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Reviews tagging 'Genocide'
La casa en el mar más azul. Edición especial: Edición especial con cantos tintados by TJ Klune, Carlos Abreu Fetter
18 reviews
funny
hopeful
inspiring
lighthearted
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
No
Content Warnings
Graphic: Ableism, Body shaming, Child abuse, Emotional abuse, Fatphobia, Gore, Violence, Forced institutionalization, Xenophobia, Religious bigotry
Moderate: Ableism, Confinement, Death, Homophobia, Blood, Cannibalism, Abandonment, Dysphoria
Minor: Eating disorder, Genocide, Pedophilia, Fire/Fire injury
emotional
informative
inspiring
reflective
slow-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
Content Warnings
Moderate: Genocide
adventurous
emotional
funny
hopeful
inspiring
slow-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
The House in the Cerulean Sea is a gem of a book, & TJ Klune is a gem of an author.
Being queer & autistic, I have often felt othered throughout my life by virtue of who I am. The story of Arthur Parnassus & his wards teaches us that it's not who we're born to, or what we are, that defines us; it's how we treat others. & poor, misguided Linus Baker teaches us that it's never too late to change your mind, to learn to accept, to love, to let color into your life despite said color turning your world upside down.
Truly, Linus learns what really matters and where he belongs, casting aside his grey, corporate existence & finding his stride. He learns to love those who are different, & to use his connections (& newfound confidence) to keep them safe.
Klune's love stories, too, are flawlessly executed. As a queer person, it's important for me to see representation, but not just any representation - representation that's kind, & whole, & free of tragedy. The central love story (Linus & Arthur, though that's not hard to guess) isn't a story of coming out, or being hurt, or being discriminated against for their queerness; it's as normal as any non-queer relationship, & so little attention is drawn to the fact that they like men. It's so necessary to have queer stories where queerness is normalized.
This same principle shows up with the children, too. Talia - a female gnome, who is also a child - has a beard, as she should. I'm also a big fan of media where the dragons (or wyverns) are friends instead of enemies. Everything that the children are is normalized.Truly, I don't think anyone else would've been able to pull off the Antichrist bit, too.
While I did love this book, it started to drag its feet by the end. It seems like the last quarter of it was just characters monologuing at each other, and then the other side just magically changing their minds after being lectured. (I do love a happy ending, but I love a realistic happy ending more.) It just moved so slowly, & was extremely heavy-handed in terms of the message. This was perhaps intentional, but the book was doing fine getting across the message without the monologuing. Reminds me of trying to hit an essay word count in high school. Really, though, this is a minor thing in comparison with the rest of the book, which I deeply, deeply, enjoyed.
Being queer & autistic, I have often felt othered throughout my life by virtue of who I am. The story of Arthur Parnassus & his wards teaches us that it's not who we're born to, or what we are, that defines us; it's how we treat others. & poor, misguided Linus Baker teaches us that it's never too late to change your mind, to learn to accept, to love, to let color into your life despite said color turning your world upside down.
Truly, Linus learns what really matters and where he belongs, casting aside his grey, corporate existence & finding his stride. He learns to love those who are different, & to use his connections (& newfound confidence) to keep them safe.
Klune's love stories, too, are flawlessly executed. As a queer person, it's important for me to see representation, but not just any representation - representation that's kind, & whole, & free of tragedy. The central love story (
This same principle shows up with the children, too. Talia - a female gnome, who is also a child - has a beard, as she should. I'm also a big fan of media where the dragons (or wyverns) are friends instead of enemies. Everything that the children are is normalized.
While I did love this book, it started to drag its feet by the end. It seems like the last quarter of it was just characters monologuing at each other, and then the other side just magically changing their minds after being lectured. (I do love a happy ending, but I love a realistic happy ending more.) It just moved so slowly, & was extremely heavy-handed in terms of the message. This was perhaps intentional, but the book was doing fine getting across the message without the monologuing. Reminds me of trying to hit an essay word count in high school. Really, though, this is a minor thing in comparison with the rest of the book, which I deeply, deeply, enjoyed.
Content Warnings
Minor: Child abuse, Confinement, Cursing, Genocide, Hate crime, Torture, Xenophobia, Death of parent, Fire/Fire injury
emotional
funny
hopeful
inspiring
lighthearted
reflective
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
Content Warnings
Moderate: Ableism, Body shaming, Bullying, Child abuse, Racism, Forced institutionalization, Religious bigotry
Minor: Genocide, Sexual content
adventurous
challenging
dark
emotional
funny
hopeful
sad
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
A world of dismal grey becomes cerulean for Mr Linus Baker when he is assigned to assess the suitability of a Level 4 orphanage that houses dangerous magical children.
