Reviews tagging 'Infidelity'

Black Leopard, Red Wolf by Marlon James

15 reviews

zidian's review against another edition

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challenging dark emotional mysterious tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.0

After finishing this book, I had to sit down for a bit and re-evaluate. My second thought was to immediately start re-reading it.

Pros: incredible world-building (from the kingdoms and their traditions to the creatures that live within it), such a diverse and nuanced cast of characters (you could give me only dialogue and I could probably tell you who's speaking), captivating mystery

Cons: pacing (the chapters were too long, and it bounced from being too slow to too many things happening at once), overly-open content (the writing style itself was pretty good but sometimes felt like it was vulgar for vulgarity's sake - like I get it, the tracker can smell *everything* when he hunts someone down, you don't need to tell me that he can smell the person's shit after the third time), too many trigger warnings (especially within the first half of the book, there was some form of
abuse, SA, torture, cannibalism and more on pretty much every page
).

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hagwife's review against another edition

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adventurous challenging dark emotional funny reflective sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.5

This book is insanely good and a read that greatly expands the audience's view of what is possible in fantasy writing. Perhaps the super short version is from Amar El-Mohtar, which described the books as "if Toni Morrison had written Ovid's Metamorphoses"(NPR, 2018).  The slightly longer version starts with awe at this beautiful landscape woven out of African history and African mythology. 

One of my favourite aspects of the novel is its narrative style. The entirety of the book is Tracker relaying his version of events to an inquisitor, though we never hear the inquisitor speak. As far as Tracker's story, most of that is told through conversations between characters, thus making the book almost entirely dialogue. Given that we are only receiving Tracker's version of events, there's a malleability to the story that is different from other uses of unreliable narrators. It feels less like intentionally diverting attention (Westworld) or subconsciously lying (Mr. Robot) and more so like an oral history. What is truth but the way one man saw the events and how he then chooses to remember them? And even if his version of the story doesn't match the "actual" events, what is to say that those events are any more true? This is a story where authenticity is not yoked to correctness, where truth is not an absolute because people are not absolute.

The theme of truth, the oral history style, and James' use of language combine into a worldview that feels authentic to the world in the novel. While written in English, it doesn't sound like English. James put a lot of effort into crafting a voice for his characters that sounds like a dialect, and not one where it's been translated, but one where the reader has a Star Trek-esque translation device – the characters speak and we understand. Perhaps the last novel I read where I was conscious of the amount of effort put into the way language works and how characters communicated was Zora Neal Hurston's Their Eyes Were Watching God. The fact that many readers have found it hard to read means, at least in my opinion, that James succeeded in writing pre-colonial communications with a post-colonial language. There's that has been written on this, but recently I've been thinking about a quote from wa Thiong'o's Decolonizing the mind: "language was the most important vehicle through which that power fascinated and held the soul prisoner...Language was the means of spiritual subjugation".   

I also enjoy how unapologetic and frank this book is in its queerness. We see many examples of platonic love, romantic love, and sexual attraction in all its various combinations between men. These relationships and encounters are vivid and intense; for Tracker, the line between love and hate is extremely thin and are characterized by the intenseness of his feelings, of the time and energy and many ways in which Leopard and Nyka and Mossi are intertwined with his life. And this queerness is shared and explored in a way that honors and explores the broadness of masculinity and how that impacts one's identity and vice versa.

I should point out that for any test related to the treatment and inclusion of women, this novel fails, and I think that's intentional. Tracker's relationships with women are extremely fraught, and though born out of trauma, extremely unfair to generalize, as several characters point out. It's interesting, because we don't meet any women or female presenting characters who challenge Tracker's beliefs with their actions, but we're left to wonder whether that is how these characters are or how Tracker sees them. I'm extremely interested in the second book in the trilogy, which tells the same tale, but from Sogolon's perspective. 

This is also an incredibly hard book to recommend. James does not care about your sensibilities, particularly if they are European or derive historically from European ones; he's not interested in White-washing events or making them more palatable. He has built a stark reality in the world of Black Leopard, Red Wolf, one that understands that you gain nothing by trying to make it pretty or talk around it. You're going to be uncomfortable and you should be uncomfortable; it's not supposed to be easy to read about violent acts or intense grief.  Most importantly though, please, please, please read the content warnings and take care of yourself first and foremost.

