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pacifickat's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
A lot of disappointed reviewers seemed to want this book to be more than it was, the plot to follow a traditional post-apocalyptic road narrative, with characters fighting for survival in a dystopian landscape punctuated by violent encounters. However, Mandel seems to resist these expected devices, focusing instead on how humans are connected across time and space, nature and technology, and generations. The pandemic in this story demarcates a divide between past and present, a clear before and after. But, is existence more than our perceived notion of time and oir relationship to pivotal moments in history? Does a web of interconnectivity carry through all existence even when we cannot perceive it, even when the world seemingly ends? What is this reality we’re living in? Is it patterned beforehand, or only when looked at it in retrospect, like a forest ecosystem growing organically together? Can meaning and beauty miraculously arise out of mundanity and messiness? Is being briefly and beautifully alive and part of a cosmic whole enough of a miracle in itself? Do we make stories, or do the stories make us? What exists because of us, and what exists outside of us?
It’s complicated.
This seeming magic encircles and envelops conscious existence, but goes unnoticed by the humans navigating the complexities of the pre-pandemic modern world, or fighting to survive in post-pandemic reality. A repeated element of looking upward to the sky when faced with death carries throughout, perhaps searching for sufficient meaning or beauty when survival is not guaranteed and everything finally falls still. Is this akin to the sublime moment the actress dissolves into Titania on stage, her stained wedding gown becoming the adornment of a magical fairy queen?
Graphic: Pandemic/Epidemic, Death, Gun violence, Murder, Adult/minor relationship, Grief, and Suicide
Moderate: Infidelity, Violence, Child death, and Pedophilia
Minor: Alcoholism, Religious bigotry, Sexual assault, Rape, and Suicidal thoughts
stellaperlic's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Blood, Terminal illness, and Suicidal thoughts
Moderate: Trafficking, Religious bigotry, and Child abuse
spineofthesaurus's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Death, Grief, Medical content, Terminal illness, Toxic relationship, Misogyny, Murder, Pandemic/Epidemic, Suicide, Blood, Kidnapping, and Medical trauma
Moderate: Ableism, Child death, Emotional abuse, Injury/Injury detail, Trafficking, Abandonment, Alcohol, Animal death, Religious bigotry, Stalking, Alcoholism, Domestic abuse, Gun violence, Infidelity, Sexual harassment, Slavery, and Suicidal thoughts
Minor: Adult/minor relationship, Physical abuse, Car accident, Pedophilia, Pregnancy, and Sexual violence
miller8d's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Note: I pictured Richard Ayoade as Jeevan, Jesse Plemons as August, Con O’Neill as Dieter, Andrew Garfield as Sayid, Andre Michaan very faintly as Clark, and a wishy-washy mix of Tom Hiddleston/Brian Cox as Arthur.
Graphic: Death, Torture, Kidnapping, Trafficking, and War
Moderate: Abandonment, Grief, Religious bigotry, Violence, Pedophilia, Slavery, Genocide, Gun violence, and Emotional abuse
Minor: Alcoholism, Cannibalism, Child death, Death of parent, Death, and Suicidal thoughts
I added lots of content warnings for this book, but as a pretty sensitive person, I can honestly say I didn’t find this book upsetting— moreso realistic in an apocalyptic context. It touches on many serious topics but it does so in a justified and non-shocking way.vita_ayala's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
Bittersweet, sometimes amusing, always melancholy and comtemplative, this book does an incredible job of distilling the emotion and humanity behind Shakespeare's work and presenting it in a contemporary, compelling way. (It isn I think obviously, a take on King Lear.) A little like disguising healthy but odd tasting food with spices and sauces.
I wish the comic from inside the book was a thing I could read!
Graphic: Blood, Death, Grief, and Violence
Moderate: Suicidal thoughts and Suicide
It does end up veing hopeful in the end!ashlightgrayson's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
Arthur, the character that dies in the beginning, is the most recurring. Although, as you keep reading the book you realize that the story is not about one single character, but more of a slow analysis of human nature through the experience of many different people both pre/post pandemic. This isn't a book I would recommend for everyone. If you want something plot heavy and super engaging, this may not be for you. I think it's a story that required patience and appreciation for the themes explored. Otherwise, you may find it boring because not much happens for a while until everything comes to a head as you learn more about each of the characters explored. It was a very interesting exploration of humanity and I think it worked well as a break from more fast paced stories.
Moderate: Grief, Suicidal thoughts, Violence, and Death
Minor: Death of parent
undecidedpersonality's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
Graphic: Death, Murder, Terminal illness, Animal cruelty, Grief, Gun violence, and Medical content
Moderate: Adult/minor relationship, Death of parent, Pregnancy, Kidnapping, Abandonment, Injury/Injury detail, Violence, Animal death, Pedophilia, and Body horror
Minor: Fire/Fire injury, Rape, Alcohol, Drug use, Child death, Confinement, Domestic abuse, Emotional abuse, Religious bigotry, Suicidal thoughts, and Sexual content
billyjepma's review against another edition
- Plot- or character-driven? A mix
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
"First we only want to be seen, but once we're seen, that's not enough anymore. After that, we want to be remembered."
Emily St. John Mandel taps into something sublime with Station Eleven, something that manages to speak to a particular moment in time while also capturing something universally timeless about living. The narrative and its characters may not have always resonated with me, but Mandel's beautiful writing and thematics quickly and repeatedly struck a nerve with me.
I usually latch onto the characters in a story, so while I liked the casts Mandel shifts between, I never felt as invested in them as I wanted. For example, I kept waiting for the story to peel back layers on specific characters or ideologies in the "present-day" sections, but those insights never really came. After all of the rich character development and exploration of the "flashback" stories—which, while familiar, are written with aching honesty and vulnerability—the present-day sections felt somewhat lacking.
That's not what's going to stick with me, though. The stories of lonely people discovering and fighting for their found families, the enduring hope they create together, the capacity for art and conviction to be what saves our souls in the end—that's what I'll remember about Station Eleven. I don't think the book even says anything profoundly original, but the unique angles it uses to approach those familiar ideas and genres make them feel new. Or, if not new, then timely and maybe even necessary.
Graphic: Medical trauma, Grief, and Medical content
Moderate: Violence, Adult/minor relationship, and Death
Minor: Suicidal thoughts, Stalking, Death of parent, Torture, Suicide, Abandonment, Child death, and Vomit
whirl's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
The book has a nice pace, and just ambles through the lives of various survivors loosely connected to each other before the pandemic hits
Graphic: Death and Grief
Moderate: Ableism, Kidnapping, and Violence
Minor: Child death, Gun violence, Sexual assault, Death of parent, Murder, and Suicidal thoughts
While the book describes a post apocalyptic world which is clearly more lawless and violent, it doesn’t go into unnecessarily detailed descriptions and is more about what happens to people’s minds and personality to live in such a worldvanessanalmeida's review against another edition
- Plot- or character-driven? Character
- Loveable characters? No
3.0
Graphic: Blood, Death, Murder, Sexual harassment, Suicidal thoughts, and Violence