This was a beautiful heartbreaking story of hatred born from fear, love and it's gentle change, and a man slowly becoming undone.
One star deducted because the story was inspired by the forced institutionalisation of native children in residential schools, and turning this trauma into a fantasy, with naive solutions and a magical happy ending to what is a complex problem, felt nonchalant. I do think, however, that this kind of story needs to be told to show how unintentionally ignorant we can be by sticking to the narrow viewpoint we've been told to live within- the rules and regulations we become accustomed to living by.
This was a beautiful heartbreaking story of hatred born from fear, love and it's gentle change, and a man slowly becoming undone.
One star deducted because the story was inspired by the forced institutionalisation of native children in residential schools, and turning this trauma into a fantasy, with naive solutions and a magical happy ending to what is a complex problem, felt nonchalant. I do think, however, that this kind of story needs to be told to show how unintentionally ignorant we can be by sticking to the narrow viewpoint we've been told to live within- the rules and regulations we become accustomed to living by.
Content Warnings
Graphic: Forced institutionalization
Moderate: Child abuse, Confinement, Genocide, Hate crime, Racism, Fire/Fire injury, Abandonment, Colonisation, Classism
Minor: Cursing
adventurous
emotional
funny
hopeful
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
Cute! A cozy feel good read, which is surprising given that the majority of the book feels like a clear allegory to residential schools for indigenous children in the Americas. It however, focuses less on the major issues of the institution of the magical orphanages and more on the individual characters for this particular story.
Loved the kids characters and the style of magical powers in a mundane and prejudiced world. Klune does a wonderful job of creating vibrant lovable characters. This is definitely a character driven story more than a plot driven story. Most of the story movement being Linus the MC’s change in his perception of magical people and his job at DICOMY.
My main issue for this book was the plot resolution felt very grade school fiction book-esque. There was a problem, then with little work it’s resolved. It felt anti-climactic.
Additionally, I wish the setting was a little more flushed out. What was the history of DICOMY/DICOMA and how it started. The vague history between Arthur and Mr. Handsome seemed like it was going to be super important to the plot but then wasn’t (or was, I’m unclear).
I did love the relationships that Linus developed with each of the children; especially his relationship with Lucy as his fear turns to love and indulgence.
Loved the kids characters and the style of magical powers in a mundane and prejudiced world. Klune does a wonderful job of creating vibrant lovable characters. This is definitely a character driven story more than a plot driven story. Most of the story movement being Linus the MC’s change in his perception of magical people and his job at DICOMY.
My main issue for this book was the plot resolution felt very grade school fiction book-esque. There was a problem, then with little work it’s resolved. It felt anti-climactic.
Additionally, I wish the setting was a little more flushed out. What was the history of DICOMY/DICOMA and how it started. The vague history between Arthur and Mr. Handsome seemed like it was going to be super important to the plot but then wasn’t (or was, I’m unclear).
I did love the relationships that Linus developed with each of the children; especially his relationship with Lucy as his fear turns to love and indulgence.
Content Warnings
Moderate: Child abuse, Confinement
Minor: Cursing, Genocide, Hate crime
Given its 4.40-star rating on Goodreads and numerous glowing reviews, I had high expectations for this book. However, it turned out to be based on the Sixties Scoop, an event fraught with pain and suffering. I found the representation of real-world Native children's trauma in "The House in the Cerulean Sea" deeply troubling. This book transforms the unbearable trauma—encompassing both the literal and cultural murder—of these children into a simplistic tale where the fantasy version of such horrific foster homes is portrayed positively.
The author himself acknowledged this in a quote:
“I didn’t want to co-opt, you know, a history that wasn’t mine. I’m a cis white dude, so I can’t ever really go through something like what those children had to go through. So I sat down and I was like, I’m just going to write this as a fantasy.”
Despite being fully aware of the sensitive nature of the history he was touching upon, Klune created a story that trivializes the real and ongoing suffering of Indigenous children and their communities. These children were forcibly separated from their families and subjected to torture, sexual abuse, and murder as part of cultural genocide. Klune profits from a narrative that glosses over the severe and lasting impacts of these atrocities, which continued into the mid-1990s, on Indigenous people who still face systemic oppression today.
Additionally, the book is quite depressing. It follows a lonely man with a miserable life, working in a toxic environment, and disliked by everyone around him—including his cat, boss, coworkers, neighbors, and even the bus driver. He lives in a perpetually rainy city and perpetually forgets his umbrella. This gloomy narrative is masked in overly sweet language, lacking any nuance or real consideration of historical and systemic oppression.
