Scan barcode
thymee's review
dark
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Content Warnings
Graphic: Murder
Moderate: Animal death, Animal cruelty, and Suicide
Minor: Child abuse, Fire/Fire injury, Antisemitism, Alcoholism, Death of parent, and Car accident
clavishorti's review against another edition
challenging
dark
emotional
mysterious
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
‘But why are you so pale, Rodion Romanovitch? Is the room stuffy? Shall I open the window?’
In Fyodor Dostoevsky’s monumental opus, Crime and Punishment, readers are beckoned to traverse the vast seas of human emotion and navigate the seldom-explored labyrinth of morality. Against the intricate social tapestry of 19th-century Russia, Dostoevsky orchestrates a mesmerizing masterpiece that portrays both the shadows and the brilliance in a single, sweeping epic.
The very title of the book hints at a symphony of words, where “crime” and “punishment” merely protrude above the surface, akin to the visible peaks of an iceberg. We are compelled to contemplate whether the legal apparatus perennially functions as the custodian of justice alongside the central figure, Rodión Románovich Raskólnikov (Raskolnikov). Through a soul-stirring odyssey of extremes, we plunge into the depths of his destiny. However, Dostoevsky, with profound brilliance, delves beyond the mere realms of redemption.
The foundational themes of poverty and social inequality stand as robust pillars, illustrating the authentic tribulations of characters ensnared within a harsh societal milieu. With unparalleled acumen, Dostoevsky unravels the psychological and emotional repercussions of poverty, charting a course through a morally challenging terrain.
Within the realm of human psychology and the psyche, Dostoevsky constructs a sophisticated and intriguing inner cartography. Readers are guided through the corridors of profound thoughts, experiencing the undulating waves of emotions and the inevitable moral tensions. Amidst the tumult, there exists a glimmer of hope, particularly embodied in the character of Sonia, providing profound emotional counterpoints.
Themes of religion and spirituality, though subtly interwoven amidst the shadows of transgressions, introduce a transcendent dimension to the narrative. Questions pertaining to redemption and the significance of faith emerge as soulful summons, imparting a profound spiritual nuance to the tale.
The author adeptly leads readers through a journey of shadows and enlightenment, elevating Crime and Punishment beyond the realm of mere literature; it becomes a reflective tapestry of life that beckons exploration into the enduring nature of morality and the inner odyssey of humanity. Reading this work is akin to navigating a profound labyrinth of emotions, where each page unfolds not as mere text but as a series of portals revealing the inner landscapes of its characters, particularly Raskolnikov.
The plot, replete with unexpected turns and the psychological intricacies of the main characters, succeeds in both unsettling and enthralling the reader. In particular, the tale of Sonia and Raskolnikov presents a whirlwind of emotions that elude easy articulation. Raskolnikov’s decisions and their consequences create a moral dynamism, pulling readers into a maelstrom of dark and melancholic sentiments. Readers don’t merely peruse the story; they undergo it, with each emotion delving so profoundly that empathy and engagement in the inner journey become inevitable.
The author efficaciously conjures a haunting atmosphere, immersing readers into the dark and somber psychological terrain of Raskolnikov. Readers seemingly stand by his side, feeling the tension and the inescapable internal strife. Personally, I find Constance Garnett’s translation of Crime and Punishment delivers Fyodor Dostoevsky’s classic work into English with a captivating narrative richness. Garnett adeptly captures the intricacies of the Russian language, enabling English readers to feel the darkness and perplexity that permeate the inner worlds of the characters, particularly the protagonist, Raskolnikov.
Garnett provides a gateway into Raskolnikov’s psychological realm, rendering readers witnesses to his shadowy journey. Despite being acknowledged as an exceptional literary work, Crime and Punishment may pose challenges for some readers. The language employed is considered intricate and perplexing, possibly less accommodating for readers who prefer a lighter and more direct writing style.
