Scan barcode
vinnydee's review
adventurous
dark
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.75
reader89's review
dark
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.0
wouterk's review
3.0
It is impossible to dislike Philip Chase and by proxy it is very hard to be critical towards a book that was created by his dedication, love and effort for this story. This is also the reason I did not DNF this book, when I had the urge several times in the earlier parts of the book. In the end, it paid off though and would recommend pushing through the start of the book to see the author find more flow as the story progresses. I will explain what I liked about the book and what I found irksome below.
What I liked
I think The Way of Edan has a very engaging plot and characters. Chase uses different perspectives to really help us get an overview of the world, the stakes and the cast of characters. The supreme priest Bledla is an amazing zealot of a villain. And I really enjoyed how the key bad guys (King Earcornwald and the high priests) each seem to have a slightly distinct agenda from the rest. Allegiances are born from necessity and not much from love, it seems.
I loved the individual stories of Dayraven and Sequara and how they intertwined. I really appreciate how many characters other than the main characters have distinct voices but also their own stories and story lines.
I also really appreciated the world that the story takes place in (not to be confused with the world building, which I found somewhat irksome in the beginning). I found the magic system super interesting as drawing on the gift creates emphatic links with people and creatures. As a consquence it requires a lot of mental fortitude for users. The magic system sits somewhere between hard an soft magic. Not everything is explained but you get a really good feel for it's potential and applications.
Lastly, it is no secret that Chase loves Tolkien so I cannot help but infer that some of the naming in there is a shout out to Lord of the Rings. With Dayraven and Imharr Travelling towards Ellond the land of Kings (Elrond), one of the treacherous high priests being called Joruman (Saruman) and some legendary King Froda (Frodo) in one of the myths.
What I found irksome
Now with all the compliments above, please let me explain (and rant) why I only gave this book three stars. I almost DNF'd this book, I think 4 times because of some aspects that really irked me, mostly in the beginning of the book (though some thing continue).
I use the word irksome because it reminds me of the word kirtle, and if I have to read that word one more time between this book and the second book I think I will stop reading altogether. Before this book I never heard of the word and although I can appreciate expanding my vocabulary I now know that near every man in this world wears a kirtle on pretty much every occasion. (side note: I did appreciate the three times I saw 'undulating', undoubtedly to tease Merphy Napier).
This flood of kirtles brings me to the fact that I found the beginning of the book too descriptive to my taste. I understand this world is carefully crafted but I feel Chase is quite self-indulgent on showcasing his world and I think many of the problems I had with getting through the first half of the book. To speak in terms of Brandon Sanderson's iceberg. Generally, authors have to balance how much of the world building ice berg they show to immerse the reader and how much they keep hidden to not overwhelm them. Way to much iceberg in this case, at least to my taste.
Now to be fair, this book was self-published for a reason and I'd say it is because Chase would not want to compromise on this, but there are just some things that really held me back from getting into a reading flow.
Some examples:
- it is important to get a sense of what people are wearing and what type of room someone it is, but it does not require a still frame describing whatever is there.
- two or three times a whole pantheon in some depiction is described; what all these gods do in the depiction and their names (never to return again much or play any important role) We don't need to know the name of all these old gods to understand that the Way of Edan is a monotheistic faith as opposed to an older pantheon.
- Chase apparently created all kinds of languages, but these languages and cultures to a non-linguist like me are not distinct or engaging enough to read. As a consquence they're just incomprehensible sentences that add nothing. You may as well say 'The soldier shouted something incomprehensible in Adanese" than writing out the gurgitations.
- the same goes for spell casting. Spells in this books are songs of origin so I understand that they have an auditive aspect. Still three lines of incomprehensible words does not help me immerse myself.
- The horses! why do the horses have names, especially since they do nothing special and quite early in the book they disappear? And for Edan's sake, why is one of the horses called Hraedflyht. Surely, not even a Scandinavian person is able to find the correct way to pronounce this.
Hehe, well that's enough rant from me. I did read the story to the end for a reason and that is that I found these flaws to be quite easy to forgive after a certain point, where the story picked up and stakes were rising.