The author himself acknowledged this in a quote:
“I didn’t want to co-opt, you know, a history that wasn’t mine. I’m a cis white dude, so I can’t ever really go through something like what those children had to go through. So I sat down and I was like, I’m just going to write this as a fantasy.”
Despite being fully aware of the sensitive nature of the history he was touching upon, Klune created a story that trivializes the real and ongoing suffering of Indigenous children and their communities. These children were forcibly separated from their families and subjected to torture, sexual abuse, and murder as part of cultural genocide. Klune profits from a narrative that glosses over the severe and lasting impacts of these atrocities, which continued into the mid-1990s, on Indigenous people who still face systemic oppression today.
Additionally, the book is quite depressing. It follows a lonely man with a miserable life, working in a toxic environment, and disliked by everyone around him—including his cat, boss, coworkers, neighbors, and even the bus driver. He lives in a perpetually rainy city and perpetually forgets his umbrella. This gloomy narrative is masked in overly sweet language, lacking any nuance or real consideration of historical and systemic oppression.
Content Warnings
Graphic: Genocide, Racism
adventurous
emotional
funny
hopeful
lighthearted
reflective
relaxing
sad
fast-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
Content Warnings
Graphic: Body shaming, Child abuse, Mental illness, Panic attacks/disorders, Racism, Forced institutionalization, Xenophobia, Grief, Abandonment
Moderate: Bullying, Confinement, Fatphobia, Racial slurs, Gaslighting
Minor: Chronic illness, Cursing, Emotional abuse, Genocide, Hate crime, Homophobia, Physical abuse, Self harm, Sexual content, Violence, Medical content, Car accident, Death of parent, Fire/Fire injury
dark
slow-paced
Plot or Character Driven:
A mix
Strong character development:
No
Loveable characters:
No
Diverse cast of characters:
Yes
Flaws of characters a main focus:
No
Read For:
Fantasy
Slow Burn
Found Family
Idiots in Love
Happy Ending
Think Miss Peregrine's Home for Peculiar Children vibes but kinda queer. I just felt kinda neutral about it. The humor was okay, the characters were okay, and the setting was kinda meh. I just felt like I had to force myself to keep reading and if I didn’t already own the book I would have stopped. Also, I thought there would be more queer rep to be honest so that was kinda disappointing. Not to mention the fatphobia.
I wasn’t going to read this given the reviews I’ve been seeing recently, however, I already own the first two books so I figured I’d see if it was as bad as some of the reviews were saying. And honestly, I just didn’t understand the hype about it. Even not knowing what the book was based on it was barely a 3-star rating for me, it just fell flat to me.
However, learning that this was based on the Sixties Scoop and how the author decided to turn what was a cruel and tragic piece of history he read about on Wikipedia about how the Canadian government removed a bunch of indigenous children from their literal homes and away from their family only to be adopted to white, middle-class families and he then took that information and basically turned it into a happy little fantasy where the kids live not in an “orphanage” but a “home” like, dude, why?
This kind of thing is still something native people are dealing with and as a white person, it should not be something you’re involved in like this. In America the Supreme Court literally is going to be voting soon on overturning ICWA so states can regain control to remove Native children from their homes and families, this isn’t just some fantasy. This story could have been written way better and in a way that did romanticize trauma and make light of a literal genocide.
I just wouldn’t recommend this one. There are some links on where I got my information from if you’re interested along with two reviews I think do a better job of explaining this than I did.
Links:
Source: https://link.gale.com/apps/doc/A617930246/ITBC?u=uvictoria&sid=bookmark-ITBC&xid=0efbabda
Wikipedia: https://en.m.wikipedia.org/wiki/Sixties_Scoop
Helpful Review: https://www.goodreads.com/review/show/4032060130
Another Helpful Review: https://www.goodreads.com/review/show/3601407534
Rep: Achillean, Queer MC
Content Warnings
Graphic: Body shaming, Bullying, Child abuse, Confinement, Eating disorder, Emotional abuse, Fatphobia, Genocide, Hate crime, Mental illness, Physical abuse, Racism, Forced institutionalization, Xenophobia, Religious bigotry, Abandonment
Moderate: Ableism, Animal cruelty, Homophobia, Violence, Grief, Death of parent, Classism
Minor: Animal death, Body horror, Death, Blood, Cannibalism, Murder, Fire/Fire injury
adventurous
dark
funny
hopeful
inspiring
mysterious
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
A lovely read. Likely relatable for anyone who has been treated as an “other” (it was for me, at least) and there are parallels in the real world for such “orphanages” — the group homes that disabled children are placed in are similar. Run mainly by non-disabled people, not understanding the needs of the children who live there…
Content Warnings
Moderate: Child abuse, Confinement, Emotional abuse, Genocide
Minor: Death of parent