And if you love, love the moon.”
⭐️⭐️⭐️⭐️⭐️
TW // violence, gore, colonialism, racism, misogyny, colorism, police violence
Further Reading—
- everything by P. Djèlí Clark
- Legendborn, by Tracy Deonn
- N. K. Jemisin’s Dreamblood duology
- The Historian, by Elizabeth Kostova
Graphic: Gore, Racism, and Violence
Moderate: Misogyny, Murder, Racism, and Sexism
Minor: Police brutality, Slavery, and Stalking
leahsbooks's review against another edition
adventurous
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Thank you to NetGalley for providing me with a copy of this book. I am offering my honest opinion voluntarily.
I’ve read two of the three novellas leading up to this book to familiarize myself with this world. I was really looking forward to starting this book, but there were some things I absolutely loved and some things that I just … didn’t.
Let me be clear. World building is absolutely one of the great strengths of the author. I’ve read a couple of steampunk books, but this one blew them away. Early 20th century Egypt is already an interesting setting, but then add in the steampunk elements and the fantasy/djinn aspects and the incredibly detailed descriptions and it’s just far beyond anything I could have hoped for. I had no problem visualizing everything that was depicted throughout the book.
I had bonded to some of the characters in earlier novellas, like Hamed and Onsi, and only got to know Fatma a little bit. While she was the main character in this story, she had this major reputation as one of the best agents in her department. But to be honest, I just didn’t really understand why. There were so many things that she missed, overlooked, or tried to explain away, and at times, she was rash and judgmental. The bright spot in the cast of characters was definitely Hadia. While she was a little bit of a stickler for the rules, kind of like the female version of Onsi, I really liked her and the fresh point of view that she brought to the story. Plus, she’s pretty badass.
There was a whole lot going on in the story. It was fast-paced and there was a lot of action, but it also felt a little … messy to me. Even the genre felt hard to put my finger on. It was fantasy, but also steampunk/sci-fi/mystery/thriller and had elements of romance. While I did enjoy the main plot, there were a lot of side plots that arose. Some of them worked with the story, but others just felt like they drew attention away from the story, and didn’t really need to be added in there.
And finally, there are a ton of foreign words sprinkled throughout the story. Normally I don’t mind, especially when reading on my Kindle, since my Kindle will handily provide a definition or I can just figure it out through context. But I was sadly disappointed in this case. The vast majority of words in the story weren’t recognizable to my Kindle’s dictionary, and I couldn’t figure out what they meant through context. So my choices were to put the Kindle down at least once a page and look it up on my phone, which would take me out of the story completely, or to just power through and constantly wonder, “What, exactly, am I missing out on?” I generally picked the second choice.
Overall, this wasn’t my favorite story in the series. I honestly enjoyed the novellas a lot more. I actually hope to see more of Hamed and Hadia, since those two are my favorite characters so far.
Graphic: Death, Gore, Violence, Slavery, Self harm, Racism, and Racial slurs
obscurepages's review against another edition
adventurous
challenging
dark
funny
mysterious
reflective
tense
fast-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Y'ALL THIS BOOK IS PERFECT OKAY 😭 IT'S EVERYTHING I EVER WANTED AND MORE EVER SINCE I READ THE FIRST NOVELLA, A DEAD DJINN IN CAIRO.
PLOT WAS INTRICATE, AN ABOLUTE PAGE TURNER. THE CHARACTERS WERE CHARMING AND COMPELLING, YOU'LL BE ROOTING FOR THEM SOON. SAPPHIC ROMANCE WAS SO GOOD I THINK I SWOONED TOO MANY TIMES. WORLD-BUILDING WAS JUST AMAZING, I MEAN THE MYTHOLOGY AND THE LORE, AS WELL AS THE CULTURE WAS JUST SO RICH. HUMOR WAS ON POINT, FROM START TO FINISH. IT ALSO HIGHLIGHTED ISSUES LIKE MISOGYNY, RACISM, COLONIZATION. I SWEAR, THIS IS EVERYTHING. I'M SO IN LOVE WITH IT.
