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3.77 AVERAGE
3.77 AVERAGE
adventurous
dark
emotional
mysterious
sad
tense
slow-paced
Plot or Character Driven:
N/A
Strong character development:
N/A
Loveable characters:
N/A
Diverse cast of characters:
N/A
Flaws of characters a main focus:
N/A
adventurous
dark
hopeful
mysterious
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated
Stephen King explains that he believes Night Shift, Skeleton Crew, and Nightmares & Dreamscapes to all be one trilogy of his shorts. The latter of which consisting of some shorts he didn’t think were entirely ready on the same level as the other two collections at first.
- Crouch End (Lovecraftian horror)
- Suffer the Little Children (feels Clive Barkerian)
- Sorry Right Number (Hitchcock would’ve loved this Twilight Zone style ep)
- Popsy (the recent Abigail movie definitely read this)
- Chattery Teeth (feels like parallel to The Monkey)
- The Night Flier (Nightmare at 20,000 Feet if the plane also landed)
- 10 O’clock People (King’s They Live)
- Rainy Season (Shirley Jackson’s The Summer People meet The Nest)
- The End of the Whole Mess (could be a Twilight Zone ep)
- Ummey’s Last Case (great Barton Finkish concept that should be adapted)
- Home Delivery (small island community zombie short)
- The Moving Finger (guy loses his mind locked in his apartment type beat)
- Dolan’s Cadillac (might be the most screen adaptation potential, which it does have one)
- Doctor’s Case (King’s jab at Sherlock & Watson)
- The Fifth Quarter
- It Grows on You
- My Pretty Pony (feels like a brief flashback of a bigger story)
- Sneakers (incredibly underwhelming given the potential)
- You Know They’ve got a Hell of a Band (bland despite the premise)
- Dedication (as usual, King is rather odd when writing Black characters, and this is an entire Black narrative here)
- The House on Maple Street (forgot it instantly)
- The Beggar and the Diamond (not a King story, but added in)
I don’t count the poem Brooklyn August, or Head Down, as that was King sitting about his son’s real baseball game.
- Crouch End (Lovecraftian horror)
- Suffer the Little Children (feels Clive Barkerian)
- Sorry Right Number (Hitchcock would’ve loved this Twilight Zone style ep)
- Popsy (the recent Abigail movie definitely read this)
- Chattery Teeth (feels like parallel to The Monkey)
- The Night Flier (Nightmare at 20,000 Feet if the plane also landed)
- 10 O’clock People (King’s They Live)
- Rainy Season (Shirley Jackson’s The Summer People meet The Nest)
- The End of the Whole Mess (could be a Twilight Zone ep)
- Ummey’s Last Case (great Barton Finkish concept that should be adapted)
- Home Delivery (small island community zombie short)
- The Moving Finger (guy loses his mind locked in his apartment type beat)
- Dolan’s Cadillac (might be the most screen adaptation potential, which it does have one)
- Doctor’s Case (King’s jab at Sherlock & Watson)
- The Fifth Quarter
- It Grows on You
- My Pretty Pony (feels like a brief flashback of a bigger story)
- Sneakers (incredibly underwhelming given the potential)
- You Know They’ve got a Hell of a Band (bland despite the premise)
- Dedication (as usual, King is rather odd when writing Black characters, and this is an entire Black narrative here)
- The House on Maple Street (forgot it instantly)
- The Beggar and the Diamond (not a King story, but added in)
I don’t count the poem Brooklyn August, or Head Down, as that was King sitting about his son’s real baseball game.
challenging
dark
mysterious
tense
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
Complicated
Flaws of characters a main focus:
Complicated
There are too many stories in this book for me to write snippets. I would say I enjoyed about 50% of the stories in this book. About 20% I thought were pretty good. And about 30% that were so-so. There are some really excellent ones that pull you in, even though they are short. Then there are some that I just couldn't get into. I have read a few of King's short stories novels, (and short storie novels in general) and this always seems to be the case for me. His more current "Just After Sunset" volume of short stories was better, but this one is older. (written in 1992 I believe). I listened to it and the cast he got to read the stories were star studed and that made it fun.
adventurous
challenging
dark
medium-paced
Plot or Character Driven:
A mix
Strong character development:
N/A
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated
medium-paced
adventurous
dark
mysterious
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
dark
mysterious
fast-paced
This is one of my favorite collections from Stephen King. I love anthology books and this one did not disappoint. I was very entertained by most of the stories here but there were a few I could not get enthusiastically invested in, hence only 4 stars to my rating. But 4 stars is still very good which is what this book ultimately is.
This is a fairly typical early Stephen King collection: a few stories are great, most are simply good, and a couple are pretty bad. On the upper end of that scale we have Dolan's Cadillac, which is a King take on The Cask of Amontillado, wherein a man gets revenge on his wife's killer by methodically burying him alive in the titular car. Home Delivery, about a group of islanders who survive once the graveyards on the mainland start spewing out zombies, is also pretty great and classic Stephen King. But reading the whole collection also means suffering through items like Head Down, a 54-page nonfiction account of his son's Little League season that's every bit as self-indulgent as it sounds. (In a way I guess that's as horrifying as the zombies...)