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zsnails99's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: War, Religious bigotry, Murder, Slavery, Colonisation, Violence, Kidnapping, Forced institutionalization, and Death
Moderate: Xenophobia, Racism, Cultural appropriation, Toxic relationship, Sexual assault, Pandemic/Epidemic, Genocide, Torture, Deportation, and Blood
persephonefoxx's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
She was as free now as she ever would be. She could choose what she fought for. She could choose who she was willing to die for
This book has me conflicted - while it tells a story that is both confronting and important, there are elements that fell flat for me.
This does an amazing job depicting the horrors of war and revolution, and the desperation of people fighting for their lands, their right to be treated as people, their freedom. It is confronting. It is raw. It is very real in its depiction.
My struggle in this book stems more from the characters. I love a flawed character, it is what makes them real. However, the plot of this book ruminated on the constant backsliding and poor decisions made my Touraine and Luca. And while I believe Touraine completed a character arch, growing and changing (albeit it with constant side switching). Luca almost started and finished in the same place, just with a plethora of poor choices in the middle.
Lastly, there are intricacies when depicting a coloniser/colonised relationship that I do not believe were hit. I am interested to see how the relationship and romance is handled and develops over the rest of the series.
TL:DR - What this book has to say is very important. And Clark doesn’t sugar coat the horrors of colonisation and war. However, some marks outside of action and conflicts were missed. I am tentatively going to pick up the next book, and am curious to see if these marks are hit in the sequel.
Graphic: Racism, Vomit, Violence, Colonisation, Blood, War, Death, Gore, and Confinement
Moderate: Torture, Classism, Sexual harassment, and Religious bigotry
Minor: Rape and Gun violence
sophiesmallhands's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Gun violence, Colonisation, Blood, Slavery, Gore, Religious bigotry, Racism, Violence, Death, War, Chronic illness, Police brutality, and Injury/Injury detail
Moderate: Child abuse, Torture, Hate crime, Classism, Kidnapping, Animal death, Vomit, Pandemic/Epidemic, and Cursing
av0universe's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Gore, Death, Injury/Injury detail, Murder, Religious bigotry, Cannibalism, Colonisation, Gun violence, Violence, and War
Moderate: Murder, Injury/Injury detail, Grief, Vomit, Torture, and Slavery
Minor: Sexual violence
aseel_reads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Moderate: Sexual harassment, Body shaming, Child death, Child abuse, Colonisation, Death, Injury/Injury detail, Religious bigotry, Toxic friendship, Genocide, Gun violence, War, Blood, Kidnapping, Medical content, Rape, Torture, Violence, Vomit, Bullying, Fire/Fire injury, Murder, Slavery, and Toxic relationship
distraughtplant's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
The main issue I found in this book is that we could've had more insight and "behind the scenes" looks at why the Luca and Tourraine especially make the decisions they do. Sometimes decisions are made that don't feel like they ever have space to be processed because we glaze over the internal processes and struggles of the characters.
However! I loved this book. The Unbroken is loyalty and betrayal and heartbreak and revolution and political pressures and magic and a little bit of lust. It is gorgeous and heart wrenching and real. There are no moments any characters actions felt rushed or out of place. I love this book for it's perfect pacing, it's immaculate queer representation (and non binary representation! I NEED to see more of Niwai and their lioness). I love it most for it's many showcases of the complexities around human emotions and thought processes and why people may do the things they do. I also love it for it's calculated witholdings of full explanation. Humans don't always even know why they've done something, just that it feels it's the right way, or the only option. I love The Unbroken for it's raw depictions of humanity, which will stick with me long after the images of blood, shit, and gore fade away.
Graphic: Police brutality, Religious bigotry, Gore, Racism, Death, Colonisation, Violence, and Xenophobia
Moderate: Grief, Slavery, Classism, Cultural appropriation, Physical abuse, and Sexual assault
Minor: Alcohol, Confinement, Chronic illness, Cannibalism, and Animal death
eagoldberg's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Gore, Racism, Torture, Blood, Classism, Physical abuse, Death, Colonisation, Bullying, Violence, and Xenophobia
Minor: Cannibalism, Sexual harassment, Religious bigotry, and Ableism
talonsontypewriters's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Graphic: Murder, Gore, Gun violence, Slavery, Violence, Grief, Blood, Classism, Confinement, Xenophobia, Colonisation, Death, Injury/Injury detail, Police brutality, Racism, and War
Moderate: Chronic illness, Torture, Emotional abuse, Religious bigotry, Ableism, Medical content, Sexual harassment, Pandemic/Epidemic, Trafficking, Child abuse, Fire/Fire injury, and Kidnapping
Minor: Animal death, Child death, Vomit, Death of parent, Sexual content, Rape, Sexual assault, Suicidal thoughts, and Alcohol
Execution by hanging. Power imbalance in relationship (representative of colonizing government/colonized subject).alittleoverrated's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
But I am better at complaining than telling you its good.