Something I'm still out on is the 'male gaze' that I found quite present at the beginning of the book. Imharr is a character that consistently judges young ladies by their looks. We get to meet one of the high priests in a scene where he seduces a young female apprentice. Our main character Sequara that is pretty is consistently harassed by men in the first parts of the book. I do not think this is necessarily bad but none of the male characters are in any way sexualized or described as attractive, which I do think is somewhat unmodern, if you will. Nothing big, but I personally did notice this and hope this diminishes further as the series continues.
For now I am generally satisfied with this book, it has a nice ending and a good cliff hanger for each story line. I am looking forward to read the next book and can only hope that it will mend some of the irks while maintaining its great qualities.
Merged review:
It is impossible to dislike Philip Chase and by proxy it is very hard to be critical towards a book that was created by his dedication, love and effort for this story. This is also the reason I did not DNF this book, when I had the urge several times in the earlier parts of the book. In the end, it paid off though and would recommend pushing through the start of the book to see the author find more flow as the story progresses. I will explain what I liked about the book and what I found irksome below.
What I liked
I think The Way of Edan has a very engaging plot and characters. Chase uses different perspectives to really help us get an overview of the world, the stakes and the cast of characters. The supreme priest Bledla is an amazing zealot of a villain. And I really enjoyed how the key bad guys (King Earcornwald and the high priests) each seem to have a slightly distinct agenda from the rest. Allegiances are born from necessity and not much from love, it seems.
I loved the individual stories of Dayraven and Sequara and how they intertwined. I really appreciate how many characters other than the main characters have distinct voices but also their own stories and story lines.
I also really appreciated the world that the story takes place in (not to be confused with the world building, which I found somewhat irksome in the beginning). I found the magic system super interesting as drawing on the gift creates emphatic links with people and creatures. As a consquence it requires a lot of mental fortitude for users. The magic system sits somewhere between hard an soft magic. Not everything is explained but you get a really good feel for it's potential and applications.
Lastly, it is no secret that Chase loves Tolkien so I cannot help but infer that some of the naming in there is a shout out to Lord of the Rings. With Dayraven and Imharr Travelling towards Ellond the land of Kings (Elrond), one of the treacherous high priests being called Joruman (Saruman) and some legendary King Froda (Frodo) in one of the myths.
What I found irksome
Now with all the compliments above, please let me explain (and rant) why I only gave this book three stars. I almost DNF'd this book, I think 4 times because of some aspects that really irked me, mostly in the beginning of the book (though some thing continue).
I use the word irksome because it reminds me of the word kirtle, and if I have to read that word one more time between this book and the second book I think I will stop reading altogether. Before this book I never heard of the word and although I can appreciate expanding my vocabulary I now know that near every man in this world wears a kirtle on pretty much every occasion. (side note: I did appreciate the three times I saw 'undulating', undoubtedly to tease Merphy Napier).
This flood of kirtles brings me to the fact that I found the beginning of the book too descriptive to my taste. I understand this world is carefully crafted but I feel Chase is quite self-indulgent on showcasing his world and I think many of the problems I had with getting through the first half of the book. To speak in terms of Brandon Sanderson's iceberg. Generally, authors have to balance how much of the world building ice berg they show to immerse the reader and how much they keep hidden to not overwhelm them. Way to much iceberg in this case, at least to my taste.
Now to be fair, this book was self-published for a reason and I'd say it is because Chase would not want to compromise on this, but there are just some things that really held me back from getting into a reading flow.
Some examples:
- it is important to get a sense of what people are wearing and what type of room someone it is, but it does not require a still frame describing whatever is there.
- two or three times a whole pantheon in some depiction is described; what all these gods do in the depiction and their names (never to return again much or play any important role) We don't need to know the name of all these old gods to understand that the Way of Edan is a monotheistic faith as opposed to an older pantheon.
