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hagwife's review against another edition
adventurous
challenging
dark
emotional
funny
reflective
sad
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
This book is insanely good and a read that greatly expands the audience's view of what is possible in fantasy writing. Perhaps the super short version is from Amar El-Mohtar, which described the books as "if Toni Morrison had written Ovid's Metamorphoses"(NPR, 2018). The slightly longer version starts with awe at this beautiful landscape woven out of African history and African mythology.
One of my favourite aspects of the novel is its narrative style. The entirety of the book is Tracker relaying his version of events to an inquisitor, though we never hear the inquisitor speak. As far as Tracker's story, most of that is told through conversations between characters, thus making the book almost entirely dialogue. Given that we are only receiving Tracker's version of events, there's a malleability to the story that is different from other uses of unreliable narrators. It feels less like intentionally diverting attention (Westworld) or subconsciously lying (Mr. Robot) and more so like an oral history. What is truth but the way one man saw the events and how he then chooses to remember them? And even if his version of the story doesn't match the "actual" events, what is to say that those events are any more true? This is a story where authenticity is not yoked to correctness, where truth is not an absolute because people are not absolute.
The theme of truth, the oral history style, and James' use of language combine into a worldview that feels authentic to the world in the novel. While written in English, it doesn't sound like English. James put a lot of effort into crafting a voice for his characters that sounds like a dialect, and not one where it's been translated, but one where the reader has a Star Trek-esque translation device – the characters speak and we understand. Perhaps the last novel I read where I was conscious of the amount of effort put into the way language works and how characters communicated was Zora Neal Hurston's Their Eyes Were Watching God. The fact that many readers have found it hard to read means, at least in my opinion, that James succeeded in writing pre-colonial communications with a post-colonial language. There's that has been written on this, but recently I've been thinking about a quote from wa Thiong'o's Decolonizing the mind: "language was the most important vehicle through which that power fascinated and held the soul prisoner...Language was the means of spiritual subjugation".
I also enjoy how unapologetic and frank this book is in its queerness. We see many examples of platonic love, romantic love, and sexual attraction in all its various combinations between men. These relationships and encounters are vivid and intense; for Tracker, the line between love and hate is extremely thin and are characterized by the intenseness of his feelings, of the time and energy and many ways in which Leopard and Nyka and Mossi are intertwined with his life. And this queerness is shared and explored in a way that honors and explores the broadness of masculinity and how that impacts one's identity and vice versa.
I should point out that for any test related to the treatment and inclusion of women, this novel fails, and I think that's intentional. Tracker's relationships with women are extremely fraught, and though born out of trauma, extremely unfair to generalize, as several characters point out. It's interesting, because we don't meet any women or female presenting characters who challenge Tracker's beliefs with their actions, but we're left to wonder whether that is how these characters are or how Tracker sees them. I'm extremely interested in the second book in the trilogy, which tells the same tale, but from Sogolon's perspective.
This is also an incredibly hard book to recommend. James does not care about your sensibilities, particularly if they are European or derive historically from European ones; he's not interested in White-washing events or making them more palatable. He has built a stark reality in the world of Black Leopard, Red Wolf, one that understands that you gain nothing by trying to make it pretty or talk around it. You're going to be uncomfortable and you should be uncomfortable; it's not supposed to be easy to read about violent acts or intense grief. Most importantly though, please, please, please read the content warnings and take care of yourself first and foremost.
One of my favourite aspects of the novel is its narrative style. The entirety of the book is Tracker relaying his version of events to an inquisitor, though we never hear the inquisitor speak. As far as Tracker's story, most of that is told through conversations between characters, thus making the book almost entirely dialogue. Given that we are only receiving Tracker's version of events, there's a malleability to the story that is different from other uses of unreliable narrators. It feels less like intentionally diverting attention (Westworld) or subconsciously lying (Mr. Robot) and more so like an oral history. What is truth but the way one man saw the events and how he then chooses to remember them? And even if his version of the story doesn't match the "actual" events, what is to say that those events are any more true? This is a story where authenticity is not yoked to correctness, where truth is not an absolute because people are not absolute.