SO FAR, THIS BOOK IS THE BEST THING I READ THIS YEAR. *SCREAMS*
ALSO I AM SO SORRY FOR THE ALL CAPS. I HAVE A LOT OF FEELINGS.
E-arc from NetGalley in exchange for an honest review. This, of course, did not affect my overall opinion of the book.
Full review on my blog soon!
Find me elsewhere: Instagram | Twitter | Blog
PLOT WAS INTRICATE, AN ABOLUTE PAGE TURNER. THE CHARACTERS WERE CHARMING AND COMPELLING, YOU'LL BE ROOTING FOR THEM SOON. SAPPHIC ROMANCE WAS SO GOOD I THINK I SWOONED TOO MANY TIMES. WORLD-BUILDING WAS JUST AMAZING, I MEAN THE MYTHOLOGY AND THE LORE, AS WELL AS THE CULTURE WAS JUST SO RICH. HUMOR WAS ON POINT, FROM START TO FINISH. IT ALSO HIGHLIGHTED ISSUES LIKE MISOGYNY, RACISM, COLONIZATION. I SWEAR, THIS IS EVERYTHING. I'M SO IN LOVE WITH IT.
SO FAR, THIS BOOK IS THE BEST THING I READ THIS YEAR. *SCREAMS*
ALSO I AM SO SORRY FOR THE ALL CAPS. I HAVE A LOT OF FEELINGS.
E-arc from NetGalley in exchange for an honest review. This, of course, did not affect my overall opinion of the book.
Full review on my blog soon!
Find me elsewhere: Instagram | Twitter | Blog
Moderate: Violence and Gore
Minor: Racism and Misogyny
dedonohoe's review against another edition
adventurous
challenging
dark
funny
lighthearted
mysterious
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
TL;DR: A Master of Djinn is a queer, magical steampunk fantasy anticolonial alternate history murder mystery detective novel. And it’s excellent. My rating: 4.5 of 5 stars
A mysterious scientist-philosopher-magician of a bygone era opens the human realm to greater settlement by djinn and other “mythical” beings. Thanks to this historical development, Egypt has greatly benefited from advanced djinn magic and technology to become an early nineteenth century superpower.
One of the reasons I was excited to read this book is that the description (steampunk alternate history with anticolonial bent) reminded me of Nisi Shawl’s Everfair, which I read and enjoyed a couple years back. There were indeed thematic and steampunk genre similarities between the two, but these are ultimately very different kinds of stories. Mystery, detective, and fantasy tropes are far more prominent in A Master of Djinn. The main character, Fatma el-Sha’arawi, is an investigator with the Ministry of Alchemy, Enchantments and Supernatural Entities. The supernatural bureaucracy elements of the story reminded me a bit of the Ministry of Magic in Harry Potter, as did the protagonist’s mission to stop a megalomaniac from harnessing potentially catastrophic magical powers.
There is so, so much to love in this book. The clues, twists, and turns of a good mystery. Strong, complex female heroes, sidekicks, and villains. A queer love story that navigates racial, religious, and other differences in identity and lived experience. Gender politics of turn of the century Cairo. Revenge fantasy scenes where white colonizers get what’s coming to them. Vivid and imaginative descriptions of setting and characters that make glorious use of color (e.g. Cairene woman protagonist is known for wearing androgynous and brightly color-coordinated European suits). Compelling historical allusions (e.g. Black New Orleans jazz musicians who fled Jim Crow America for Egypt give commentary on the racial politics of their adopted country of refuge).
As a big language nerd and someone who has traveled and lived in places with Turkic, Persian, and Arab cultural influences, I also LOVED the religious, cultural, and linguistic details that Clark weaves into his story. It’s quite apparent in his fiction that Clark is a historian by training.
I also want to address the question of whether A Master of Djinn is a standalone work. When I requested an ARC for A Master of Djinn, I hadn’t realized that P. Djèlí Clark had already written two novellas set in this fantasy world and featuring these characters. I was curious whether they were important to understanding and enjoying his debut novel, so I decided to buy and read them before jumping into A Master of Djinn. I can definitely report that it’s not necessary to read “A Dead Djinn in Cairo” or “The Haunting of Tram Car 015” in advance. The important information gets repeated in A Master of Djinn for the benefit of the uninitiated.
