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pan_dulce08's review against another edition
adventurous
challenging
emotional
hopeful
lighthearted
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.5
I felt the book started out really strong with the main protagonist, Kristina, really intriguing me as I found her relatable but also somewhat mysterious with how she acted, and I wanted to see her develop and come into better circumstances. I also liked the setting of Southern California and how it is picked apart and commented on by the character of Shizuka. However, I feel with everything that was added as the story progressed and how long the cast-list came to be the book fails a bit with balancing the diverse set of themes present in it. It also fails in some ways to really think critically about what is portrayed in it, which makes the characters feel less... human. (Yes, I know some of the characters are literally in-human, but even so, actions like murder of multiple innocent people should still be treated with the gravity that action deserves by the alien characters as well, as that act is still wrong where they come from!)
For example,Shizuka offhandedly mentions how she had done sexual favors for people in exchange for nice things like the car she drives, and later on Katrina begins the same practice... as a seventeen year old minor. Katrina was involved with sex work before, however it was clear the abuse she suffered while on the job was simply endured by her because she needed the money from it to stay alive, and the harsh nature of the clients she had to see and what they would make her do was given the narrative weight it required, but that theming and narrative standard does not carry through with what Katrina does later on in the story. I feel like this carelessness about the acts of sexual exploitation of young women in a male-dominated industry is very confusing with what a lot of the book's focus seems to be, which is that on two women, one younger and one older, who both have scratched and clawed their ways to succeed in what they are passionate about. If anything, those acts should be treated with far more heaviness than they are by the book so as to not confuse the reader so much!
Sorry this is so long... I enjoyed a lot of aspects and characters from the book when I read it, but a lot of things about it bothered me as well and I wanted to talk about those things...
For example,
Sorry this is so long... I enjoyed a lot of aspects and characters from the book when I read it, but a lot of things about it bothered me as well and I wanted to talk about those things...
Content Warnings
Graphic: Outing, Toxic relationship, Self harm, Misogyny, Death, Violence, Physical abuse, Dysphoria, Racism, and Transphobia
Moderate: Alcoholism
ngrant88's review against another edition
Poorly developed characters and relationships, way too much plot without anything actually happening, POV changes mid paragraph and EVERY TRIGGER WARNING there is. This could have been a good book if someone else wrote it (and removed several plot lines).
Content Warnings
Graphic: Dysphoria, Emotional abuse, Panic attacks/disorders, Bullying, Child abuse, Outing, Physical abuse, Racial slurs, Racism, Rape, Suicidal thoughts, Body shaming, Domestic abuse, Homophobia, Sexual assault, Sexual harassment, Sexual content, Transphobia, War, Self harm, Adult/minor relationship, Deadnaming, and Sexual violence
laguerrelewis's review against another edition
adventurous
emotional
funny
hopeful
inspiring
reflective
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
“When two violins are placed in a room if a chord on one violin is struck
the other violin will sound the note”
—Say Yes, Andrea Gibson
Light From Uncommon Stars is difficult to distill. A plot synopsis often leaves your audience thinking “how does that fit together?” This is actually Stars’ greatest strength—it contains multitudes, and its insight is fathomless. Like Gibson says in the poem quoted above, Ryka Aoki is able to play the exact chords that resonate and sound in the reader. The result is a moving and incredibly affecting story of legacy, love, connection, community, mistakes, the condition of being alive, and the connective power of music and donuts. These words will stay with me for years to come. Keep tissues on hand, and do not read this book hungry.
the other violin will sound the note”
—Say Yes, Andrea Gibson
Light From Uncommon Stars is difficult to distill. A plot synopsis often leaves your audience thinking “how does that fit together?” This is actually Stars’ greatest strength—it contains multitudes, and its insight is fathomless. Like Gibson says in the poem quoted above, Ryka Aoki is able to play the exact chords that resonate and sound in the reader. The result is a moving and incredibly affecting story of legacy, love, connection, community, mistakes, the condition of being alive, and the connective power of music and donuts. These words will stay with me for years to come. Keep tissues on hand, and do not read this book hungry.
Content Warnings
Graphic: Homophobia, Injury/Injury detail, Lesbophobia, Body shaming, Bullying, Sexual harassment, Violence, Misogyny, Blood, Death, Dysphoria, Sexual content, War, Grief, Hate crime, Murder, Racial slurs, Rape, Sexism, Outing, Physical abuse, Racism, Sexual assault, Deadnaming, Suicidal thoughts, Abandonment, Child abuse, Fire/Fire injury, Self harm, and Medical content
antlerlad's review against another edition
emotional
hopeful
inspiring
reflective
sad
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
Content Warnings
Graphic: Sexual assault, Sexual violence, Transphobia, Racism, Sexual harassment, and Racial slurs
alienguy's review against another edition
dark
emotional
inspiring
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Transphobia, Deadnaming, Racism, Dysphoria, Outing, Suicidal thoughts, Homophobia, and Toxic friendship
Moderate: Bullying, Cultural appropriation, Body shaming, Panic attacks/disorders, Death, and Rape
Minor: War and Alcoholism
kleinekita's review against another edition
3.75
Content Warnings
Graphic: Transphobia, Deadnaming, and Dysphoria
Moderate: Sexual harassment, Sexual content, Sexual assault, Homophobia, and Racism
Minor: War and Murder
lastsilversunset's review against another edition
3.75
Content Warnings
Graphic: Deadnaming, Dysphoria, Transphobia, and Racism
Moderate: Sexual harassment, Rape, Domestic abuse, and Sexual assault
mznomer's review against another edition
By all accounts this should be a book I really enjoy. I just can't get into it.