The theme of truth, the oral history style, and James' use of language combine into a worldview that feels authentic to the world in the novel. While written in English, it doesn't sound like English. James put a lot of effort into crafting a voice for his characters that sounds like a dialect, and not one where it's been translated, but one where the reader has a Star Trek-esque translation device – the characters speak and we understand. Perhaps the last novel I read where I was conscious of the amount of effort put into the way language works and how characters communicated was Zora Neal Hurston's Their Eyes Were Watching God. The fact that many readers have found it hard to read means, at least in my opinion, that James succeeded in writing pre-colonial communications with a post-colonial language. There's that has been written on this, but recently I've been thinking about a quote from wa Thiong'o's Decolonizing the mind: "language was the most important vehicle through which that power fascinated and held the soul prisoner...Language was the means of spiritual subjugation".
I also enjoy how unapologetic and frank this book is in its queerness. We see many examples of platonic love, romantic love, and sexual attraction in all its various combinations between men. These relationships and encounters are vivid and intense; for Tracker, the line between love and hate is extremely thin and are characterized by the intenseness of his feelings, of the time and energy and many ways in which Leopard and Nyka and Mossi are intertwined with his life. And this queerness is shared and explored in a way that honors and explores the broadness of masculinity and how that impacts one's identity and vice versa.
I should point out that for any test related to the treatment and inclusion of women, this novel fails, and I think that's intentional. Tracker's relationships with women are extremely fraught, and though born out of trauma, extremely unfair to generalize, as several characters point out. It's interesting, because we don't meet any women or female presenting characters who challenge Tracker's beliefs with their actions, but we're left to wonder whether that is how these characters are or how Tracker sees them. I'm extremely interested in the second book in the trilogy, which tells the same tale, but from Sogolon's perspective.
This is also an incredibly hard book to recommend. James does not care about your sensibilities, particularly if they are European or derive historically from European ones; he's not interested in White-washing events or making them more palatable. He has built a stark reality in the world of Black Leopard, Red Wolf, one that understands that you gain nothing by trying to make it pretty or talk around it. You're going to be uncomfortable and you should be uncomfortable; it's not supposed to be easy to read about violent acts or intense grief. Most importantly though, please, please, please read the content warnings and take care of yourself first and foremost.
Content Warnings
Graphic: Animal death, Blood, Body horror, Body shaming, Grief, Rape, Toxic relationship, Physical abuse, Sexual harassment, Child abuse, Child death, Cursing, Gore, Murder, Sexual assault, Sexual content, Toxic friendship, Violence, Confinement, Injury/Injury detail, Misogyny, Death, Death of parent, Sexism, and Sexual violence
Moderate: Vomit, Pedophilia, Cannibalism, Kidnapping, Abandonment, Dysphoria, Fire/Fire injury, Colonisation, Domestic abuse, Excrement, and Infidelity
Minor: Drug abuse, Incest, and Drug use
This book is not written with regards to Western conventions. It does not condone or uplift violence towards others but it is also not going to shy away from the realities of such acts. You will be uncomfortable because you should be uncomfortable.eliasaurus's review against another edition
adventurous
dark
funny
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
This book was incredible. I've been telling people it's "LOTR if, instead of taking place in vaguely medieval Europe, it was instead set in vaguely medieval Africa," but that really doesn't do it justice.
The other reviews are right that it deserves every trigger warning under the sun, but this is the best high fantasy I've read in a long time. The characters are all so interesting and well fleshed out, the writing (though not always easy) is engaging because it's perfectly in the protagonist's voice, the plot is twisty and turny... It's basically perfect.
All the seemingly disparate story elements end up being relevant. If you get through the first hundred or so pages, you won't be able to put down the rest.
The other reviews are right that it deserves every trigger warning under the sun, but this is the best high fantasy I've read in a long time. The characters are all so interesting and well fleshed out, the writing (though not always easy) is engaging because it's perfectly in the protagonist's voice, the plot is twisty and turny... It's basically perfect.
All the seemingly disparate story elements end up being relevant. If you get through the first hundred or so pages, you won't be able to put down the rest.
Content Warnings
Graphic: Rape, Animal cruelty, Child abuse, Incest, Child death, Slavery, Misogyny, Murder, Violence, Sexual violence, War, and Animal death
Moderate: Homophobia and Vomit
Minor: Islamophobia, Racism, and Cannibalism
hello_kara's review against another edition
challenging
dark
emotional
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
If you have any triggers, just imagine this book as one big red flag. Horribly brutal and violent. Cruel and gruesome. Intensely graphic and crass. Disorienting and unnerving.
This is not a comfortable or easy read. But content riddled with trauma should not be comfortable. Gratuitous mention of shit, piss, blood, rape, gang rape, genital mutilation, child abandonment and sacrifice, kidnapping, corruption, slavery, torture, dismemberment, and murder. Is the overall story still intriguing though? Yes. Not a book I could ever rate on a simple scale though.
“There was always someone or some two or some three who will grab me like a stick and break me, grab me like wet cloth, and wring everything out of me. And that was just the way of the world. That was the way of everybody’s world.”
Took me forever to get through this one, and I didn’t feel invested until about a third of the way through. That’s also about how long it takes to get to the advertised plot of the book. I was drawn in by the premise of an epic quest of a group of people each with different supernatural gifts, knowledge, or skill, with the goal of finding a missing child of prophecy. The story is told from the point of view of Tracker, The Red Wolf, and is being told to the Inquisitor questioning him regarding this quest. Rooted in African inspired mythologies and folklore, this quest takes them to several different cities, through cursed lands and hidden doorways, and they cross paths with a plethora of terrifying creatures.
This book is the first in a planned trilogy, with each book more companion than sequel, telling the story from different points of view. I think it’s a very interesting concept, especially with unreliable narrators, a plot thick with political intrigue, characters with supernatural gifts and some with unnaturally long life spans. At times the writing was rich and easily immersive, other times disorienting with a stream-of-consciousness-mania. The style was so unlike other books I’ve read.
Audiobook performance was excellent, but with the writing style it was difficult at times to tell when characters switched back and forth during dialogue. I did read along with the ebook for most of this which helped. There are also several maps and character lists at the beginning of the book.
“We don't own truth. Truth is truth and nothing you can do about it even if you hide it, or kill it, or even tell it. It was truth before you open your mouth and say, That there is a true thing.”
This is not a comfortable or easy read. But content riddled with trauma should not be comfortable. Gratuitous mention of shit, piss, blood, rape, gang rape, genital mutilation, child abandonment and sacrifice, kidnapping, corruption, slavery, torture, dismemberment, and murder. Is the overall story still intriguing though? Yes. Not a book I could ever rate on a simple scale though.
“There was always someone or some two or some three who will grab me like a stick and break me, grab me like wet cloth, and wring everything out of me. And that was just the way of the world. That was the way of everybody’s world.”
Took me forever to get through this one, and I didn’t feel invested until about a third of the way through. That’s also about how long it takes to get to the advertised plot of the book. I was drawn in by the premise of an epic quest of a group of people each with different supernatural gifts, knowledge, or skill, with the goal of finding a missing child of prophecy. The story is told from the point of view of Tracker, The Red Wolf, and is being told to the Inquisitor questioning him regarding this quest. Rooted in African inspired mythologies and folklore, this quest takes them to several different cities, through cursed lands and hidden doorways, and they cross paths with a plethora of terrifying creatures.
This book is the first in a planned trilogy, with each book more companion than sequel, telling the story from different points of view. I think it’s a very interesting concept, especially with unreliable narrators, a plot thick with political intrigue, characters with supernatural gifts and some with unnaturally long life spans. At times the writing was rich and easily immersive, other times disorienting with a stream-of-consciousness-mania. The style was so unlike other books I’ve read.
Audiobook performance was excellent, but with the writing style it was difficult at times to tell when characters switched back and forth during dialogue. I did read along with the ebook for most of this which helped. There are also several maps and character lists at the beginning of the book.
“We don't own truth. Truth is truth and nothing you can do about it even if you hide it, or kill it, or even tell it. It was truth before you open your mouth and say, That there is a true thing.”
Content Warnings
Graphic: Abandonment, Cannibalism, Child death, Death of parent, Excrement, Grief, Misogyny, Sexism, Sexual content, Torture, Violence, Ableism, Bullying, Rape, Sexual assault, Sexual violence, Slavery, Vomit, Adult/minor relationship, Kidnapping, Animal death, Blood, Body horror, Body shaming, Child abuse, Cursing, Death, Gore, Homophobia, Injury/Injury detail, Murder, Toxic relationship, and Toxic friendship
bookishkarina's review against another edition
slow-paced
- Loveable characters? No
- Diverse cast of characters? Yes
1.5
Hated this. Disgusting and vulgar language that was so unnecessary. Women were described in such a foul way for no reason whatsoever. Has pedophelia, violent rape scenes, bestiality and so much more disturbing and disgusting stuff. I was in pain the entire time. Read something else. Don’t go through the pain and suffering I did.
Content Warnings
Graphic: Sexual assault, Sexual content, Violence, Child abuse, Sexual violence, Sexism, Incest, Death, Gore, Murder, Kidnapping, Pedophilia, Cannibalism, Rape, Adult/minor relationship, Cursing, Child death, and Torture
samanthaleereads's review against another edition
adventurous
challenging
dark
funny
mysterious
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
2.0
Content Warnings
Graphic: Cursing, Domestic abuse, Homophobia, Violence, Death, Gore, Kidnapping, Miscarriage, Physical abuse, Rape, Sexual violence, Adult/minor relationship, Child death, Misogyny, Injury/Injury detail, Sexual content, Sexual harassment, Child abuse, Fatphobia, Murder, Pedophilia, Sexual assault, Pregnancy, Slavery, Torture, Blood, Body horror, Cannibalism, Sexism, and Confinement
kaseyd's review against another edition
adventurous
dark
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.0
I really wanted to like this book, but finishing it was an absolute chore. I knew very early on I disliked it but powered through to give it a chance. The audiobook was 24 hours long and truly maybe six of those hours were actually necessary to the plot. So much of this massive novel was unconnected random stories that were gross, repetitive, and a drag. I fell asleep listening to this, didn’t go back to listen to what I’d missed, and at no point was confused because nothing in the entire hour I slept was actually important to the story. I hate when authors think that for their fantasy to be taken seriously they have to make it disgusting, crass, and disturbing to read. This book is not worth all the time it takes.
Content Warnings
Graphic: Excrement, Cursing, Sexual assault, Gore, Injury/Injury detail, Rape, Blood, Violence, and Death
Moderate: Child abuse, Kidnapping, and Misogyny
Minor: Body horror, Ableism, Slavery, Confinement, Homophobia, and Cannibalism
haddy's review against another edition
adventurous
challenging
dark
emotional
mysterious
sad
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
It took me 15 months to read this book. A lot of it was quite a slog, I didn’t understand nearly anything that happened, and honestly I just think I’m too stupid for the way this book was written??
Having said that I have SO MANY feelings about how it ended !!?!?!
Having said that I have SO MANY feelings about how it ended !!?!?!
Content Warnings
Graphic: Sexual assault, Sexual violence, Abandonment, Blood, Cannibalism, Child abuse, Child death, Death, Death of parent, Excrement, Gore, Rape, Misogyny, Body horror, Murder, Physical abuse, Torture, and Violence
magehydrate's review against another edition
adventurous
challenging
dark
mysterious
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
Wow this one took awhile because it’s so…. vile? Captivating? Pretentious? I feel really complicated about this book. It’s shocking to me that 1)it got published 2) it has so much hype. It’s literally on the featured shelf of the local feminist anarchist book store and I wonder if they have any idea what takes place in the book?
Marlon James is clearly a talented writer, and also seemed to have done a lot of research into African (I believe specifically west african? could be wrong) legends and myths, but still this book was at times nearly impassable. Every type of extreme sexual violence is written about in great detail, including pedophelia, beastiality, sexual torture. The list goes on—I’ve actually seen a list going around of all the “triggers” in this book. The main characters are all foul people, even in the depths of their love or flaws, they reek. Tracker, the teller of the tale, may to be blame for that, for he is a man overcome with anger and nothingness and everything is through his eyes. Even when a violent act is not being done, the characters never have kind things to say, and often their dialogue is a threat, typically sexual in nature. Aside from the sheer amount of violence, James tries too hard to make the plot complex, and loses the thread for most of the book. What could have been a cool search party journey turns into something at times totally illegible because he’s trying so hard? The dialogue is almost exclusively nonsensical riddles, which at first is sort of engaging and requires close reading, but eventually one realizes that the riddles are not opening doors to greater meaning, but rather putting off meaning entirely. (Which might actually be on purpose? So much of the book is about stories and lies, the absence and construction of truth and story. What would a character who is without any meaning at all think of meaning?)Somehow, despite all that…I read the whole thing and was drawn into the world which was huge and imaginative. The monsters are interesting, and so are the enchantments and magics, though they’re all cruel and disgusting (but shouldn’t magic be kind of unpleasant??)and I did find myself invested. It is hard to say what kind of development happens for the characters—for instance , Tracker hates women and that is brought to his attention almost 80% of the way thru the book, but the resolution is two vague sentences about finally seeing his mom again and crying at her feet. In fact it makes one wonder if James himself hates women, because he does address how little choice and mobility women have, even in this fictional non western fantasy realm, but there isn’t a single woman in the book who isn’t conniving, selfish and evil… But again, Tracker sort of admits at the beginning of the book that he might be lying, and we are reminded that this entire tale is through his lens. Man. this is a crazy book. There is so much to say about it and I know I will be thinking about it for a long time. Not sure if I will read the others in this series. Might write another review after some time, when I’ve had more time to think about it.
Marlon James is clearly a talented writer, and also seemed to have done a lot of research into African (I believe specifically west african? could be wrong) legends and myths, but still this book was at times nearly impassable. Every type of extreme sexual violence is written about in great detail, including pedophelia, beastiality, sexual torture. The list goes on—I’ve actually seen a list going around of all the “triggers” in this book. The main characters are all foul people, even in the depths of their love or flaws, they reek. Tracker, the teller of the tale, may to be blame for that, for he is a man overcome with anger and nothingness and everything is through his eyes. Even when a violent act is not being done, the characters never have kind things to say, and often their dialogue is a threat, typically sexual in nature. Aside from the sheer amount of violence, James tries too hard to make the plot complex, and loses the thread for most of the book. What could have been a cool search party journey turns into something at times totally illegible because he’s trying so hard? The dialogue is almost exclusively nonsensical riddles, which at first is sort of engaging and requires close reading, but eventually one realizes that the riddles are not opening doors to greater meaning, but rather putting off meaning entirely. (Which might actually be on purpose? So much of the book is about stories and lies, the absence and construction of truth and story. What would a character who is without any meaning at all think of meaning?)Somehow, despite all that…I read the whole thing and was drawn into the world which was huge and imaginative. The monsters are interesting, and so are the enchantments and magics, though they’re all cruel and disgusting (but shouldn’t magic be kind of unpleasant??)and I did find myself invested. It is hard to say what kind of development happens for the characters—for instance , Tracker hates women and that is brought to his attention almost 80% of the way thru the book, but the resolution is two vague sentences about finally seeing his mom again and crying at her feet. In fact it makes one wonder if James himself hates women, because he does address how little choice and mobility women have, even in this fictional non western fantasy realm, but there isn’t a single woman in the book who isn’t conniving, selfish and evil… But again, Tracker sort of admits at the beginning of the book that he might be lying, and we are reminded that this entire tale is through his lens. Man. this is a crazy book. There is so much to say about it and I know I will be thinking about it for a long time. Not sure if I will read the others in this series. Might write another review after some time, when I’ve had more time to think about it.
Content Warnings
Graphic: Homophobia, Toxic relationship, Cannibalism, Fire/Fire injury, Incest, Adult/minor relationship, Blood, Body horror, Rape, Trafficking, Transphobia, Child abuse, Child death, Sexual assault, Cursing, Emotional abuse, Misogyny, Excrement, Grief, Injury/Injury detail, Kidnapping, Murder, Death, Gore, Pedophilia, Physical abuse, Sexual violence, Slavery, and Torture
arguhlincozzi's review against another edition
It was honestly too dark for me. I was also going through a death of a friend and I couldn't handle that plus this book and its heaviness.
Content Warnings
Graphic: Child abuse, Kidnapping, Rape, Fire/Fire injury, Child death, Death of parent, Domestic abuse, Excrement, Injury/Injury detail, Violence, Abandonment, Blood, Death, Ableism, Adult/minor relationship, Animal cruelty, Animal death, and Cannibalism
nrhilmer's review against another edition
adventurous
dark
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Content Warnings
Graphic: Colonisation, Injury/Injury detail, Sexual content, Slavery, Suicidal thoughts, Physical abuse, Pregnancy, Sexual assault, Violence, Abandonment, Body horror, Cannibalism, Cursing, Homophobia, Kidnapping, Trafficking, Child death, Death, Grief, Animal death, Blood, Gore, Infidelity, Transphobia, Infertility, Miscarriage, Misogyny, Sexual violence, Addiction, Alcohol, Excrement, Fire/Fire injury, Murder, Torture, Adult/minor relationship, Child abuse, Animal cruelty, Confinement, Death of parent, Domestic abuse, Incest, Sexism, Rape, War, and Xenophobia