Some may also perceive that certain characters in the novel are overly one-dimensional. For instance, the character of Sonia might appear excessively “virtuous” and lacking in the nuanced complexity of authentic humanity. Some readers might anticipate characters that are more authentic and intricate. Nonetheless, Crime and Punishment remains a work that entices us to delve deeper into contemplation about life and morality. Despite its complexity, the book retains its inherent allure, prompting contemplation on the intricacies of human life amid all its paradoxes.
With the conclusion of Crime and Punishment, we not only close a book but emerge from a complex labyrinth of the soul. With Dostoevsky’s unparalleled craftsmanship and Garnett’s translation, we are presented with a work of art that immerses us in a carnival of emotions, provoking philosophical questions that reverberate long after the book is sealed. As readers, we are not mere spectators; we walk alongside wounded characters seeking redemption. Through moral and psychological complexity, this novel beckons us to reflect on the nature of humanity, etching an enduring legacy in literature by illuminating beauty within darkness and truth.
Content Warnings
Graphic: Alcoholism, Murder, Death, Suicide, and Animal cruelty
Moderate: Suicidal thoughts and Suicide attempt
Minor: Antisemitism
toffishay's review against another edition
challenging
dark
emotional
hopeful
mysterious
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
What a meaty book. I am really in awe of how Dostoyevsky can maintain tension in a 560 page book! It is interesting how the structure of a book can really make or break it. If you are intimidated by the length, I would say take your time and let yourself enjoy it instead of feeling like you need to power through. I think that it was a smart choice to break the book into 6 parts, each of which have chapters, so you have natural breaks that serve the reading experience and the story. One drawback could be that because the book is so long, the back and forth that Raskolnikov goes through in his head can feel a little repetitive at times. But overall, I think it works well for establishing how conflicted he is as a character and how out of control he truly is as well.
Raskolnikov's descent is described in such a gripping way and although it is certainly commentary on the times that Dostoyevsky was writing in, I saw a lot of parallels to today. Raskolnikov is an angry young man who thinks he's so much better than everyone else and so much smarter. He thinks that he has a right to his crime and to the purpose that he thinks it will give him. He is living in a world of desolation and personal despair and lashes out at everyone around him. I couldn't help but think that with Raskolnikov's disdain for human life and desire to be better than those around him, that he would have been a mass shooter if he lived today. Seeking that notoriety and committing horrible acts in the process.
There is also very well-written commentary about relationships between men and women. There are women trapped in horrible relationships with men who continue to treat them badly and bring them low. (Katerina) Women are pushed into making difficult choices, that honestly aren't even choices, as a result of their poverty and their love of their families (Sofya). Women do everything they can to support the men in their lives and are given little to nothing in return (Dunya and Pulkheria). And all of the women in the novel are at the whim and will of men, but the novel is extremely sympathetic to them and is, primarily, on their side.
Vanity and pride are themes that are shown through many of the characters. Vanity is a driver of Raskolnikov's crime. It drives Katerina to embarrass herself publicly, putting herself in a worse physical and financial situation at every turn. Porfriy, the inspector, is driven by pride, at least in part, to find the perpetrator of the titular crime.
I was surprised by how much love and hope were themes of the book. It definitely addressed crime and punishment, depravity and isolation. But there are instances where people are saved by the love of those around them. Like, I closed the book and felt a little like there is hope even when you are at your lowest. That it is never too late to look yourself honestly in the face and commit to change.
Raskolnikov's descent is described in such a gripping way and although it is certainly commentary on the times that Dostoyevsky was writing in, I saw a lot of parallels to today. Raskolnikov is an angry young man who thinks he's so much better than everyone else and so much smarter. He thinks that he has a right to his crime and to the purpose that he thinks it will give him. He is living in a world of desolation and personal despair and lashes out at everyone around him. I couldn't help but think that with Raskolnikov's disdain for human life and desire to be better than those around him, that he would have been a mass shooter if he lived today. Seeking that notoriety and committing horrible acts in the process.
There is also very well-written commentary about relationships between men and women. There are women trapped in horrible relationships with men who continue to treat them badly and bring them low. (Katerina) Women are pushed into making difficult choices, that honestly aren't even choices, as a result of their poverty and their love of their families (Sofya). Women do everything they can to support the men in their lives and are given little to nothing in return (Dunya and Pulkheria). And all of the women in the novel are at the whim and will of men, but the novel is extremely sympathetic to them and is, primarily, on their side.