- Chase apparently created all kinds of languages, but these languages and cultures to a non-linguist like me are not distinct or engaging enough to read. As a consquence they're just incomprehensible sentences that add nothing. You may as well say 'The soldier shouted something incomprehensible in Adanese" than writing out the gurgitations.
- the same goes for spell casting. Spells in this books are songs of origin so I understand that they have an auditive aspect. Still three lines of incomprehensible words does not help me immerse myself.
- The horses! why do the horses have names, especially since they do nothing special and quite early in the book they disappear? And for Edan's sake, why is one of the horses called Hraedflyht. Surely, not even a Scandinavian person is able to find the correct way to pronounce this.
Hehe, well that's enough rant from me. I did read the story to the end for a reason and that is that I found these flaws to be quite easy to forgive after a certain point, where the story picked up and stakes were rising.
Something I'm still out on is the 'male gaze' that I found quite present at the beginning of the book. Imharr is a character that consistently judges young ladies by their looks. We get to meet one of the high priests in a scene where he seduces a young female apprentice. Our main character Sequara that is pretty is consistently harassed by men in the first parts of the book. I do not think this is necessarily bad but none of the male characters are in any way sexualized or described as attractive, which I do think is somewhat unmodern, if you will. Nothing big, but I personally did notice this and hope this diminishes further as the series continues.
For now I am generally satisfied with this book, it has a nice ending and a good cliff hanger for each story line. I am looking forward to read the next book and can only hope that it will mend some of the irks while maintaining its great qualities.
What I liked
I think The Way of Edan has a very engaging plot and characters. Chase uses different perspectives to really help us get an overview of the world, the stakes and the cast of characters. The supreme priest Bledla is an amazing zealot of a villain. And I really enjoyed how the key bad guys (King Earcornwald and the high priests) each seem to have a slightly distinct agenda from the rest. Allegiances are born from necessity and not much from love, it seems.
I loved the individual stories of Dayraven and Sequara and how they intertwined. I really appreciate how many characters other than the main characters have distinct voices but also their own stories and story lines.
I also really appreciated the world that the story takes place in (not to be confused with the world building, which I found somewhat irksome in the beginning). I found the magic system super interesting as drawing on the gift creates emphatic links with people and creatures. As a consquence it requires a lot of mental fortitude for users. The magic system sits somewhere between hard an soft magic. Not everything is explained but you get a really good feel for it's potential and applications.
Lastly, it is no secret that Chase loves Tolkien so I cannot help but infer that some of the naming in there is a shout out to Lord of the Rings. With Dayraven and Imharr Travelling towards Ellond the land of Kings (Elrond), one of the treacherous high priests being called Joruman (Saruman) and some legendary King Froda (Frodo) in one of the myths.
What I found irksome
Now with all the compliments above, please let me explain (and rant) why I only gave this book three stars. I almost DNF'd this book, I think 4 times because of some aspects that really irked me, mostly in the beginning of the book (though some thing continue).
I use the word irksome because it reminds me of the word kirtle, and if I have to read that word one more time between this book and the second book I think I will stop reading altogether. Before this book I never heard of the word and although I can appreciate expanding my vocabulary I now know that near every man in this world wears a kirtle on pretty much every occasion. (side note: I did appreciate the three times I saw 'undulating', undoubtedly to tease Merphy Napier).
This flood of kirtles brings me to the fact that I found the beginning of the book too descriptive to my taste. I understand this world is carefully crafted but I feel Chase is quite self-indulgent on showcasing his world and I think many of the problems I had with getting through the first half of the book. To speak in terms of Brandon Sanderson's iceberg. Generally, authors have to balance how much of the world building ice berg they show to immerse the reader and how much they keep hidden to not overwhelm them. Way to much iceberg in this case, at least to my taste.
Now to be fair, this book was self-published for a reason and I'd say it is because Chase would not want to compromise on this, but there are just some things that really held me back from getting into a reading flow.
Some examples:
- it is important to get a sense of what people are wearing and what type of room someone it is, but it does not require a still frame describing whatever is there.