I will give the book a slight pass on my first problem, which was what felt like a clumsily fast pacing because I listened to the book on 1.25x speed like three days straight while getting distracted at work, so sub optimal listening conditions. But still, I felt like I was being jerked around to the next thing pretty quickly with very little breathing room to get used to the characters in their current state and understand what they were feeling before they changed their mind an moved on to the next new thought. WHICH THEY DID A LOT, like i love these character but they could not stick to their convictions on anything. Touraine is boasted as a loyal to a fault solider, who betrays a different set of people like every five chapters. I get the character growth she was going through, I get the conflict of WHY, what I don't get is the doubling back multiple times. I was just a little tired of the constant back and forth by the end.
Also, Like I heard someone else mention in a review, the romance was not given enough time to slowburn at ALL before they were suppose to enemies again. There wasn't a strong enough foundation for the story they were trying to sell.
Anyways, just got the 2nd book in from the library and I'm going to devour it because why? say it with me folks. I really like this series anyways.
(Also, overused word of the book is bowels, which is just frankly the worst.)
Graphic: Blood, Death, Police brutality, Religious bigotry, Colonisation, Excrement, Gore, Murder, and War
bisexualwentworth's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
The Unbroken is a military fantasy set in a fantasy version of North Africa (the former Shālan Empire) that has been colonized by fantasy France (Balladaire). It follows two point-of-view characters: Touraine, a Qazāli-born conscript of the imperial army, and Luca, the crown princess of Balladaire, and their complicated relationship with each other, both as individuals and as stand-ins and representatives for their nations and cultures.
I haven't read another fantasy novel that explores internalized oppression, empire, and white saviorism in quite the gorgeous and intertwined way that C. L. Clark does in The Unbroken.
When we first meet Luca, she is a princess and a scholar, passionate about doing right by her people—so that she can take the throne that is rightfully hers from her uncle the Duke Regent. As a scholar, she has theoretical knowledge of the horrors of empire. She expresses interest in and respect for Shālan culture in a way that no other Balladairan-born character does. These aspects of Luca endear her to the reader—and draw Touraine to her as the two women grow closer. And then she loses herself to the same colonizing impulses that she thought herself better than earlier in the novel.
When we first meet Touraine, all she cares about is the wellbeing of her fellow conscripts. They are her family, and she will do whatever necessary—even on behalf of the empire that took everything from them—to protect that family and do what she thinks is best for them. Unlike Luca, Touraine is fully grounded in the realities of her situation—and then her world shifts and expands. She makes mistakes. She fucks things up. And she is complex and heartbreaking and BRILLIANT. Touraine's growth over the course of this book stunned me. It made me feel so many things so deeply. Her entire mindset changes, gradually and painfully, over the course of the novel, without changing what makes up her essential self.
The worldbuilding is delicious. C. L. Clark obviously draws all of the aesthetics and language of both Qazāl and Balladaire from the real world, but she also incorporates trade, religion, political theory, and even disease in ways that make the world feel unique and fresh and lived in.
I don't want to talk about the plot too much because I think that readers should discover its twists on their own, but I cannot wait to discuss their book at greater length with more spoilers at some point.
My one real critique of this book is that I didn't feel like I understood the magic well enough for the heavy lifting it does in the climax and resolution of the book to be totally satisfying.
Additionally, if you are looking for romance, this is the wrong book for you. To be clear, it is VERY sapphic. And if you enjoy hot women with swords, you are absolutely going to eat this shit up. But I would not call the extremely fraught entanglement between the two main characters romantic. It is far more complicated than that, and I feel like boiling down Touraine and Luca's dynamic to the sexual or romantic desire of it would be an insult both to Touraine's character and to the overall goals of the novel. There is not a romance between the leads in this book, nor should there be.
There IS a sapphic side couple in this book that will likely break your heart, though.
Oh, and HOLY MOMMY ISSUES OH MY GOD.
Favorite quotes:
- "Maybe she had been a dog all this time, but she was ready to fight back."
- "It was easy to be a villain when she felt like on inside."
- "A smattering of applause. Less than she'd hoped for, more than she had any right to expect."
It likely goes without saying that this book handles its diversity brilliantly. The world is queernormative and seemingly lacking in any sort of gender roles, but it has all of the other violences and bigotries and evils of our own world. Luca is physically disabled, and the book handles her disability beautifully.
C. L. Clark is the sort of writer I want to be. I can't wait to read The Faithless.
Graphic: Gun violence, Death, Violence, Colonisation, War, Slavery, Murder, Racism, Blood, Gore, and Torture
Moderate: Xenophobia, Religious bigotry, Racial slurs, Child abuse, Sexual harassment, Kidnapping, Sexual assault, Rape, Grief, and Terminal illness
This is a very heavy book overall. One of the very first scenes is a hanging. Be prepared for that sort of thing throughout, and if that sounds like too much, it is likely not the book for you.