reflective tense slow-paced
Plot or Character Driven: A mix
Strong character development: No
Loveable characters: Complicated
Diverse cast of characters: No
Flaws of characters a main focus: Complicated

This was a really oppressive book, particularly in the final chapters. A book where our main character, Winston Smith, is offered a twinge of hope before being completely beaten into the ground. The final chapter really depressed me. Seeing Winston’s fire being completely extinguished left me with a feeling of hopelessness. Even his plan to get the better of the Party in the split second between hearing the shot fired and the bullet entering his brain was thwarted with the final feeling of adoration of Big Brother stole him of any autonomy. A sad man who I rooted for — I even felt like I was the one being punished for believing in him reading the final pages as if it were some cruel operation by the Thought Police.

This book has very outward flaws, the biggest one being Goldstein’s Brotherhood bible just being shoved into the final chapter of Part 2. It felt lazy and would have been far more impactful if it had been edited down rather than constantly repeating the same phrase over and over with different words. It’s completely hamfisted and exhaustive on the reader, and brings the narrative to a complete halt. The characters were also very one-dimensional. Parson, who Winston perceives as a bumbling fool, is probably the most interesting of all the side characters to me. He gets outed by his own daughter, which the evidence for itself seems dubious enough as there is no definite proof that his treachery even happened, and yet he sits beside Winston in the gaol cell beaming with pride. But Orwell tries to paint him as unlikeable by describing him as fat, sweaty, and stupid — which I go more into further on.

The depictions of the characters in general are very of its time. Julia is written to represent moreso the “idea” of women rather than an actual woman. She is far younger and “sexier” than Winston and, despite her sexuality, she settles on him for no real reason given. In the final chapter he almost rejects the possibility of trying to meet with her again, not just because of their equal betrayal of each other, but rather because she is no longer the sweet thing he used to gawk at. He no longer desires her despite having gone through the same physically altering trauma she had gone through. This depiction of Winston’s love interest seems to be more indicative of Orwell’s own views, which loops back to the period in which the novel was written. Even the depiction of the proles was largely influenced by Orwell’s own disgust of the lower class, describing in detail how unattractive the prole women were to Winston with how “wide” they were from pumping out children. To describe the less fortunate as ugly, dirty, stupid, and reduced to just “breeding,” Orwell gives in to the stereotypes that are propped up by the higher class of the real world. There are also insensitive descriptions of non-white people, particularly bad with the seldom Asian characters that are only mentioned in the few paragraphs they are included in.

My only regrets with this book are that I wish I had read this sooner. At my age now, I have become jaded and cynical towards the world. I was apathetic that the characters feared they were being watched and analysed, and that the Party had got away with their tyranny. I was half-expecting Big Brother to have been a machine algorithm all along, with how perfectly planned the Party was in capturing traitors by planting rebellious material as if it were rat poison. In my mind, no political organisation comprised of humans will ever be able to carry out what the Party had while also being able to hold on to their power. Maybe if I had read this when I was younger it would have impacted me more, let alone before the age of surveillance and censorship we are currently in. Either way, I’m still thankful that I finally got around to reading this classic.

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challenging dark emotional mysterious sad tense slow-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Complicated

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dark informative inspiring reflective medium-paced
Plot or Character Driven: A mix
Strong character development: Complicated
Loveable characters: Yes
Diverse cast of characters: No
Flaws of characters a main focus: Complicated

Expand filter menu Content Warnings
challenging dark mysterious reflective sad tense medium-paced
Plot or Character Driven: A mix
Strong character development: Complicated
Loveable characters: No
Diverse cast of characters: Complicated
Flaws of characters a main focus: Complicated

Expand filter menu Content Warnings
dark slow-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Complicated

Expand filter menu Content Warnings
dark emotional mysterious sad tense medium-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Complicated
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

When I read this book in high-school it was - I'll be honest - a bit of a snooze-fest. I don't know whether that's the format or the fact that it was in school or the fact that I was a 17-year-old whose brain hadn't finished developing yet. But good god - the format of this elevates the story so well, adding to the intensity while still honoring the actual content and commentary. The actors are of course phenomenal, but what really blew me away was the sound design. What can be a very technical and sometimes overly intellectual book becomes extremely visceral and immersive, turning a dystopian novel into something that felt more like horror. There are definitely some passages that wax poetic for a while, and some philosophizing moments that drag a bit, but that was a complaint I had of the original book just as much, if not more. Overall, such a cool format, such an excellently produced adaptation - from performances to production - and such a unique experience.

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dark emotional sad medium-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Complicated

Earlier this year, I read Sandra Newman's Julia, and I recently reread my review. It said I didn't like 1984, but I couldn't remember why. So I reread 1984, and now I realize I need to reread Julia to give it a fairer assessment, especially because in rereading 1984, I realized what I really disliked about the book was only Winston. Even before he's subjected to Big Brother, he thinks he's a good and strong human, but really, he is weak and horrid. I hated his admission to Julia of what he thought of her and wanted to do to her before they actually met (made me wish he would be the victim of those very sentiments). I hated that all it took were a few words from Julia for him to puff himself up into who he thought he was and what he thought he deserved.

Other than Winston, I enjoyed the book. Winston's treatment by Big Brother reminded me a bit of Nurse Ratched's torture of Mack in One Flew Over the Cuckoo's Nest.

This book feels like the blueprint for Project 2025. Someday, I'd love to meet one of the Project 2025 architects and get an honest take on how they came to put it together. I would bet my most beloved possession that 1984 heavily influenced their strategy. The thing is, a lot of what's in the book has already proven true or been attempted (e.g., during the Japanese occupation in Korea, Koreans were prohibited from speaking Korean - all language was controlled in an attempt to break the Korean spirit). So they've got plenty of historical evidence of what was effective and what can be reinstated or revisioned. Scary times! Feels like I need to reread Animal Farm too now.

Expand filter menu Content Warnings
dark reflective medium-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Yes

Expand filter menu Content Warnings
challenging dark reflective tense slow-paced
Plot or Character Driven: A mix
Strong character development: No
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: No

Expand filter menu Content Warnings
challenging dark mysterious reflective sad tense medium-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: Complicated
Diverse cast of characters: No
Flaws of characters a main focus: Complicated

A book so devastating, it can swing the reader back around to hope. I first read this in highschool, nearly a decade ago, and chose to read it again as I’d forgotten most of the books events. As a teenager it struck me, and I’ve displayed my copy on my bookshelves ever since. 

I am glad I re-read it. Orwell’s writing is masterful. The novel is a journey that is folded in on itself, details constantly evolving in light of new context. The reader feels the hope and despair Winston oscillates between. The plot is full of intrigue. It stays firm in its recount of horrid events as well as simple human joys. The parallels drawn to our world are startling. The passionate determination of Winston is palpable. Orwells mind has created a world that is not only real within its pages, but persists in one’s subconscious afterward. 

This book is intelligent and poignant. The themes discussed and analyzed are intentionally parallel to our society. The awareness this book awakened in me as a teen and distilled once again as an adult is something I am grateful for-though the reading experience is quite emotionally turbulent.  The story is dark, startlingly so, and I recommend reading it with care.
The latter third was painful for me to read, and the torture Winston endures and what he becomes is frightening.
The version I read has an afterward that I enjoyed, as it handles the dark subject matter honestly, but leaves the reader with a small branch of hope. 

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