- two or three times a whole pantheon in some depiction is described; what all these gods do in the depiction and their names (never to return again much or play any important role) We don't need to know the name of all these old gods to understand that the Way of Edan is a monotheistic faith as opposed to an older pantheon.
- Chase apparently created all kinds of languages, but these languages and cultures to a non-linguist like me are not distinct or engaging enough to read. As a consquence they're just incomprehensible sentences that add nothing. You may as well say 'The soldier shouted something incomprehensible in Adanese" than writing out the gurgitations.
- the same goes for spell casting. Spells in this books are songs of origin so I understand that they have an auditive aspect. Still three lines of incomprehensible words does not help me immerse myself.
- The horses! why do the horses have names, especially since they do nothing special and quite early in the book they disappear? And for Edan's sake, why is one of the horses called Hraedflyht. Surely, not even a Scandinavian person is able to find the correct way to pronounce this.
Hehe, well that's enough rant from me. I did read the story to the end for a reason and that is that I found these flaws to be quite easy to forgive after a certain point, where the story picked up and stakes were rising.
Something I'm still out on is the 'male gaze' that I found quite present at the beginning of the book. Imharr is a character that consistently judges young ladies by their looks. We get to meet one of the high priests in a scene where he seduces a young female apprentice. Our main character Sequara that is pretty is consistently harassed by men in the first parts of the book. I do not think this is necessarily bad but none of the male characters are in any way sexualized or described as attractive, which I do think is somewhat unmodern, if you will. Nothing big, but I personally did notice this and hope this diminishes further as the series continues.
For now I am generally satisfied with this book, it has a nice ending and a good cliff hanger for each story line. I am looking forward to read the next book and can only hope that it will mend some of the irks while maintaining its great qualities.
Merged review:
It is impossible to dislike Philip Chase and by proxy it is very hard to be critical towards a book that was created by his dedication, love and effort for this story. This is also the reason I did not DNF this book, when I had the urge several times in the earlier parts of the book. In the end, it paid off though and would recommend pushing through the start of the book to see the author find more flow as the story progresses. I will explain what I liked about the book and what I found irksome below.
What I liked
I think The Way of Edan has a very engaging plot and characters. Chase uses different perspectives to really help us get an overview of the world, the stakes and the cast of characters. The supreme priest Bledla is an amazing zealot of a villain. And I really enjoyed how the key bad guys (King Earcornwald and the high priests) each seem to have a slightly distinct agenda from the rest. Allegiances are born from necessity and not much from love, it seems.
I loved the individual stories of Dayraven and Sequara and how they intertwined. I really appreciate how many characters other than the main characters have distinct voices but also their own stories and story lines.
I also really appreciated the world that the story takes place in (not to be confused with the world building, which I found somewhat irksome in the beginning). I found the magic system super interesting as drawing on the gift creates emphatic links with people and creatures. As a consquence it requires a lot of mental fortitude for users. The magic system sits somewhere between hard an soft magic. Not everything is explained but you get a really good feel for it's potential and applications.
Lastly, it is no secret that Chase loves Tolkien so I cannot help but infer that some of the naming in there is a shout out to Lord of the Rings. With Dayraven and Imharr Travelling towards Ellond the land of Kings (Elrond), one of the treacherous high priests being called Joruman (Saruman) and some legendary King Froda (Frodo) in one of the myths.
What I found irksome
Now with all the compliments above, please let me explain (and rant) why I only gave this book three stars. I almost DNF'd this book, I think 4 times because of some aspects that really irked me, mostly in the beginning of the book (though some thing continue).
I use the word irksome because it reminds me of the word kirtle, and if I have to read that word one more time between this book and the second book I think I will stop reading altogether. Before this book I never heard of the word and although I can appreciate expanding my vocabulary I now know that near every man in this world wears a kirtle on pretty much every occasion. (side note: I did appreciate the three times I saw 'undulating', undoubtedly to tease Merphy Napier).