Vanity and pride are themes that are shown through many of the characters. Vanity is a driver of Raskolnikov's crime. It drives Katerina to embarrass herself publicly, putting herself in a worse physical and financial situation at every turn. Porfriy, the inspector, is driven by pride, at least in part, to find the perpetrator of the titular crime.
I was surprised by how much love and hope were themes of the book. It definitely addressed crime and punishment, depravity and isolation. But there are instances where people are saved by the love of those around them. Like, I closed the book and felt a little like there is hope even when you are at your lowest. That it is never too late to look yourself honestly in the face and commit to change.
Content Warnings
Graphic: Toxic friendship, Alcohol, Toxic relationship, Suicide, Death, Sexism, Misogyny, Murder, Classism, Alcoholism, Violence, and Sexual harassment
Moderate: Confinement, Chronic illness, Terminal illness, Suicide, Suicidal thoughts, Blood, Sexual violence, Sexual assault, Mental illness, Grief, Emotional abuse, Domestic abuse, and Death of parent
Minor: Schizophrenia/Psychosis , Xenophobia, Gore, War, Adult/minor relationship, Physical abuse, Antisemitism, Pedophilia, Pandemic/Epidemic, Vomit, and Infidelity
thecriticalreader's review against another edition
dark
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Review:
As much as I tried not to, I entered Fyodor Dostoevsky’s Crime and Punishment with a few preconceived notions based on people’s recommendation of the book. First, that this book is about a man who commits murder and his subsequent psychological unraveling—and while this description is not wrong, exactly, it’s a bit like describing Moby-Dick as a book about a man who hunts a whale for revenge. Crime and Punishment encompasses a lot more than the main character’s inner turmoil, with a wide cast of characters and complex plot. Second, I was told that this book would profoundly affect me emotionally and/or send me into an existential crisis, which it didn’t. Misconceptions aside, I loved Crime and Punishment. The characters are strong and well-realized, the plot is engrossing, and the book raises intriguing points about morality. My only complaints are that the first and second section are too long (I got sick of reading about the main protagonist’s unstable mental state) and that at times the plot relied on some rather convenient coincidences.
The Run-Down:
You will probably like Crime and Punishment . . .
· If you like classic literature, particular nineteenth-century literature
· You enjoy books that delve into questions of morality and philosophy
You might not like Crime and Punishment . . .
· If you dislike long stretches of dialogue/rumination
· If you are expecting a thriller or mystery
A Similar Book: Père Goriot by Honoré de Balzac (according to the footnotes in my edition, Crime and Punishment is actually partially inspired by Père Goriot, so the similarities are not coincidence! Similarities include . . .
· An impoverished law student who moves to the big city away from his devoted mother and sister, who sacrifice a lot to send him to school
· A protagonist who acts immorally in the face of poverty
· A wide cast of characters navigating complex and unforgiving social systems
· Themes exploring urban social ills, destitution, familial bonds, and morality
Content Warnings
Graphic: Murder, Animal cruelty, Animal death, Violence, Terminal illness, Alcoholism, and Child abuse
Moderate: Suicidal thoughts, Gun violence, and Suicide
Minor: Forced institutionalization, Sexism, and Sexual assault
teatree33's review against another edition
challenging
dark
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
This book is certainly something else. Dostoevsky's way of writing while ever long and often rambling is truly some of the most touching writing I've read in a long time. The philosophical reflections against humanity and the morals throughout the novel made the book increasingly intriguing and thought provoking especially when this is all tied to good old Raskolnikov perspective whose mind fell into denial and delusion regarding his crime.
Additionally, Dostoevsky's depiction of the horse nightmare, iykyk, was written so undeniably well that I struggled through almost that entire passage as if I was dreaming such a nightmare. He did this so well I was cringing so badly.
There are so many things I can say about this novel but I will spare you and simply say this.
It was sooooooo good!
Additionally, Dostoevsky's depiction of the horse nightmare, iykyk, was written so undeniably well that I struggled through almost that entire passage as if I was dreaming such a nightmare. He did this so well I was cringing so badly.
There are so many things I can say about this novel but I will spare you and simply say this.
It was sooooooo good!
Content Warnings
Graphic: Murder, Animal death, Animal cruelty, and Death
Moderate: Alcoholism, Alcohol, and Domestic abuse
velokei's review against another edition
challenging
dark
mysterious
reflective
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
I finally finished this after a year 😭😭 I’m so happy that I managed it. I’m glad I had the experience of reading it but wow it was a lot and I don’t know if I’d recommend it
Content Warnings
Graphic: Death, Animal death, Animal cruelty, Violence, Suicidal thoughts, and Classism
Moderate: Suicide, Stalking, Alcoholism, Antisemitism, Toxic relationship, Suicide attempt, Alcohol, and Child abuse
Minor: Adult/minor relationship
nakednames's review against another edition
challenging
dark
emotional
hopeful
reflective
sad
slow-paced
5.0
i love you rodion romanovich raskolnikov
Content Warnings
Graphic: Alcohol, Alcoholism, Emotional abuse, Suicidal thoughts, Suicide, Violence, Animal cruelty, Animal death, Death, Addiction, Physical abuse, Schizophrenia/Psychosis , Confinement, Panic attacks/disorders, Chronic illness, Classism, Grief, Mental illness, Murder, Cursing, Death of parent, and Domestic abuse
Moderate: Adult/minor relationship, Pedophilia, Stalking, Antisemitism, Child abuse, Rape, Sexism, Sexual assault, Suicide attempt, Misogyny, and Infidelity
Minor: Pandemic/Epidemic, Fire/Fire injury, and Forced institutionalization
the grief is never ending but so is the lovemlewis's review
challenging
dark
emotional
funny
hopeful
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
Content Warnings
Graphic: Alcohol, Alcoholism, Chronic illness, Domestic abuse, Misogyny, Murder, Sexism, and Violence
Moderate: Mental illness, Panic attacks/disorders, Physical abuse, Schizophrenia/Psychosis , Terminal illness, Grief, Infidelity, Injury/Injury detail, and Xenophobia
Minor: Suicidal thoughts, Suicide, and Suicide attempt
imrath's review against another edition
dark
reflective
tense
slow-paced
5.0
Content Warnings
Graphic: Death of parent, Suicidal thoughts, Animal cruelty, Schizophrenia/Psychosis , Suicide attempt, Murder, Death, Terminal illness, Violence, Animal death, Gun violence, Mental illness, Suicide, and Grief
Moderate: Child abuse, Alcohol, Alcoholism, and Forced institutionalization
Minor: Infidelity, Physical abuse, Fire/Fire injury, Antisemitism, and Rape
oceanwriter's review against another edition
dark
reflective
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
1.5
I know this is a classic and hailed as a great literary achievement… but I just wasn’t feeling it.
Raskolnikov murders two women, hailing himself a hero. He believes the world will be a better place, even though things hadn't gone according to plan. As time goes on, deep-seated guilt slowly takes him over, especially as suspicion arises.
For a book nearly 700 pages long, there isn't a lot of action or much of anything interesting in general. Maybe it was profound for its time, but I found it painfully boring compared to other books with similar themes. Part one was promising enough but then the rest of the book droned on. It just wasn't for me.
Raskolnikov murders two women, hailing himself a hero. He believes the world will be a better place, even though things hadn't gone according to plan. As time goes on, deep-seated guilt slowly takes him over, especially as suspicion arises.
For a book nearly 700 pages long, there isn't a lot of action or much of anything interesting in general. Maybe it was profound for its time, but I found it painfully boring compared to other books with similar themes. Part one was promising enough but then the rest of the book droned on. It just wasn't for me.
Content Warnings
Graphic: Animal cruelty, Murder, and Death
Moderate: Alcoholism, Suicidal thoughts, and Suicide
Minor: Antisemitism