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bethfern04's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Opal is a great main character who isn't obviously a good or bad person. She suffers from some serious unresolved trauma and has become skilled at pushing everyone away. She's jaded, cynical and a thief. She's far from perfect, but watching her grow as a character was one of the best parts of the book. Her realization that she had so many people who truly loved and cared about her all along was incredibly touching.
I think the side characters were well flushed out and felt like whole people, especially Jasper her brother, her landlord, and her librarian friend.
I loved Arthur and Opal together. It was so fascinating watching these two people who had both worked so hard to stay isolated and emotionally distant, get under each other's skin!
The fantasy plot of the story was pretty strong as well. I especially liked the reveal of Eleanor Starlings true life story at the end. The themes of justice versus revenge, and the ripple effect of one family's cruelty over several generations were very well done.
4.0 ⭐ is my final rating.
As always, reviews are subjective, and love what you love. XOXO 😘
Moderate: Death of parent, Grief, and Car accident
Minor: Chronic illness, Violence, and Fire/Fire injury
unicornofthesea's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Fire/Fire injury, Blood, Violence, Chronic illness, Injury/Injury detail, Car accident, Vomit, Death of parent, and Grief
heytherekaity's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Blood, Fire/Fire injury, Injury/Injury detail, Medical content, Gore, Grief, Misogyny, Racism, Classism, and Violence
Moderate: Blood, Body horror, Grief, Misogyny, Pedophilia, Xenophobia, Gaslighting, Cursing, Death of parent, Abandonment, Car accident, and Sexism
Minor: Alcohol, Child abuse, Chronic illness, Incest, Pregnancy, Sexual content, Abortion, Adult/minor relationship, Slavery, Homophobia, and Lesbophobia
cyberhavok's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
Graphic: Death of parent, Car accident, and Chronic illness
Moderate: Fire/Fire injury, Racism, Alcohol, and Blood
Minor: Cursing, Death, Incest, and Grief
eleanor_r's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Built on the skeleton of Beauty and the Beast, but told slant, Starling House has everything I've loved in Harrow's past books: dark fairy tale power, rich resonant writing, and twists that feel both unexpected and inevitable. But Starling House also feels more taut and focused than 10K Doors of January or Once and Future Witches, with the plot centering on two main characters and one cursed house in a bad-luck town.
I really felt Opal's struggles to suppress her wants and dreams so she has a chance at what she needs, and how her drive for survival has blinded her to truths around her. The layers of story surrounding Starling House were so satisfying to peel away, like a folklorist comparing variants of an oft-told tale.
I also loved the slow-burn romance
As a midwesterner, I appreciated the Kentucky history that peeked through the story at times, and the real sense of desperation in a town where all the jobs are precarious.
Graphic: Death of parent, Blood, Grief, Car accident, and Injury/Injury detail
Moderate: Violence, Slavery, Alcohol, Chronic illness, and Racism
Minor: Sexual content and Vomit
discarded_dust_jacket's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
(On the topic of descriptions, I will say I got a bit annoyed at the sheer number of times we had to be reminded that the protagonists are like REALLY ugly, but, that’s not a super big deal I guess.)
Secondly, I just thought the premise was really interesting. I love stories that center around houses, and a creepy, almost-sentient, potentially cursed house? I’m all in.
What didn’t necessarily work for me: often I find that when I’m reading fantasy/fantasy-adjacent YA stories, I have to remind myself over and over “these are children,” because they’ll be like, crime bosses and speak like adults (*cough* six of crows *cough*), but this story I had the opposite experience: for some reason, I kept having to remind myself “this isn’t YA; these are adults” again and again.
I think it was the plot elements. An impoverished, smart-mouthed, scrappy young criminal that has to do what it takes to raise their sibling on account of dead/absent parents reads very YA to me. (And I feel like Opal speaks a lot like a teenager too.) It was just something that took me out of the story every time I was reminded “oh that’s right, they’re meant to be in their mid-late 20s!”
Overall, if I was rating the like, first 60-70% of the book, I’d give it a solid 4.25/4.5 stars. The pacing was admittedly really slow, but idk, I liked it (especially the slow-burn romance with the broody man alone in his old house; that’s my kryptonite).
But the last quarter of the book I’d probably only rate like a 2.75/3. The part that was meant to be the most thrilling/climactic moment seemed to stretch on for way longer than it needed to and I just kept thinking “is it really not over YET?” which was disappointing.
The big reveal is sort of just one long info-dump, but at the same time I also see WHY it was done that way given how everyone’s different partly-correct versions of the truth get peppered throughout the story. It was like at the end the actual truth had to be laid out in a similar manner. But it still felt a bit… idk, lazily tacked on?
So… mixed feelings! Lol.
Graphic: Alcohol, Blood, Car accident, Death, Death of parent, Fire/Fire injury, Grief, Injury/Injury detail, and Mental illness
Moderate: Chronic illness, Stalking, and Vomit
Minor: Incest, Self harm, and Slavery
gondorgirl's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Moderate: Alcohol, Blood, Car accident, Chronic illness, Classism, Cursing, Death of parent, Gaslighting, Stalking, Violence, Bullying, Vomit, Fire/Fire injury, Grief, and Injury/Injury detail
guybrushtmp's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Starling House is a beautiful storm of emotions I must applaud Harrow for the captivating writing. As well as amazing quips and comedic turns of phrase that made me laugh. It has all the modern hallmarks of a modern southern gothic, reminding me of a House with good bones by T Kingfisher.
Opal is the right type of frustrating stubbornness that makes you want to keep reading because you want to see when she stops lying to herself when her walls will break down.
Arthur is wonderful, making my list of brooding paladins even though the modern setting. He is the reason I mark this as queer because I looked through so many reviews and no one mentioned the openly bi POV character.
Thanks to Netgalley and the publisher for the ARC.
Graphic: Car accident, Death of parent, and Injury/Injury detail
Moderate: Chronic illness and Incest
Minor: Racism and Slavery