That said, if you want to get a taste of this world before committing to the full novel, “A Dead Djinn in Cairo” is very short (43 pages) and tells the story of a previous case Fatma has solved that is very relevant to the case she becomes embroiled in during the events of A Master of Djinn. “The Haunting of Tram Car 015” is longer (82 pages) and centers on side characters (Fatma only makes a brief cameo) and a case that is not central to A Master of Djinn. However, it is entertaining in its own right and provides background for some of the religious conflict present in this imagined Cairene society, as well as recent political movements for gender equality that are alluded to in A Master of Djinn.
Many thanks to NetGalley and Macmillan-Tor/Forge for giving me advance access to this book in exchange for an honest review.
Moderate: Murder, Racial slurs, Racism, Religious bigotry, Sexism, Slavery, and Violence
TL;DR: A Master of Djinn is a queer, magical steampunk fantasy anticolonial alternate history murder mystery detective novel. And it’s excellent. My rating: 4.5 of 5 stars A mysterious scientist-philosopher-magician of a bygone era opens the human realm to greater settlement by djinn and other “mythical” beings. Thanks to this historical development, Egypt has greatly benefited from advanced djinn magic and technology to become an early nineteenth century superpower. One of the reasons I was excited to read this book is that the description (steampunk alternate history with anticolonial bent) reminded me of Nisi Shawl’s Everfair, which I read and enjoyed a couple years back. There were indeed thematic and steampunk genre similarities between the two, but these are ultimately very different kinds of stories. Mystery, detective, and fantasy tropes are far more prominent in A Master of Djinn. The main character, Fatma el-Sha’arawi, is an investigator with the Ministry of Alchemy, Enchantments and Supernatural Entities. The supernatural bureaucracy elements of the story reminded me a bit of the Ministry of Magic in Harry Potter, as did the protagonist’s mission to stop a megalomaniac from harnessing potentially catastrophic magical powers. There is so, so much to love in this book. The clues, twists, and turns of a good mystery. Strong, complex female heroes, sidekicks, and villains. A queer love story that navigates racial, religious, and other differences in identity and lived experience. Gender politics of turn of the century Cairo. Revenge fantasy scenes where white colonizers get what’s coming to them. Vivid and imaginative descriptions of setting and characters that make glorious use of color (e.g. Cairene woman protagonist is known for wearing androgynous and brightly color-coordinated European suits). Compelling historical allusions (e.g. Black New Orleans jazz musicians who fled Jim Crow America for Egypt give commentary on the racial politics of their adopted country of refuge). As a big language nerd and someone who has traveled and lived in places with Turkic, Persian, and Arab cultural influences, I also LOVED the religious, cultural, and linguistic details that Clark weaves into his story. It’s quite apparent in his fiction that Clark is a historian by training. I also want to address the question of whether A Master of Djinn is a standalone work. When I requested an ARC for A Master of Djinn, I hadn’t realized that P. Djèlí Clark had already written two novellas set in this fantasy world and featuring these characters. I was curious whether they were important to understanding and enjoying his debut novel, so I decided to buy and read them before jumping into A Master of Djinn. I can definitely report that it’s not necessary to read “A Dead Djinn in Cairo” or “The Haunting of Tram Car 015” in advance. The important information gets repeated in A Master of Djinn for the benefit of the uninitiated. That said, if you want to get a taste of this world before committing to the full novel, “A Dead Djinn in Cairo” is very short (43 pages) and tells the story of a previous case Fatma has solved that is very relevant to the case she becomes embroiled in during the events of A Master of Djinn. “The Haunting of Tram Car 015” is longer (82 pages) and centers on side characters (Fatma only makes a brief cameo) and a case that is not central to A Master of Djinn. However, it is entertaining in its own right and provides background for some of the religious conflict present in this imagined Cairene society, as well as recent political movements for gender equality that are alluded to in A Master of Djinn. Many thanks to NetGalley and Macmillan-Tor/Forge for giving me advance access to this book in exchange for an honest review.
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