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eunrose's review against another edition
4.0
Useful and efficient. (Most writing advice is neither of those things.) Wendig has always been good at practical advice that recognizes its own limits and manages not to preach or lay down commandments. I found it helpful.
seasamy's review against another edition
4.0
I enjoyed this book. It hits on a lot of the writing and structural advice that other writing books do, but I liked Wendig's voice a lot and a good way for something to stick in your mind is to have it reiterated.
kelseyland's review
4.0
Highly entertaining and provided some helpful frameworks for story-building. I wish more of the examples had been from female creators/featured female characters, but c'est la vie.
pastadisasta's review
5.0
Whether you want to know how many acts a story arc must have, or whether elks can masterbate, this is the book for you. Damn fine book about creating stories, also contains damn fine stories.
michaelavk's review
5.0
"Story is the act of interrupting the status quo." I read this while on a journey where my status quo was being severely interrupted. Wonderful writerly and life guide. :-) I underlined many-a-word and phrase, etc. as I went along and will return to this again and again. Also love the Star Wars analysis. Cheers!
embosso's review
5.0
As an author I'm always looking for tips, ideas, or previously unknown magic tricks to improve the experience for my readers. This little gem of a book provided all three.
This isn't a book about grammar, or style. This isn't a book about the finer details of sentence, or paragraph, structure. This is something more subtle and far more useful. This is a book about formulating a good story.
Wendig's humor turns a useful guide, and learning tool, into something that's a pleasure to read instead of a dry, dusty tome.
If you're an author, be it beginner or bestseller, this is a worthy read and should be on your shelf. The laugh out loud moments alone are worth the price (especially if you can find a used copy for a couple of bucks with free shipping
This isn't a book about grammar, or style. This isn't a book about the finer details of sentence, or paragraph, structure. This is something more subtle and far more useful. This is a book about formulating a good story.
Wendig's humor turns a useful guide, and learning tool, into something that's a pleasure to read instead of a dry, dusty tome.
If you're an author, be it beginner or bestseller, this is a worthy read and should be on your shelf. The laugh out loud moments alone are worth the price (especially if you can find a used copy for a couple of bucks with free shipping
primmlife's review
4.0
I have a weakness for books about writing. Sometimes, I wonder if I like learning about the process more than actually, you know, writing. From Rachel Aaron’s 2,000 to 10,000 to Steven Pressfield’s The War of Art to John Truby’s The Anatomy of Story to Natalie Goldberg’s Writing Down the Bones, I’ve built a collection of – I don’t know if they’re exactly instructions but that’s what I’m going to call them – books of writing instruction. These examples are the ones that I most return to as I grind away at the word mill. To this list, I’ve added Chuck Wendig’s Damn Fine Story, if not for the advice within, then definitely for the dapper elk on the cover. Wendig is a busy author. In addition to an active blog dispensing writing advice, he’s wrote books wholly of his own creation and tie-in works for the Star Wars universe and has an ongoing comic series. While I’ve not read any of his fictional work, I frequently visit his blog terribleminds for advice, for humor, and to take comfort that even for a seasoned pro, writing isn’t as easy as it looks. When I saw the opportunity to review Damn Fine Story, I couldn’t pass. As expected, it helped me. The best recommendation that I can give for it is this: After just a few pages of reading, the advice changed how I viewed a sticky part of my work in progress. Throughout my reading, I found Mr. Wendig’s approach different than other writing instructionals, and this slight shift was enough to make me look at my stories from new angles. In other words, it was immediately helpful and continued to be throughout my reading.
TL;DR: If you want to learn about stories, get this book. Highly recommended.
Before I started this, my only reviews of writing advice book derived from the answers to two questions. Was it helpful? Was it applicable? Damn Fine Story is both of these, but it distinguishes itself by adding the element of entertainment. The cover of the book shows the seriousness of what follows. Like the very fine elk on the cover, Mr. Wendig’s advice is professional and funny(1). While I enjoy writing books, most are there to dispense wisdom and do so in a professorial manner. Damn Fine Story is there to dispense wisdom through comedy, and it works.
Was it helpful? Was it applicable? Yes, and yes. Based on the few pages that I read upon opening the book, it helped me. I tried visualizing my story in the different structures discussed. It was a fun exercise that helped me understand more of what I was telling by learning how bad the story would be in other forms. Many times, I would try to look at my story through whatever I was reading in Mr. Wendig's book. This shifted my perspective on what I was actually putting on paper. That is the true strength of this book. Sure, you will learn about story, but the biggest benefit is that Damn Fine Story helps you think deeper about your own story. That can only be a positive even if you learn that you have many, many changes to make. Like I did. Curse you, Wendig! ::petulantly shakes fist:: Thank you, Wendig, as well. Hopefully, when I’m done, the many, many, many changes will make the story, the novel, better(2).
