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percys_panda_pillow_pet's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.25
Sager's Final Girls isn't unique in wanting to explore the idea of the final girl further, of what it's like after everything. Previously, there was The Last Final Girl by Stephen Graham Jones in 2012 and later, in 2021, Grady Hendrix's The Final Girl Support Group. All of these books follow a similar storyline: there are these "final girls" who each survive what is by all accounts a massacre and then they are seemingly being killed off until the main character is left. This leaves the main character a "true" survivor, I suppose.
My problem with Sager's Final Girls isn't that there are other books like it, there are many ways to tell the same story after all. More so, I could tell Sager was still inexperienced at writing when it was published. While I appreciated the thematic nature of the past being told in the third person point of view and the present told in first person point of view, since the main character and narrator, Quincy, is unreliable due to her amnesia of the horrible night all her friends were killed; in the end, I found the switch in POV jarring to go between.
As well, I could tell Sager was inexperienced in writing women specifically. Quincy herself was very annoying, and constantly got in her own way. But there was not only a strange love triangle between her, her boyfriend Jeff, and Coop, the cop who saved her life, there were also strange homoerotic tones between Quincy and her female friends/acquaintances. I felt like the was supposed to be a commentary on sexuality perhaps, especially when it comes to final girls (Check out Dead Meat Podcast Episode 15: Final Girl on YouTube for more information about that), but so much of it flopped and came off as cringey.
I liked that Quincy was unreliable and I was intrigued by the complexity of several of the characters. However, they were often too unlikable for me to really invest in them fully, and I constantly found myself hating each and every one of them at different points in the book.
Overall, I personally think that maybe the concept of finals girls should be left to the movies, or perhaps women authors who may be able to understand the deeper fears that persist in today's society of violence against women.
Graphic: Alcohol, Vomit, Drug use, Sexual assault, Sexual harassment, Drug abuse, Blood, Genocide, Injury/Injury detail, Murder, Panic attacks/disorders, Sexual content, and Violence
Moderate: Addiction, Suicide, Mental illness, Suicidal thoughts, Emotional abuse, Gun violence, Infidelity, Toxic relationship, Classism, Cursing, Toxic friendship, Alcoholism, Self harm, Eating disorder, and Forced institutionalization
Minor: Chronic illness, Death of parent, Police brutality, Sexism, Ableism, Cancer, Misogyny, Racism, and Death
As for the ending,parasolcrafter's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.5
Moderate: Gore and Blood
Minor: Death, Ableism, Vomit, Violence, Sexual content, Murder, Injury/Injury detail, Forced institutionalization, Alcohol, and Drug use
davidrb's review
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
1.0
No spoilers, but this is a tedious mess. For a thriller (and make no mistake: this is a thriller and not a horror), the pace is unbearably slow. The characters are beyond flat and contrived. The writing style gives absolutely nothing. Most damningly, the author takes a very dismissive approach towards more "traditional" trauma victims (i.e. survivors of rape and assault) in favor of his prototypical final girl, which is both uncomfortable to read and doesn't at all serve the story, considering it's a narrative about how trauma shapes people. Ostensibly.
Horror satire can still be suspenseful and scary (think Scream), but this forgoes any meaningful commentary in favor of cheap twists, and, in fact, has very little to say about the genre at all. I only gave it 1 star because I gave The Maidens 1 star, and I wouldn't say I hated it more. (I'm really striking out with thrillers lately.)
Graphic: Addiction, Alcohol, Blood, Ableism, Child abuse, Death, Drug abuse, Eating disorder, Forced institutionalization, Gaslighting, Grief, Gun violence, Infidelity, Kidnapping, Mental illness, Murder, Panic attacks/disorders, Pedophilia, Rape, Sexual assault, Sexual content, Stalking, Toxic friendship, and Violence
gvspn's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Graphic: Death and Murder
Moderate: Ableism, Blood, Cursing, Drug use, Drug abuse, Grief, Mental illness, Suicide, and Misogyny
Minor: Cancer, Death of parent, Domestic abuse, Infidelity, Kidnapping, Sexual content, Stalking, Toxic relationship, and Vomit