There's so much going on it makes it hard to invest in any of the storylines
The POV jumps around like crazy in a way that pulls me out of the narrative and makes me dizzy
Or maybe it's just not the vibe right now
There's so much going on it makes it hard to invest in any of the storylines
The POV jumps around like crazy in a way that pulls me out of the narrative and makes me dizzy
Or maybe it's just not the vibe right now
Content Warnings
Graphic: Physical abuse, Racism, and Sexual assault
lady_valhella's review
adventurous
dark
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Moderate: Rape, Pedophilia, Racism, and Lesbophobia
mercapto's review against another edition
dark
emotional
hopeful
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Initially, I struggled with this because of my own personal expectations. I found the blurb quite misleading - it read like it would focus more on the Shizuka and Lan romance, the blend of sci-fi and fantasy, with a trans prodigy as a side character. Even the reviews on the back page made it seem like a fantastical love story. It was quite jarring to expect something removed from reality and to get a very real and very harrowing story of an abused trans girl, even if she found happiness in the end. Especially because it was at the start of the book, there was no easing into it. However, once I took a step back and reassessed my expectations, I did begin to enjoy it more for what it was.
But I wish the blurb had made the focus Katrina! It reads like Lan and her donuts broke the curse when it was Katrina being her wonderful self that made Shizuka change!
Aoki is wonderfully imaginative, and obviously has many stories to tell - I can tell that she wanted to pour everything into this book. I get it, a book crossing deals with demons with an intergalactic family and the story of a trans girl finding herself is very unique, is going to stand out more than individual books in each genre. But… I can’t help but think I’d rather have read a separate book for each theme. Or even just demons deals and the Katrina storyline. Or even just a longer book! A series that blends together in one final novel!
Katrina’s narrative is so much more in depth than the other two main characters, and it’s clear that writing what you know works well for Aoki - even without looking her up I could tell that whoever was writing Katrina had real experience either being trans or was heavily involved in the trans community, and the way she writes these scenes, so matter-of-fact, so real, is where her ability shines through - “The violin had given Katrina a voice with which to sing. And now, that newfound voice was pushing her, urging Katrina to speak.”
It’s not that she doesn’t write Shizuka or Lan well, it’s just that there’s not enough pages to flesh them out properly - they are big concepts and backstories that need a bit more handholding to understand than Katrina, who’s backstory, sadly, we are all familiar with in today’s reality. And so effective is her writing of Katrina, that no matter how well Shizuka and Lan are written, they will pale in comparison to her. I felt I really knew Katrina, but Lan and Shizuka? I just didn’t feel the connection to each other, unfortunately.
Unlike others, I don’t mind the changes in POV, I feel like with a book like this you need it to understand the complex world. It actually reminded me a bit of Les Mis, in a way, because there’s so much going on and so many characters you need to see into their heads. Of course, it’s a lot choppier in this novel, but I still think it’s fine. I also liked the food descriptions, in think they worked well and were quite immersive, and actually made me want to go out and appreciate all the hidden little eateries with hidden stories where I live!
This was an enjoyable read, and had a lot to offer. There’s a lot of in depth analogies and metaphors, and I think a very thought-provoking book.
But I wish the blurb had made the focus Katrina! It reads like Lan and her donuts broke the curse when it was Katrina being her wonderful self that made Shizuka change!
Aoki is wonderfully imaginative, and obviously has many stories to tell - I can tell that she wanted to pour everything into this book. I get it, a book crossing deals with demons with an intergalactic family and the story of a trans girl finding herself is very unique, is going to stand out more than individual books in each genre. But… I can’t help but think I’d rather have read a separate book for each theme. Or even just demons deals and the Katrina storyline. Or even just a longer book! A series that blends together in one final novel!
Katrina’s narrative is so much more in depth than the other two main characters, and it’s clear that writing what you know works well for Aoki - even without looking her up I could tell that whoever was writing Katrina had real experience either being trans or was heavily involved in the trans community, and the way she writes these scenes, so matter-of-fact, so real, is where her ability shines through - “The violin had given Katrina a voice with which to sing. And now, that newfound voice was pushing her, urging Katrina to speak.”
It’s not that she doesn’t write Shizuka or Lan well, it’s just that there’s not enough pages to flesh them out properly - they are big concepts and backstories that need a bit more handholding to understand than Katrina, who’s backstory, sadly, we are all familiar with in today’s reality. And so effective is her writing of Katrina, that no matter how well Shizuka and Lan are written, they will pale in comparison to her. I felt I really knew Katrina, but Lan and Shizuka? I just didn’t feel the connection to each other, unfortunately.
Unlike others, I don’t mind the changes in POV, I feel like with a book like this you need it to understand the complex world. It actually reminded me a bit of Les Mis, in a way, because there’s so much going on and so many characters you need to see into their heads. Of course, it’s a lot choppier in this novel, but I still think it’s fine. I also liked the food descriptions, in think they worked well and were quite immersive, and actually made me want to go out and appreciate all the hidden little eateries with hidden stories where I live!
This was an enjoyable read, and had a lot to offer. There’s a lot of in depth analogies and metaphors, and I think a very thought-provoking book.
Content Warnings
Graphic: Death, Transphobia, Racism, Sexual assault, Child abuse, Toxic friendship, Rape, Homophobia, Domestic abuse, Child death, and Physical abuse