If you’re looking for a book that details a page-by-page mechanical plot or a recipe for the next New York Times bestseller(3), then you’ve come to the wrong place. This guide is focused on character, and all the other aspects of story grow from there. Examples abound in Damn Fine Story that make Mr. Wendig’s argument. While he will dissect aspects of story in this book, the main focus always comes back to the story’s characters. But it’s not quite as simple as make a great character and the rest takes care of itself. You’ll have to read to understand. It’ll be worth it, and at the end, you’ll make new friends(4).
On a personal note, chapter five is my favorite because it tackled a subject with which I regularly struggle: Theme! Enough? Too much? Consistent with the story? I struggle, struggle, struggle. This chapter helped. It didn’t fix my problems because Mr. Wendig isn’t a miracle worker, much to my disappointment. However, the ideas in this chapter are worth studying and will inform my work.
If you’re a writer, check out this book. Buy it. Get your library to buy it and then check it out. Read it. Get better. Write your own Damn Fine Story.
__________________
1. Also, that’s how I imagine Mr. Wendig writes: in a suit, tie, monocle, and elk head. Whether the elk head is a mask or not is too personal a question to ask.
2. So far, I’m enjoying the changes more, which I guess is something. If I’m not enjoying it, how can I expect anyone else will?’
3. Such a recipe, regardless of genre, would always end with “add a heavy dose of sales.”
4. This is not a guarantee or realistic expectation for the outcome of reading a writing manual.
TL;DR: If you want to learn about stories, get this book. Highly recommended.
Before I started this, my only reviews of writing advice book derived from the answers to two questions. Was it helpful? Was it applicable? Damn Fine Story is both of these, but it distinguishes itself by adding the element of entertainment. The cover of the book shows the seriousness of what follows. Like the very fine elk on the cover, Mr. Wendig’s advice is professional and funny(1). While I enjoy writing books, most are there to dispense wisdom and do so in a professorial manner. Damn Fine Story is there to dispense wisdom through comedy, and it works.
Was it helpful? Was it applicable? Yes, and yes. Based on the few pages that I read upon opening the book, it helped me. I tried visualizing my story in the different structures discussed. It was a fun exercise that helped me understand more of what I was telling by learning how bad the story would be in other forms. Many times, I would try to look at my story through whatever I was reading in Mr. Wendig's book. This shifted my perspective on what I was actually putting on paper. That is the true strength of this book. Sure, you will learn about story, but the biggest benefit is that Damn Fine Story helps you think deeper about your own story. That can only be a positive even if you learn that you have many, many changes to make. Like I did. Curse you, Wendig! ::petulantly shakes fist:: Thank you, Wendig, as well. Hopefully, when I’m done, the many, many, many changes will make the story, the novel, better(2).
If you’re looking for a book that details a page-by-page mechanical plot or a recipe for the next New York Times bestseller(3), then you’ve come to the wrong place. This guide is focused on character, and all the other aspects of story grow from there. Examples abound in Damn Fine Story that make Mr. Wendig’s argument. While he will dissect aspects of story in this book, the main focus always comes back to the story’s characters. But it’s not quite as simple as make a great character and the rest takes care of itself. You’ll have to read to understand. It’ll be worth it, and at the end, you’ll make new friends(4).
On a personal note, chapter five is my favorite because it tackled a subject with which I regularly struggle: Theme! Enough? Too much? Consistent with the story? I struggle, struggle, struggle. This chapter helped. It didn’t fix my problems because Mr. Wendig isn’t a miracle worker, much to my disappointment. However, the ideas in this chapter are worth studying and will inform my work.
If you’re a writer, check out this book. Buy it. Get your library to buy it and then check it out. Read it. Get better. Write your own Damn Fine Story.
__________________
1. Also, that’s how I imagine Mr. Wendig writes: in a suit, tie, monocle, and elk head. Whether the elk head is a mask or not is too personal a question to ask.
2. So far, I’m enjoying the changes more, which I guess is something. If I’m not enjoying it, how can I expect anyone else will?’
3. Such a recipe, regardless of genre, would always end with “add a heavy dose of sales.”
4. This is not a guarantee or realistic expectation for the outcome of reading a writing manual.