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nrhilmer's review against another edition

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adventurous dark mysterious tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

5.0


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lochnessmaddy's review against another edition

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The writing was slow and seemed to loathe to get to the point making the story muddled and hard to follow. The main character has no investment in the world or characters around him and that distance keeps the reader from investing as well. Additionally a whole lot of t/w rape, homophobia, misogyny, and violence that in no way progresses the plot. 

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trippalli's review against another edition

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dark sad tense medium-paced

1.0

This story alternated between offensive, upsetting and horrifying and boring or uninteresting... I am not easily bored but the plot was scant and the characters dark and mean mostly.. a few times I got interested in what might happen but then another chase began. It seemed like endless hopelessness in a race through the dark to save a kid that just never ended. I would've DNF this book of our wasn't an  audio version. Instead I died it up but it didn't improve

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vedpears's review against another edition

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adventurous challenging dark emotional mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

2.25

What a challenging read - not because of the writing style, but because of the content. 
Abundant run on sentences took some getting used to, but I managed to navigate that just fine. 
I enjoyed how the story was written in such a way that it was like viewing a large photo by zooming in, then zooming out a bit, zooming in somewhere nearby, zooming out again until the whole picture is revealed.
What I did not enjoy was the overwhelming number of elements that would warrant trigger warnings: sex, rape, child abuse, pedophilia, slavery, bodily harm, mutilation, murder, combinations of all of those at once with a gratuitous serving of explicit language. 
The overarching story is intriguing. The characters and concepts borrowed from African history and mythology were woven in very well. If this were written to be less corrosive on the psyche, I would have rated it higher.

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ren_fox's review against another edition

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challenging dark slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.0


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econsidine's review against another edition

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adventurous challenging dark slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25

This one took a long time to read, because it's 620 pages long and a lot of it is in a meandering pace and a lot of information is thrown at you that you may need to remember or recall. That said, I enjoyed it a lot. It's a twisty story spanning an unclear amount of years about a Tracker with a near-supernaturally-strong nose, his friendship/relationship with a leopard-man, a hired job to find a random boy who doesn't seem to exist, and also the Tracker's sort-of adopted children. If you like fantasy with inventive worlds and systems, if you like fantasy with a lot of characters and a complex plot that takes ages to progress, if you like books along the lines of GoT and The Witcher and The Broken Earth and are ready to jump into something newthis is a good pick for you.

NOTE THAT THERE IS A LOT OF HEAVY/DARK MATERIAL AND IMAGERY. I've tagged everything I can possibly think of below but have likely missed something. If you do not want to read something that involves any of the usual suspects of what people consider "dark" or "gory" or "messed up," then this is not for you. It's not a horror book, but it is often disturbing. And even for me—someone who loves fictional horror and grotesque shit and frequently reads books about cannibalism for fun—this one is a lot to get through and had me physically flinching at some moments while reading. It didn't read like it was just for shock value, as weird as that may sound, but the tone of the narrator through the whole book is very matter-of-fact, so many disturbing events are described in full detail but without much direct inflection/editorializing.

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nate_b's review against another edition

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adventurous challenging dark emotional funny mysterious sad tense fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

A truly brilliant story! The world-building of an alternative African magical reality is absolutely incredible. I will need to give this another listen, though it is so intense and violent I don't know when I'll be up for it. It's almost like the most graphic type of scenes from Law & Order: SVU all put together with terrifying descriptions of witchcraft blended with mysterious powers, destiny, loss, and a pervasive, bitter sense of betrayal.

It was hard to follow at times but well worth the effort and time. It's a long book but so exquisitely told!

The author does not shy away from extremely graphic depictions of the acts of his characters, including sexual assault, murder, and war crimes against children. I actually had to set it aside after the first time I tried listening to it until a time when I was more able to handle the violent opening scene and get into the fascinating characters beyond. Maybe next year I'll be up to listen to the sequel! I hope they get the same narrator. He did a phenomenal job! 

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t_thekla's review against another edition

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adventurous dark mysterious sad tense medium-paced

3.5

last chapter slapped

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