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challenging dark mysterious reflective sad medium-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Complicated

I didn't enjoy this book much. The story is well written and easy to read (besides searching the meaning of a few words). I was not a fan of the antisemitism woven through the book.
I did not enjoy the 'book within a book'. I begrudgingly read it because I was unsure whether it was important to the story or not. I found the ending of the book a bit trash too. I have searched for an explanation of it, but haven't felt satisfied.

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Strong character development: Yes
Loveable characters: No
Flaws of characters a main focus: Yes

Expand filter menu Content Warnings
challenging dark informative reflective tense medium-paced
Plot or Character Driven: Plot
Strong character development: Yes
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Yes

[Book club - May 2022]

I now liked this SO much better than when I read it in school at 15. Also really, really reminded me why I like philosophy. '1984' takes the essential philosophical questions "What is (objective) reality? Who constructs reality?" and builds an entire state on the thought that a government could prescribe reality, fleshed out to the last detail. The society and world-building in this is nothing less than spectacular (if absolutely horrifying, of course). Also a great example for a book that puts plot over characters - Winston, Julia etc are just vehicles for the story, examples of people who have been brought up in the society this book aims to paint. Anyways, this was a tough read, but I'm so glad I did read it, and it will stay with me for a long time.

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challenging emotional sad medium-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Yes

Expand filter menu Content Warnings
challenging dark informative mysterious tense medium-paced
Plot or Character Driven: Plot
Strong character development: Complicated
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: No

Expand filter menu Content Warnings
dark reflective slow-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Complicated

Expand filter menu Content Warnings
challenging dark reflective sad tense medium-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: No
Flaws of characters a main focus: Complicated

1984 is a deeply upsetting book. It does not give me hope for the future. By the end of this book, the reader is left with the feeling of having finally reached a handhold at the top of an almost insurmountable summit only to have the bones in your hands systematically crushed by someone you had assumed loved you.
1984 almost makes the unwavering patriotism/belief in a singular person/undefined political ideology, that some of my older family members feel understandable. To see the hero worship for an untouchable ideal that contradicts itself and causes harm without room for critique or progress is painfully relatable for me as an American reader in 2022. I think that crushing dread that there may never be a better world than the one you currently live in with all of its flaws and hardships has been one of the few, traumatic, incorporeal heirlooms that's been passed down for generations.
I really enjoyed the character of Mr. Charrington. I loved the idea of someone lovingly curating ephemeral garbage from generations passed to create a museum of unsellable antiques, and I loved that that persona was an artfully constructed façade for a nefarious character. Orwell drew a brilliant parallel between the telescreen being concealed behind one of the few truly valuable antiques and the thought police officer being behind the studious looking façade that made him look almost like a relic from the past. Behind one of the last few images of the long dead world Winston longed for, which gave him hope for the future, was the symbol and force of the omnipotent presence they thought they were momentarily free from. 
I was genuinely convinced that Winston's fear of rats was going to have stemmed from his baby sister being eaten by them. The repeated mentions of proll women not leaving babies unattended for fear they be eaten by rats combined with the thing Winston had been blocking out, the poverty his family lived in in his early childhood, and his mother and sister's disappearance made that thought a tangible possibility.
Winston's character development before his time in prison was quite interesting. Initially, he was internally quite violent and held a deep hatred for the people around him, especially the women. His dreams of bashing in Julia's skull and his distaste for his neighbor's wife mixed with his misogynist internal monologue made Winston an intensely unlikable character for the first part of the book. Julia's complacency with party rules and regulations so long as they didn't interfere with her sex life, her zealously performed orthodoxy that she performed fluidly and without thought made her similarly unlikable at the beginning. Their pre-prison development made them into almost beautiful people, in terms of personality. They were both developing forms of self expression and learning to appreciate the small joys afforded to the prolls that their stations did not allow. Winston's longing for familial past he could barely remember and Julia's desire to break the rules slowly morphed into a tentatively explored new way of life and love that pulled from both the pre-party way of life and engsoc orthodoxy. The total destruction of their sense of selves during and after their time in prison was upsetting to read, but gave the book a satisfying ending. Winston's breaking point being something so benign and mortal as rats humanized him in such a way that it felt like the culmination of his characterization throughout the book. To have the thing that shatters his psyche be something so ingrained into him that all the mind tricks and double think in the world couldn't erase was weirdly oxymoronic. O'Brien's promise was that they would want to  confess and die for the party and the love of big brother before they would be killed, and Winston's descent into truly believing party orthodoxy happened in a way that is recognizable in the real world in the reactions of people with zealous, deeply held belief systems.

I'm glad I didn't read this book in high school. I had too much optimism for the fate of the world then. It would have gone right over my head.

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dark reflective sad tense medium-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: No
Flaws of characters a main focus: No

at first, it’s a bit hard to get into it. but once you do, the rest of the read is a blur. 

Expand filter menu Content Warnings
dark mysterious sad tense medium-paced
Plot or Character Driven: A mix
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: No
Flaws of characters a main focus: Complicated

Expand filter menu Content Warnings
challenging dark reflective tense fast-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: No
Flaws of characters a main focus: Yes

Expand filter menu Content Warnings