This flood of kirtles brings me to the fact that I found the beginning of the book too descriptive to my taste. I understand this world is carefully crafted but I feel Chase is quite self-indulgent on showcasing his world and I think many of the problems I had with getting through the first half of the book. To speak in terms of Brandon Sanderson's iceberg. Generally, authors have to balance how much of the world building ice berg they show to immerse the reader and how much they keep hidden to not overwhelm them. Way to much iceberg in this case, at least to my taste.
Now to be fair, this book was self-published for a reason and I'd say it is because Chase would not want to compromise on this, but there are just some things that really held me back from getting into a reading flow.
Some examples:
- it is important to get a sense of what people are wearing and what type of room someone it is, but it does not require a still frame describing whatever is there.
- two or three times a whole pantheon in some depiction is described; what all these gods do in the depiction and their names (never to return again much or play any important role) We don't need to know the name of all these old gods to understand that the Way of Edan is a monotheistic faith as opposed to an older pantheon.
- Chase apparently created all kinds of languages, but these languages and cultures to a non-linguist like me are not distinct or engaging enough to read. As a consquence they're just incomprehensible sentences that add nothing. You may as well say 'The soldier shouted something incomprehensible in Adanese" than writing out the gurgitations.
- the same goes for spell casting. Spells in this books are songs of origin so I understand that they have an auditive aspect. Still three lines of incomprehensible words does not help me immerse myself.
- The horses! why do the horses have names, especially since they do nothing special and quite early in the book they disappear? And for Edan's sake, why is one of the horses called Hraedflyht. Surely, not even a Scandinavian person is able to find the correct way to pronounce this.
Hehe, well that's enough rant from me. I did read the story to the end for a reason and that is that I found these flaws to be quite easy to forgive after a certain point, where the story picked up and stakes were rising.
Something I'm still out on is the 'male gaze' that I found quite present at the beginning of the book. Imharr is a character that consistently judges young ladies by their looks. We get to meet one of the high priests in a scene where he seduces a young female apprentice. Our main character Sequara that is pretty is consistently harassed by men in the first parts of the book. I do not think this is necessarily bad but none of the male characters are in any way sexualized or described as attractive, which I do think is somewhat unmodern, if you will. Nothing big, but I personally did notice this and hope this diminishes further as the series continues.
For now I am generally satisfied with this book, it has a nice ending and a good cliff hanger for each story line. I am looking forward to read the next book and can only hope that it will mend some of the irks while maintaining its great qualities.
qjbrown96's review
2.0
I will admit that this series has potential and I loved the first 25% of the book but I eventually dnf’d at 60%. There’s just too many books to read boring books. The constant history lessons that aren’t memorable in the slightest and the language the author created is very annoying. I get putting a language in for a sentence or two but these are multiple paragraphs of a language that means nothing. That doesn’t make it more authentic. Just annoying. I’m assuming the ending of this book is outstanding due to all the high praise or people are just giving him good ratings out of personal support. I may never know
marthisuy's review against another edition
adventurous
emotional
inspiring
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0
joelteon's review
3.0
Meh
Well that was very average indeed. I read so many glowing reviews from booktubers and authors alike who likened this book to Tolkein. How wrong that comparison was. I struggled to get through this book and only kept going to see if it caught my interest. It did not.
Well that was very average indeed. I read so many glowing reviews from booktubers and authors alike who likened this book to Tolkein. How wrong that comparison was. I struggled to get through this book and only kept going to see if it caught my interest. It did not.
mr_basement's review
adventurous
dark
emotional
mysterious
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
3.5
thekingcrusoe's review
5.0
“The Way of Edan" is VERY book, indeed. One of the most book things I've ever read. {Oh my God, I said the thing! :D}
[By the way, if you don't get that joke, I'm sorry, it's a very strange, inside joke lmao]
I think the thing I loved the most about The Way of Edan is simply how well Philip exudes classic fantasy vibes without being a boring Tolkien-clone. Furthermore, not only does this book have all of fun vibes of a classic fantasy novel, it also uses or at least references nearly every classic trope on the planet and completely flips (almost) all of them on their head, so even though the book feels very "familiar", it's also always doing something a tiny bit different than maybe you thought.
