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3.78 AVERAGE
3.78 AVERAGE
some sections are muddled because of how certain things are described as euphemisms (like the ending, when Mr. Emerson is talking to Lucy about George. i thought something had happened to him). but what is True is never vague and always makes itself Understood.
Such a cute, breezy little book. I read this because I loved the movie and it was a great time.
funny
lighthearted
reflective
relaxing
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated
A very pleasant read and I loved Lucy's character.
3.5. I am trying to read more classics and was interested in the atmosphere of this short novel. I enjoyed the descriptions of Italy and I liked Lucy. I did have some confusion learning the characters as they sometimes use first names and sometimes last names, but once I knew their personalities I could tell who was talking. This book had some comedy, but I wouldn’t call it a funny book. Wish we had a bit more development on George but by the end I was rooting for Lucy to choose him.
lighthearted
reflective
sad
slow-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
No
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
medium-paced
Plot or Character Driven:
Character
Strong character development:
N/A
Loveable characters:
Complicated
Diverse cast of characters:
N/A
Flaws of characters a main focus:
Complicated
Funny, romantic, and pointed, with a bit of turn-of-the-century girl power sprinkled on top, A Room with a View is a thoroughly enjoyable read.
Lucy leaves her close-knit family in the English countryside for "must do" trip to Italy, chaperoned by her needy and trying older cousin, Charlotte. Once installed in a pension in Florence run by a trustworthy Englishwoman, the two are disappointed to find that they have been given rooms that look out over the courtyard instead of over the river. An eccentric gentleman and his son, the Emersons, offer to trade their rooms with lovely views and after a lot of hemming and hawing over the propriety of such a thing, the ladies agree. Lucy is caught between her romantic and independent nature, and the desire to please her family and do what is correct in the eyes of Edwardian society. She is a bit undone by the unconventional George Emerson, a feeling which comes to a head in a spectacular field of violets and a last minute flight of the ladies to Rome. Part II brings us back to Lucy's home, along with an ill-matched fiancé that no one really likes that much. When the Emersons come back into Lucy's life, she finds herself deeper and deeper in a muddle that is partly her fault, and partly the fault of English society.
Forster's characters are nicely written and, while he does hit you over the head with the moral of the story a bit, the warmth and humor that comes through, particularly in the relationship between Lucy, her mother, and her brother, keep the book from being dogmatic or cliched. A fun classic!
Lucy leaves her close-knit family in the English countryside for "must do" trip to Italy, chaperoned by her needy and trying older cousin, Charlotte. Once installed in a pension in Florence run by a trustworthy Englishwoman, the two are disappointed to find that they have been given rooms that look out over the courtyard instead of over the river. An eccentric gentleman and his son, the Emersons, offer to trade their rooms with lovely views and after a lot of hemming and hawing over the propriety of such a thing, the ladies agree. Lucy is caught between her romantic and independent nature, and the desire to please her family and do what is correct in the eyes of Edwardian society. She is a bit undone by the unconventional George Emerson, a feeling which comes to a head in a spectacular field of violets and a last minute flight of the ladies to Rome. Part II brings us back to Lucy's home, along with an ill-matched fiancé that no one really likes that much. When the Emersons come back into Lucy's life, she finds herself deeper and deeper in a muddle that is partly her fault, and partly the fault of English society.
Forster's characters are nicely written and, while he does hit you over the head with the moral of the story a bit, the warmth and humor that comes through, particularly in the relationship between Lucy, her mother, and her brother, keep the book from being dogmatic or cliched. A fun classic!
I read this a long time ago, after seeing the Merchant-Ivory film. The book is not as comedic as the movie, or so it seemed to me at the time. I think Dame Maggie Smith really helped me sympathize with the interfering character she played. And I don't remember how I felt about book Lucy Honeychurch, but I think I could empathize with her sense of frustration with her family's expectations.
lighthearted
medium-paced
Plot or Character Driven:
Character
Strong character development:
No
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes