thecommonswings's review

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4.0

Almost the very essence of Vertigo comics at its best: bustling with big ideas and sometimes unable to control them but on the whole focused on the importance of developing stories that can only be fully told as comics. The art is scratchy but full of life and grotesqueries and it feels full of enthusiasm for this new iteration of the medium and what stories it can tell...

katharamalama's review

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4.0

When I first got into comics in college, Shade was one of the first that I found myself delving into. I loved it, and it started a long fandom in Peter Milligan's work. Rereading this for the first time in years, and it's still just as great. That first issue is pretty much perfection.

the_graylien's review

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4.0

http://bestcomicsquest.blogspot.com/2011/10/shade-changing-man-american-scream.html

jgkeely's review

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3.0

Inescapably one of the finest comics I've ever read, but unfortunately, only the beginning of the series is available, and it is the weakest part. It will be a crime if the lack of success of these early bits forestalls the entire series becoming available, because it stands up as the equal of any other Vertigo title. Milligan is still trying to find his voice in these early stories, which are more standard fare, but soon he catches his stride and reaches levels of thoughtfully absurd wit to rival Moore's 'Swamp Thing', Gaiman's 'Sandman' or the better arcs of 'Hellblazer'.

Good as they can be, it's a shame Morrison and Gaiman get the lion's share of the attention for the Britwave movement, because Milligan wrote a much more innovative book. The art is solid, if not always remarkable. Bachalo is a bit weak at the beginning but he does some of the best work of his career around the middle. The illustrators who replace him for the closing of the series are competent, but don't have the same strikingly idiomatic visions.

The real star here is the writing, and Milligan is a talent who deserves to be better known and widely respected. His 'Enigma' is as unusual and insightful as Watchmen, his Extremist and Skin are darker and more transgressive than anything else put out by a major publisher. Yet Shade is his most imaginative and wide-ranging book, an amazing feat of constant reinvention with a smart, literary sensibility unrivaled in comics.

When people ask what my favorite comic is, I still say 'Shade', and I'm always sad at the lack of recognition when I say it.

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