All the while, my next major major praise for The Way of Edan is how fully realized it is. Like, it's truly insane. Given the fact that Philip has worked on this for many many years, that's not completely surprising, but it is truly such a deep world and polished story. I have not found myself referencing the map to make sure I know exactly where each scene is happening so much since Lord of the Rings, and I have not found anything since Lord of the Rings (yet; keep in mind I haven't read a whole lot of fantasy yet) with such a deep history and lore to it that you feel INFECTED by your interest in it. There's such much there to sink your teeth into, and only small portions of it are given to you in the story. Eormenlond isn't quite so deep as Middle Earth, don't get me wrong, because Middle Earth is on a whole different level, but I love the world this story is set in.
Philip's use of POV is also great; there are a lot of them (some are unexpected) but all of them necessary, in the sense that every scene has a place. A handful of them may run a couple pages longer than I would've liked, but the amount of times that happened was infrequent, and every scene and POV-switch served its purpose...
...or at least I trust that it does. The Way of Edan is clearly only Act 1, and as such it can hardly even be considered a "happy ending". It is an ending that leaves me exceedingly anxious to find out what happens next. I enjoyed the story and the directions it went; I enjoyed the characters; I enjoyed most everything about the book. I am beyond happy that the rest of the trilogy comes this year.
If you're a fan of classic fantasy, I highly recommend.
Keep on the lookout for a video review in a couple weeks, where I go into a lot more detail and mention a lot more than I can bear to write here, including a handful of maybe the more nit-picky aspects (this review would be a couple thousand words long if I mentioned everything I intend to in the video)! Any "bad" that I have to say about The Way of Edan is all just that nit-picky stuff anyway, such as certain words like "kirtle" being heavily overused for example, but everything else worked very well for me.
Book is very book.
[By the way, if you don't get that joke, I'm sorry, it's a very strange, inside joke lmao]
I think the thing I loved the most about The Way of Edan is simply how well Philip exudes classic fantasy vibes without being a boring Tolkien-clone. Furthermore, not only does this book have all of fun vibes of a classic fantasy novel, it also uses or at least references nearly every classic trope on the planet and completely flips (almost) all of them on their head, so even though the book feels very "familiar", it's also always doing something a tiny bit different than maybe you thought.
All the while, my next major major praise for The Way of Edan is how fully realized it is. Like, it's truly insane. Given the fact that Philip has worked on this for many many years, that's not completely surprising, but it is truly such a deep world and polished story. I have not found myself referencing the map to make sure I know exactly where each scene is happening so much since Lord of the Rings, and I have not found anything since Lord of the Rings (yet; keep in mind I haven't read a whole lot of fantasy yet) with such a deep history and lore to it that you feel INFECTED by your interest in it. There's such much there to sink your teeth into, and only small portions of it are given to you in the story. Eormenlond isn't quite so deep as Middle Earth, don't get me wrong, because Middle Earth is on a whole different level, but I love the world this story is set in.
Philip's use of POV is also great; there are a lot of them (some are unexpected) but all of them necessary, in the sense that every scene has a place. A handful of them may run a couple pages longer than I would've liked, but the amount of times that happened was infrequent, and every scene and POV-switch served its purpose...
...or at least I trust that it does. The Way of Edan is clearly only Act 1, and as such it can hardly even be considered a "happy ending". It is an ending that leaves me exceedingly anxious to find out what happens next. I enjoyed the story and the directions it went; I enjoyed the characters; I enjoyed most everything about the book. I am beyond happy that the rest of the trilogy comes this year.
If you're a fan of classic fantasy, I highly recommend.
Keep on the lookout for a video review in a couple weeks, where I go into a lot more detail and mention a lot more than I can bear to write here, including a handful of maybe the more nit-picky aspects (this review would be a couple thousand words long if I mentioned everything I intend to in the video)! Any "bad" that I have to say about The Way of Edan is all just that nit-picky stuff anyway, such as certain words like "kirtle" being heavily overused for example, but everything else worked very well for me.
Book is very book.