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silentquercus's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Cursing, Injury/Injury detail, Grief, Colonisation, Confinement, Gore, Blood, Death, Police brutality, and Violence
Moderate: Sexual assault, Suicidal thoughts, Gun violence, Excrement, and Pandemic/Epidemic
Minor: Death of parent
salemander's review against another edition
4.0
Graphic: Racism, Sexual violence, Blood, Colonisation, Injury/Injury detail, Pandemic/Epidemic, Gore, Grief, Genocide, Violence, Fire/Fire injury, Slavery, War, Death, and Torture
angiepoggi's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
However, I didn't like the pace. It was slow (which I don't have a problem with) but boring. It took a long time for things to happen and there's a lot of time spent just talking, for example, until halfway through the book, about 245 pages, we were still building the narrative. Not to mention that, when some type of action could've happen, being running around or the characters discovering a secret on their own, a character immediately tells them everything and resolves the possible conflict quickly. Also, after halfway through the book, the pacing becomes very inconsistent, with the ending, the very end, very rushed, but that part didn't bother me as much.
Now, I didn't like one of the main characters, Touraine. She makes some decisions that made me so ANGRY AAA and they didn't make any sense, I mean, in theory they could've made for her, but the author didn't build much of a foundation for it. For example, in relation to the development of this character, I know the points the author wanted to reach in Touraine's journey, but there were none to few scenes to justify the key changes in her head.
Even with all these reservations, I'm still curious to read the second one. I heard that it's a different vibe and that the pacing is better balanced.
Anyway, I recommend this book if you want to read a fantasy that talks about colonialism with a lot of queers. There are a lot of people who love it, including a friend who wanted me to read it, so I think it's worth giving it a chance.
Graphic: Racism, Physical abuse, Violence, War, Gun violence, Islamophobia, Toxic relationship, Police brutality, Hate crime, Colonisation, Cannibalism, Alcohol, Murder, Body horror, Blood, Kidnapping, Gore, Emotional abuse, Genocide, and Racial slurs
Moderate: Sexual assault, Vomit, Mental illness, Torture, Pandemic/Epidemic, and Grief
Minor: Animal death and Pregnancy
marysunburn's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Graphic: Grief, Racism, Blood, Deportation, Pandemic/Epidemic, Trafficking, War, Colonisation, Cursing, Death, Genocide, Gun violence, Injury/Injury detail, and Murder
gigi_jodie's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
"Each path seemed like a different kind of powerlessness, but Touraine didn't know where else she could turn."
I honestly can't explain how well Clark wrote about colonialism and displacement, identity and politics in a divided land.
"Touraine was starting to think it was impossible to come from one land and learn to live in another and feel whole. That you would aways stand on shaky, hole-ridden ground, half of your identity dug out of you and tossed away."
It was so important to have both Touraine's and Luca's perspectives. Because as much as Luca is a power hungry monarch, she does genuinely care deep down, even though her actions might not always reflect that.
"'You will never have nothing. Not like we have nothing. Not like
the Sands have nothing. not like the Qazali have nothing- Not like a
carpenter's daughter in Nowhere, Balladaire, has nothing.' You will
never have to sell yourself to live."
"The sharp edge of Luca's voice rested against Touraine's throat. "I'm
letting you walk out of here on one condition. Get the rebels in line,
I don't want any more bloodshed than you do. The sooner they stop
fighting, the sooner I call of my hounds."
"You deserve this fight."
"The civilians, too? The children?"
"You teach the children to spit on us! Crawl out of your books, and
open your fucking eyes, Luca. This is real. We are real."
Sidenote, it was pretty damn cool to have a disabled princess, showing her reality and struggles without making it a weakness.
And that's all not even to mention all the other INCREDIBLE characters. The way they were discribed, the way they talked and moved I imagined them a certain way for it to only be later that their actual physical attributes were talked about and they were exactly as I imagined.
TIBEAU has my heart, he deserved so much better.
Often stories spare not much room outside of the main characters, but even with only 2 POV's the other characters were so outspoken and alive on the pages.
Anyhow. Read it.
Graphic: Violence, Murder, Grief, and War
heather667's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: War, Injury/Injury detail, Colonisation, Body horror, Death, Gun violence, Pandemic/Epidemic, Suicidal thoughts, Blood, Chronic illness, Grief, Police brutality, Racism, Violence, Classism, Cultural appropriation, Torture, and Vomit
Moderate: Animal death, Child abuse, and Excrement
Minor: Sexual harassment, Sexual violence, Homophobia, Murder, Sexual assault, Abandonment, and Rape
mar's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
Graphic: Blood, Colonisation, War, Injury/Injury detail, Murder, Violence, Gore, Gun violence, Kidnapping, and Racism
Moderate: Grief, Fire/Fire injury, Pandemic/Epidemic, Ableism, Sexual assault, and Torture
Minor: Vomit and Animal death
av0universe's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Gore, Death, Injury/Injury detail, Murder, Religious bigotry, Cannibalism, Colonisation, Gun violence, Violence, and War
Moderate: Murder, Injury/Injury detail, Grief, Vomit, Torture, and Slavery
Minor: Sexual violence
rebekah_t's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Colonisation, Gore, and Grief
Moderate: Slavery
sup3r_xn0va_maya's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
I loved the world building, I could clearly see the coutry of Balladaire in my mind's eye. This is definitely a fantasy because
I read this for my book club, The Supernova Book club
Graphic: Blood, Abandonment, Racism, Body horror, Child abuse, Child death, Colonisation, Death, Death of parent, Gore, Grief, Gun violence, Kidnapping, Misogyny, War, Injury/Injury detail, and Violence