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picaresquedreamer's review
Graphic: Sexism, Grief, Murder, Injury/Injury detail, Misogyny, Transphobia, Violence, Gaslighting, Colonisation, Death, Emotional abuse, Fire/Fire injury, and Religious bigotry
claire_riach's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Deadnaming and Transphobia
Moderate: Body shaming, Death of parent, Death, Fire/Fire injury, Misogyny, Pregnancy, and Sexism
careinthelibrary's review against another edition
- Plot- or character-driven? A mix
4.0
Didn't expect so much to feel like an honouring of <i>Hild</i> by Nicola Griffith, one of my all-time favourite historical fiction epics. Although <i>Hild</i> takes place in this book's future, it feels like they are referencing the same texts, worldviews, problems, and imaginings of the land. Even the references to the patterns that connect us all to the land felt very Griffith and very <i>Hild</i>! Love it.
Graphic: Death, Transphobia, Fire/Fire injury, Injury/Injury detail, Murder, Religious bigotry, and Sexism
Moderate: Pregnancy, Sexual content, Dysphoria, Death of parent, Grief, Ableism, Violence, War, and Toxic relationship
alexsartifacts's review
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Violence, Blood, Death of parent, Pregnancy, Gore, Sexism, Death, Fire/Fire injury, and War
20sidedbi's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.75
Graphic: Fire/Fire injury, War, and Transphobia
Moderate: Religious bigotry, Injury/Injury detail, Death of parent, Dysphoria, and Death
Minor: Confinement and Sexism
tashtasher's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Violence, War, Gore, Grief, Injury/Injury detail, Blood, Death, Fire/Fire injury, and Religious bigotry
Moderate: Death of parent, Medical content, and Transphobia
Minor: Chronic illness, Murder, Body shaming, Pregnancy, Sexism, Medical trauma, and Misogyny
becksusername's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.75
Moderate: Colonisation, Deadnaming, Ableism, Animal death, Blood, Death of parent, Fire/Fire injury, Pregnancy, Sexism, Transphobia, and War
shcleveland's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Flaws of characters a main focus? Yes
3.75
At first, I had a really hard time caring about Riva and Sinne. In particular, I found Sinne's sections grating. Up to about the 60% mark, I was wishing Keyne was an only child. As the plot picked up, however, the importance of Riva and Sinne's threads became more apparent. I had an inkling about the big plot twist early on, but the author managed to have me going back and forth second-guessing my assumptions. If I were just rating on plot and characters, the book would be a solid 4.5 stars. However...
There were so many details about the historical setting that I found confusing or just made me want to beat my head against a wall. "WHAT YEAR IS IT????"' was a question I found myself asking constantly. Based on the ash falling from the sky I'm GUESSING that we're looking at 536 CE and boy or boy does that lead me to more questions about the state of affairs as far as the Christianization of these pagan cultures goes. The Romano-Britons probably would have been mainly Christian at that point if I remember correctly.
Which brings me to the paganism of the book. I couldn't tell if the author was going for syncretism, or just pulling the names of pagan gods out of a hat. Some of the West Saxon enemies might have been worshiping Woden, but probably not these Brythonic-speaking celts? The festivals mentioned also looked suspiciously like the Wiccan Wheel of the Year. The Old English Eostre was used in place of Ostara at least, but... the author is clearly aware that it was the Saxons that spoke Old English since there's straight up OE dialogue for them in the book. It's more likely they would have worshipped Eostre? I have questions.
There's also a reference to Lammas, which is again Middle English though it comes from the Old English for "loaf mass" a term that I don't think even the West Saxons would have been using in 536? I'm pretty sure there's a Welsh harvest festival that would have made more sense.
Anyway, the religion and linguistics were just a distracting mess.
Moderate: Death of parent, Gore, Transphobia, Violence, Religious bigotry, and Sexism
Minor: Pregnancy and War
thealienamongus's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Fire/Fire injury, Sexism, Religious bigotry, Blood, Grief, Body horror, War, and Transphobia
Moderate: Deadnaming, Terminal illness, and Death of parent
lilifane's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Some of the very first fantasy books I've read as a child were the Albion/Avalon books by Marion Zimmer Bradley. And especially the beginning of this book reminded me SO much of them, it has the same vibes.
The story takes place in Ancient Britain between the departure of the Romans and the Saxons attacks. It's about 3 siblings, the children of a British king, about their life endangered by the Saxons, about their personal struggles, about magic (vs Christianity), about love and jealousy and betrayal and war and family and identity. Also, there is amazing LGBTQIA+ and disability representation.
The further I got into the story, the harder it was to put the book down. I loved the atmosphere, the (very flawed) characters, the plotting of the story as a whole. There was one plot that was painfully predictable. Like it made everything more cruel because you knew it was coming. But then there were parts of the story that totally took me by surprise.
So, if you don't want to ruin this surprise for you, don't research the ballad (The Twa Sisters), which the story is based on. I did after reading the book, and now I'm even more in awe by how well this retelling was done. Also, a modern version of the ballad is one of my favorite songs by Loreena Mckennitt... and I realized I had never paid enough attention to the lyrics before. Ooops.
Graphic: Violence, Blood, Body horror, Body shaming, Bullying, Death, Deadnaming, Misogyny, Outing, Pregnancy, Death of parent, Dysphoria, Fire/Fire injury, Gaslighting, Gore, Grief, Injury/Injury detail, Religious bigotry, Sexism, Toxic relationship, Transphobia, and War
Minor: Sexual content