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hagwife's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
One of my favourite aspects of the novel is its narrative style. The entirety of the book is Tracker relaying his version of events to an inquisitor, though we never hear the inquisitor speak. As far as Tracker's story, most of that is told through conversations between characters, thus making the book almost entirely dialogue. Given that we are only receiving Tracker's version of events, there's a malleability to the story that is different from other uses of unreliable narrators. It feels less like intentionally diverting attention (Westworld) or subconsciously lying (Mr. Robot) and more so like an oral history. What is truth but the way one man saw the events and how he then chooses to remember them? And even if his version of the story doesn't match the "actual" events, what is to say that those events are any more true? This is a story where authenticity is not yoked to correctness, where truth is not an absolute because people are not absolute.
The theme of truth, the oral history style, and James' use of language combine into a worldview that feels authentic to the world in the novel. While written in English, it doesn't sound like English. James put a lot of effort into crafting a voice for his characters that sounds like a dialect, and not one where it's been translated, but one where the reader has a Star Trek-esque translation device – the characters speak and we understand. Perhaps the last novel I read where I was conscious of the amount of effort put into the way language works and how characters communicated was Zora Neal Hurston's Their Eyes Were Watching God. The fact that many readers have found it hard to read means, at least in my opinion, that James succeeded in writing pre-colonial communications with a post-colonial language. There's that has been written on this, but recently I've been thinking about a quote from wa Thiong'o's Decolonizing the mind: "language was the most important vehicle through which that power fascinated and held the soul prisoner...Language was the means of spiritual subjugation".
I also enjoy how unapologetic and frank this book is in its queerness. We see many examples of platonic love, romantic love, and sexual attraction in all its various combinations between men. These relationships and encounters are vivid and intense; for Tracker, the line between love and hate is extremely thin and are characterized by the intenseness of his feelings, of the time and energy and many ways in which Leopard and Nyka and Mossi are intertwined with his life. And this queerness is shared and explored in a way that honors and explores the broadness of masculinity and how that impacts one's identity and vice versa.
I should point out that for any test related to the treatment and inclusion of women, this novel fails, and I think that's intentional. Tracker's relationships with women are extremely fraught, and though born out of trauma, extremely unfair to generalize, as several characters point out. It's interesting, because we don't meet any women or female presenting characters who challenge Tracker's beliefs with their actions, but we're left to wonder whether that is how these characters are or how Tracker sees them. I'm extremely interested in the second book in the trilogy, which tells the same tale, but from Sogolon's perspective.
This is also an incredibly hard book to recommend. James does not care about your sensibilities, particularly if they are European or derive historically from European ones; he's not interested in White-washing events or making them more palatable. He has built a stark reality in the world of Black Leopard, Red Wolf, one that understands that you gain nothing by trying to make it pretty or talk around it. You're going to be uncomfortable and you should be uncomfortable; it's not supposed to be easy to read about violent acts or intense grief. Most importantly though, please, please, please read the content warnings and take care of yourself first and foremost.
Graphic: Animal death, Blood, Body horror, Body shaming, Grief, Rape, Toxic relationship, Physical abuse, Sexual harassment, Child abuse, Child death, Cursing, Gore, Murder, Sexual assault, Sexual content, Toxic friendship, Violence, Confinement, Injury/Injury detail, Misogyny, Death, Death of parent, Sexism, and Sexual violence
Moderate: Vomit, Pedophilia, Cannibalism, Kidnapping, Abandonment, Dysphoria, Fire/Fire injury, Colonisation, Domestic abuse, Excrement, and Infidelity
Minor: Drug abuse, Incest, and Drug use
This book is not written with regards to Western conventions. It does not condone or uplift violence towards others but it is also not going to shy away from the realities of such acts. You will be uncomfortable because you should be uncomfortable.thenymphsvoice's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
However that’s not a bad thing. BLRW is a wild ride, I found the characters compelling, funny, sad, rage inducing.
This story was not afraid to deal with harsh realities even if this is a fantasy.
Trackers life is disjointed and many times dehumanizing. They struggle to understand themselves and their world, as it often changes with the snap of a finger around them.
They adapt they hurt, they grow or don’t in the perfectly imperfect way people do.
What I would say to anyone going into reading this is, prepare yourself to not always understand what is happening. That is a reflection of the characters confusion of events and the way their life has been broken by the traumas they have and do endure. (At least that’s how it read to me.)
The mystery and journey is second to me to the journey that Tracker is on in their own head. Invest in Trackers experience.
Also… if you can think of it Trigger/Content Warning. It’s in this book. Be prepared.
Graphic: Abandonment, Homophobia, Pregnancy, Rape, Sexual assault, Sexual content, Adult/minor relationship, Excrement, Grief, Abortion, Blood, Body horror, Body shaming, Cannibalism, Colonisation, Cursing, Drug abuse, Gore, Murder, Torture, Toxic friendship, Transphobia, Violence, Physical abuse, Religious bigotry, Toxic relationship, Trafficking, Child abuse, Child death, Death, Death of parent, Domestic abuse, Emotional abuse, Incest, Mental illness, Misogyny, Pedophilia, Racism, Sexism, Sexual harassment, Sexual violence, Slavery, and War
Just like all the things, this book is not for the faint of heart or easily triggered.bodiesinbooks's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Diverse cast of characters? Yes
4.25
Moderate: Blood, Cannibalism, Child abuse, Cursing, Domestic abuse, Drug abuse, Fire/Fire injury, Gaslighting, Infidelity, Body horror, Rape, Slavery, Vomit, Child death, Gore, Grief, Homophobia, Kidnapping, Murder, Pregnancy, Sexual violence, Violence, War, Abandonment, Ableism, Addiction, Adult/minor relationship, Animal death, Death, Death of parent, Excrement, Suicide, Torture, and Toxic friendship
booksthatburn's review against another edition
Moderate: Blood, Confinement, Death, Domestic abuse, Misogyny, Sexual content, and Violence
Minor: Child abuse, Child death, and Drug abuse
CW for misogyny, drug abuse (not depicted), confinement, blood, domestic violence, violence, sexual content, child abuse (not depicted), child death (backstory), death.ehmannky's review against another edition
Graphic: Adult/minor relationship, Animal cruelty, Blood, Body horror, Cannibalism, Child abuse, Child death, Confinement, Death, Domestic abuse, Excrement, Gore, Kidnapping, Pedophilia, Misogyny, Rape, Sexism, Sexual assault, Sexual violence, Slavery, Torture, Trafficking, and Violence
Minor: Vomit, Drug use, and Drug abuse