Reviews with content warning for Forced institutionalization - Wilder Girls

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Reviews tagging 'Forced institutionalization'

Wilder Girls by Rory Power

54 reviews

keen's review against another edition

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adventurous dark emotional mysterious reflective sad tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.5

Initially, I felt off about this book. It didn't feel like horror, it felt like a thriller. High-stakes and tense moments, but nothing scary past the graphic body horror. As a body horror fan, that was enough to keep me going, even if I wasn't sure I was reading a horror book.

It took me until halfway through to realize I went into this book with the wrong expectations. Not every horror story involves running away from a murderer or trying to escape the attention of a ghost. This is a story about being trapped in a bleak situation and trying to survive when everything is out to kill you. It's about the strength of love and friendship that powers you through every horror you face.

Once I realized that, the emotional horror of this book hit me. Every paragraph made me question if there was some ounce of hope in the end. I can say I was satisfied with what I received, even if in the end it felt like I had no idea where I was being led until I was punched in the gut.

Additionally, I enjoyed the characters. There were times when I was angry at them, wondering why the girls were behaving so irrationally and why the adults felt so unhelpful. I had to remind myself of what it would be like to be a 14 to 17 year old girl, trapped on an island with a virus twisting your body into a mockery of itself, with little to no hope of surviving. Alternatively, I had to imagine what it would be like to take care of these children and watch as they die off, one by one. There's no way I could react logically in either scenario. The characters did the best they could do in the situation they were forced into and trapped in.

I admire stories that make me read deeper into the thoughts of the characters. To me, a good horror story makes me compare how I would face each situation to how the characters do. In this case, every event made me want to throw up, run away, or cry.

So, yeah, this story gave me the emotional turmoil. I was joyfully horrified.

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belleden's review against another edition

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challenging dark tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.5

I’ll give a better review later because I’m still reeling from this book!
Best WLW romance I’ve read so far this year
I usually can’t stand gore/horror but it was so well-written in this book I didn’t mind
The mystery was so deeply intriguing and it makes the reader feel like putting the clues together is your job.
The switching perspectives were SO well done - this definitely has the potential to fuck up perfectly good books but Power uses it sparingly and it adds so much to the book.

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ppixxie's review against another edition

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adventurous dark emotional mysterious tense medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.75

I've been putting off reading this for the LONGEST time for no goddamn reason. Then my library hold(s) came in. Oh my GOD was I not disappointed. Going in, I thought there would be a lot more horror/body horror elements/cosmic horror-esque elements, which was probably why I found it hard to get into the first half of the book where it focuses mainly on world-building. (The beginning mainly reads like a dystopian survival horror?)

But boy does it pick up. I love to read a nasty female character, and this is no exception. I can't talk about a lot of the stuff that happens, because it's spoilers and this book is a nice one to go into with 0 knowledge. It ends on an ambiguous note (almost a sequel hook, and I've heard whispers around that there's going to be a sequel or something??) but I liked how it ended, and I probably would have been satisfied with just this book as a standalone.

Anyways, if you like gay horror, definitely check this one out!!

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caitlinattemptstoread's review against another edition

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adventurous dark mysterious sad tense fast-paced

Plot- or character-driven? Plot
Strong character development? No
Loveable characters? It's complicated
Diverse cast of characters? It's complicated
Flaws of characters a main focus? No

2.5

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starccato's review against another edition

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adventurous dark emotional mysterious sad tense fast-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.25

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tachyondecay's review against another edition

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dark mysterious sad slow-paced

Plot- or character-driven? Plot
Strong character development? No
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? No

3.0

Could we teach this book in schools instead of Lord of the Flies? Pretty please? I say this even though I didn’t particularly like Wilder Girls, which just goes to show how unenthusiastic I remain about the idea that, 67 years and how many gender revolutions later, we’re still claiming there are no better books out there to teach to children. Wilder Girls hits me in the same place, but I think in terms of writing quality and gender politics it’s a lot better. Forgive me, Rory Power, for SF horror isn’t my style (and no, I don’t remember why I decided to add this to my to-read list in the first place). But you did good overall, Power. You did good.

The girls of Raxter School have been living in quarantine on their island off the coast of Maine for nearly two years now. They and most of the wildlife on the island are infected with the Tox, a disease of unknown origin that radically and unpredictably alters one’s body and, eventually, takes one’s mind (if it doesn’t just kill you). The Tox killed off all but two of the adults; most of the girls have survived, albeit changed. The book follows three: Hetty, Byatt, and Reese, an unlikely trio whose devotion to one another forms the foundation for some of the chaos that unfolds. Ultimately, however, Power follows the time-honoured route of a lot of horror: crank the climax up to 11, and then leave us with a cliffhanger that is equal parts hope and despair.

Psychologically, this book is terrifying. We got into the body horror from like page 1, and honestly I wasn’t much in the mood for it (so naturally, I finished the book that same night). Power’s descriptions of the transformations these girls endure is just graphic enough to set me on edge without causing me to physically, you know, lose my lunch. The toll of being isolated on the island—not even being allowed to correspond with one’s family and loved ones—is also palpable on these pages. These girls are abandoned, and even if Hetty (who is our narrator for the majority of the book) doesn’t quite realize it, Power telegraphs it through Hetty with frightening effectiveness.

Of course, in a book like this you are just waiting for that other shoe to drop, that twist. The revelation this was all part of an experiment created by the government from the start. Or that the rest of the world also got the Tox, and the supplies they’ve been getting every few days aren’t from the Navy at all. Or perhaps that this is all a fever dream, that Hetty isn’t on Raxter, that she is trapped in an asylum or other situation and these stories are her way of rationalizing what she is experiencing.

Obviously not all of the above are true, and maybe none of them are—I won’t spoil the book for you. In my opinion the twist is fairly mundane and unimpressive, kind of what I expected going into the book, and it leads to an ending that similarly feels like exactly what you would expect this kind of story to end on. So in that respect, as someone for whom this subgenre already delivers very little, Wilder Girls let me down.

I also wasn’t too keen on how Power explores the ways in which the girls’ interpersonal relations have fractured in the past couple of years. Yes, there is some romance here, some bisexual and lesbian attraction happening, and I like seeing that representation. But for the most part, we only scratch the very surface of these characters’ feelings. I want to know more about why Taylor has aligned herself with certain people. I want to see Reese, Hetty, and Byatt have more substantive conversations about how each feels about the other. There’s too much left unsaid here, hanging in the air, leaving me unsatisfied.

Wilder Girls thrums with a certain kind of power to it, I admit (no pun intended). The power comes from Power’s faculties for description, from her imagination and her ability to embed the Tox deeply in this world. In this respect, I enjoyed the writing, and I think that’s what allowed me to read this book so fast despite not particularly enjoying the plot. I could be persuaded to read another novel by Power if it weren’t perhaps this horror-focused.

But how will fans of this subgenre like it? Honestly that’s hard for me to say. Better than I did, to be certain. There is a bleakness underlying the plot that I think appeals to most people who enjoy SF horror. This same bleakness is why I tend to avoid it, and why movies focusing on one or two sole survivors of an apocalypse seldom interest me. I need a world pulsing with life and social complexity, whereas books like Wilder Girls ask us to consider a world where that complexity has given way to the simplicity of survival. That is a worthwhile question to ask, and it is one that Power explores competently.

Originally posted at Kara.Reviews.

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