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3.33 AVERAGE
3.33 AVERAGE
challenging
sad
slow-paced
Plot or Character Driven:
Plot
Strong character development:
Yes
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Boring, challenging, not worth the time
challenging
dark
sad
slow-paced
Plot or Character Driven:
A mix
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
emotional
funny
sad
fast-paced
Plot or Character Driven:
A mix
Strong character development:
No
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
dark
emotional
mysterious
reflective
sad
tense
slow-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
That was incredible
dark
emotional
reflective
sad
This book is, for me, Dickens' best. I loved every second of it, the darkness of Tom's steady descent into drinking and gambling were brilliant and there were several times I found myself simply rereading a few paragraphs over and over, in awe at them. (The end of Chapter XIX, The Whelp, is something I hold in very high regard as possibly one of his best pieces of writing ever.) I want to deal with the characters individually from here, since I feel they are all very important.
Mr Gradgrind - Facts. This man's obsession with facts and hate for fantasy is possibly one of the most genius parts of the plot, highlighting exactly what Dickens means to say. His regret at the end serves to show the inevitable outcome of living his sort of life, and is done in a very clever way. His name is also wonderful. I like to say it. Gradgrind. It's great, isn't it?
Bounderby - Dickens made me hate him, and he was made to be hated. For all his bluster and superiority he is in fact worse in moral integrity than Stephen or Tom, which is why I was intensely glad as Louisa took her steps away from him. He really is a 'bounder'.
Louisa/Loo - A perfect tragic heroine, but I couldn't help thinking more than once that she should really get some backbone. But I suppose that was the point, so she was well done too.
Cecilia/Sissy - I didn't like her very much, but I did like the way she was used, as the embodiment of fancy and fun. She served to drive the point home and was useful in terms of story development.
Tom/The Whelp - Goodness, I hated him sometimes. As I've already said, his descent was done well and some of the description around him was fantastic. Dickens' habit of referring to him as the whelp was perfect.
Stephen Blackpool - The character I could emphathise with most, he was likeable and pitiable. I loved his struggle with Slackbridge and the Trade Union, and his contrasting relationships with Rachel and his wife made me feel very sorry for both of them. His ending was also very sad, and shows just how cruel people can be to each other.
Mrs Sparsit - One of the most brilliant in the book. The image of her staircase, with Louisa walking to the bottom, is one that has stuck with me as being particularly genius. I also laughed at her disappointment by the train towards the end, as she was so anxious to see the downfall of others she ended up being nothing more than a jobless window.
James Harthouse - Although for most of the book I wished Louisa would run away with him, the end convinced me otherwise. Still, he was a very interesting character who provided a catalyst for all the suppressed emotions of the Gradgrinds/Bounderbys.
All in all, a brilliant book.
Mr Gradgrind - Facts. This man's obsession with facts and hate for fantasy is possibly one of the most genius parts of the plot, highlighting exactly what Dickens means to say. His regret at the end serves to show the inevitable outcome of living his sort of life, and is done in a very clever way. His name is also wonderful. I like to say it. Gradgrind. It's great, isn't it?
Bounderby - Dickens made me hate him, and he was made to be hated. For all his bluster and superiority he is in fact worse in moral integrity than Stephen or Tom, which is why I was intensely glad as Louisa took her steps away from him. He really is a 'bounder'.
Louisa/Loo - A perfect tragic heroine, but I couldn't help thinking more than once that she should really get some backbone. But I suppose that was the point, so she was well done too.
Cecilia/Sissy - I didn't like her very much, but I did like the way she was used, as the embodiment of fancy and fun. She served to drive the point home and was useful in terms of story development.
Tom/The Whelp - Goodness, I hated him sometimes. As I've already said, his descent was done well and some of the description around him was fantastic. Dickens' habit of referring to him as the whelp was perfect.
Stephen Blackpool - The character I could emphathise with most, he was likeable and pitiable. I loved his struggle with Slackbridge and the Trade Union, and his contrasting relationships with Rachel and his wife made me feel very sorry for both of them. His ending was also very sad, and shows just how cruel people can be to each other.
Mrs Sparsit - One of the most brilliant in the book. The image of her staircase, with Louisa walking to the bottom, is one that has stuck with me as being particularly genius. I also laughed at her disappointment by the train towards the end, as she was so anxious to see the downfall of others she ended up being nothing more than a jobless window.
James Harthouse - Although for most of the book I wished Louisa would run away with him, the end convinced me otherwise. Still, he was a very interesting character who provided a catalyst for all the suppressed emotions of the Gradgrinds/Bounderbys.
All in all, a brilliant book.
dark
emotional
informative
reflective
sad
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes