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hagwife's review against another edition
adventurous
challenging
dark
emotional
funny
reflective
sad
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
This book is insanely good and a read that greatly expands the audience's view of what is possible in fantasy writing. Perhaps the super short version is from Amar El-Mohtar, which described the books as "if Toni Morrison had written Ovid's Metamorphoses"(NPR, 2018). The slightly longer version starts with awe at this beautiful landscape woven out of African history and African mythology.
One of my favourite aspects of the novel is its narrative style. The entirety of the book is Tracker relaying his version of events to an inquisitor, though we never hear the inquisitor speak. As far as Tracker's story, most of that is told through conversations between characters, thus making the book almost entirely dialogue. Given that we are only receiving Tracker's version of events, there's a malleability to the story that is different from other uses of unreliable narrators. It feels less like intentionally diverting attention (Westworld) or subconsciously lying (Mr. Robot) and more so like an oral history. What is truth but the way one man saw the events and how he then chooses to remember them? And even if his version of the story doesn't match the "actual" events, what is to say that those events are any more true? This is a story where authenticity is not yoked to correctness, where truth is not an absolute because people are not absolute.
The theme of truth, the oral history style, and James' use of language combine into a worldview that feels authentic to the world in the novel. While written in English, it doesn't sound like English. James put a lot of effort into crafting a voice for his characters that sounds like a dialect, and not one where it's been translated, but one where the reader has a Star Trek-esque translation device – the characters speak and we understand. Perhaps the last novel I read where I was conscious of the amount of effort put into the way language works and how characters communicated was Zora Neal Hurston's Their Eyes Were Watching God. The fact that many readers have found it hard to read means, at least in my opinion, that James succeeded in writing pre-colonial communications with a post-colonial language. There's that has been written on this, but recently I've been thinking about a quote from wa Thiong'o's Decolonizing the mind: "language was the most important vehicle through which that power fascinated and held the soul prisoner...Language was the means of spiritual subjugation".
I also enjoy how unapologetic and frank this book is in its queerness. We see many examples of platonic love, romantic love, and sexual attraction in all its various combinations between men. These relationships and encounters are vivid and intense; for Tracker, the line between love and hate is extremely thin and are characterized by the intenseness of his feelings, of the time and energy and many ways in which Leopard and Nyka and Mossi are intertwined with his life. And this queerness is shared and explored in a way that honors and explores the broadness of masculinity and how that impacts one's identity and vice versa.
I should point out that for any test related to the treatment and inclusion of women, this novel fails, and I think that's intentional. Tracker's relationships with women are extremely fraught, and though born out of trauma, extremely unfair to generalize, as several characters point out. It's interesting, because we don't meet any women or female presenting characters who challenge Tracker's beliefs with their actions, but we're left to wonder whether that is how these characters are or how Tracker sees them. I'm extremely interested in the second book in the trilogy, which tells the same tale, but from Sogolon's perspective.
This is also an incredibly hard book to recommend. James does not care about your sensibilities, particularly if they are European or derive historically from European ones; he's not interested in White-washing events or making them more palatable. He has built a stark reality in the world of Black Leopard, Red Wolf, one that understands that you gain nothing by trying to make it pretty or talk around it. You're going to be uncomfortable and you should be uncomfortable; it's not supposed to be easy to read about violent acts or intense grief. Most importantly though, please, please, please read the content warnings and take care of yourself first and foremost.
One of my favourite aspects of the novel is its narrative style. The entirety of the book is Tracker relaying his version of events to an inquisitor, though we never hear the inquisitor speak. As far as Tracker's story, most of that is told through conversations between characters, thus making the book almost entirely dialogue. Given that we are only receiving Tracker's version of events, there's a malleability to the story that is different from other uses of unreliable narrators. It feels less like intentionally diverting attention (Westworld) or subconsciously lying (Mr. Robot) and more so like an oral history. What is truth but the way one man saw the events and how he then chooses to remember them? And even if his version of the story doesn't match the "actual" events, what is to say that those events are any more true? This is a story where authenticity is not yoked to correctness, where truth is not an absolute because people are not absolute.
The theme of truth, the oral history style, and James' use of language combine into a worldview that feels authentic to the world in the novel. While written in English, it doesn't sound like English. James put a lot of effort into crafting a voice for his characters that sounds like a dialect, and not one where it's been translated, but one where the reader has a Star Trek-esque translation device – the characters speak and we understand. Perhaps the last novel I read where I was conscious of the amount of effort put into the way language works and how characters communicated was Zora Neal Hurston's Their Eyes Were Watching God. The fact that many readers have found it hard to read means, at least in my opinion, that James succeeded in writing pre-colonial communications with a post-colonial language. There's that has been written on this, but recently I've been thinking about a quote from wa Thiong'o's Decolonizing the mind: "language was the most important vehicle through which that power fascinated and held the soul prisoner...Language was the means of spiritual subjugation".
I also enjoy how unapologetic and frank this book is in its queerness. We see many examples of platonic love, romantic love, and sexual attraction in all its various combinations between men. These relationships and encounters are vivid and intense; for Tracker, the line between love and hate is extremely thin and are characterized by the intenseness of his feelings, of the time and energy and many ways in which Leopard and Nyka and Mossi are intertwined with his life. And this queerness is shared and explored in a way that honors and explores the broadness of masculinity and how that impacts one's identity and vice versa.
I should point out that for any test related to the treatment and inclusion of women, this novel fails, and I think that's intentional. Tracker's relationships with women are extremely fraught, and though born out of trauma, extremely unfair to generalize, as several characters point out. It's interesting, because we don't meet any women or female presenting characters who challenge Tracker's beliefs with their actions, but we're left to wonder whether that is how these characters are or how Tracker sees them. I'm extremely interested in the second book in the trilogy, which tells the same tale, but from Sogolon's perspective.
This is also an incredibly hard book to recommend. James does not care about your sensibilities, particularly if they are European or derive historically from European ones; he's not interested in White-washing events or making them more palatable. He has built a stark reality in the world of Black Leopard, Red Wolf, one that understands that you gain nothing by trying to make it pretty or talk around it. You're going to be uncomfortable and you should be uncomfortable; it's not supposed to be easy to read about violent acts or intense grief. Most importantly though, please, please, please read the content warnings and take care of yourself first and foremost.
Content Warnings
Graphic: Animal death, Blood, Body horror, Body shaming, Grief, Rape, Toxic relationship, Physical abuse, Sexual harassment, Child abuse, Child death, Cursing, Gore, Murder, Sexual assault, Sexual content, Toxic friendship, Violence, Confinement, Injury/Injury detail, Misogyny, Death, Death of parent, Sexism, and Sexual violence
Moderate: Vomit, Pedophilia, Cannibalism, Kidnapping, Abandonment, Dysphoria, Fire/Fire injury, Colonisation, Domestic abuse, Excrement, and Infidelity
Minor: Drug abuse, Incest, and Drug use
This book is not written with regards to Western conventions. It does not condone or uplift violence towards others but it is also not going to shy away from the realities of such acts. You will be uncomfortable because you should be uncomfortable.vedpears's review against another edition
adventurous
challenging
dark
emotional
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
2.25
What a challenging read - not because of the writing style, but because of the content.
Abundant run on sentences took some getting used to, but I managed to navigate that just fine.
I enjoyed how the story was written in such a way that it was like viewing a large photo by zooming in, then zooming out a bit, zooming in somewhere nearby, zooming out again until the whole picture is revealed.
What I did not enjoy was the overwhelming number of elements that would warrant trigger warnings: sex, rape, child abuse, pedophilia, slavery, bodily harm, mutilation, murder, combinations of all of those at once with a gratuitous serving of explicit language.
The overarching story is intriguing. The characters and concepts borrowed from African history and mythology were woven in very well. If this were written to be less corrosive on the psyche, I would have rated it higher.
Abundant run on sentences took some getting used to, but I managed to navigate that just fine.
I enjoyed how the story was written in such a way that it was like viewing a large photo by zooming in, then zooming out a bit, zooming in somewhere nearby, zooming out again until the whole picture is revealed.
What I did not enjoy was the overwhelming number of elements that would warrant trigger warnings: sex, rape, child abuse, pedophilia, slavery, bodily harm, mutilation, murder, combinations of all of those at once with a gratuitous serving of explicit language.
The overarching story is intriguing. The characters and concepts borrowed from African history and mythology were woven in very well. If this were written to be less corrosive on the psyche, I would have rated it higher.
Content Warnings
Graphic: Animal death, Sexual assault, Sexual harassment, Toxic friendship, Trafficking, Biphobia, Blood, Body horror, Classism, Cursing, Gore, Misogyny, Vomit, Abortion, Adult/minor relationship, Alcohol, Animal cruelty, Death, Death of parent, Kidnapping, Murder, Pedophilia, Sexual violence, Ableism, Addiction, Slavery, Stalking, Abandonment, Child abuse, Child death, Homophobia, Incest, Infertility, Injury/Injury detail, Torture, Cannibalism, Emotional abuse, Dysphoria, Excrement, Physical abuse, Pregnancy, Rape, Sexism, Infidelity, Miscarriage, Sexual content, Transphobia, Violence, and Xenophobia
It basically has all the trigger warnings, including infanticide.fox_at_the_circus's review against another edition
adventurous
challenging
dark
sad
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
I really enjoyed this book. Tracker is a great main character and I love how sarcastic and cheeky he is. It makes the dialogues very funny. I liked the other characters, too. They're all well fleshed out and I like that we get a backstory for (almost) everyone.
The world this book is set in is super cool! With the main characters travelling all over the continent, we really get to see all the different cultures and cities and the differences between them. I also like how many different ways there are for people to gain some special abilities, magic, white science,.. some people, like tracker, just have a special ability and it never gets explained. It adds to the fantastical feeling of the world.
The ending really hurt me. Tracker got his nice life and a resolution and a family and it's only shown in a poem/song and then the last part takes it all away. I had tears in my eyes.
This book deals with a lot of heavy topics (see the trigger warnings), and in my opinion it does it pretty well, but it is definitely not for everyone.
The world this book is set in is super cool! With the main characters travelling all over the continent, we really get to see all the different cultures and cities and the differences between them. I also like how many different ways there are for people to gain some special abilities, magic, white science,.. some people, like tracker, just have a special ability and it never gets explained. It adds to the fantastical feeling of the world.
This book deals with a lot of heavy topics (see the trigger warnings), and in my opinion it does it pretty well, but it is definitely not for everyone.
Content Warnings
Graphic: Gore, Violence, Sexual violence, Rape, Animal death, Blood, Body horror, Death, Grief, Homophobia, Misogyny, Murder, Toxic friendship, Vomit, Kidnapping, Physical abuse, Sexism, Sexual content, and Torture
Moderate: Cannibalism, Confinement, Dysphoria, War, Child abuse, and Pedophilia
Minor: War and Xenophobia
rubyellen95's review against another edition
adventurous
challenging
dark
emotional
sad
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Trigger warnings for most things that could be triggering so proceed with care. A dark tale of a man who was hired to find a missing boy ten years ago and tells his story to an inquisitor after that same boy has died.
Magic, myth, mystery and graphic psychological horror abound wrapped in a queer romantic adventure about love, family, found family, masculinity, and pride.
There's also misogyny but it's explored as a character flaw of the character that most displays it.
Magic, myth, mystery and graphic psychological horror abound wrapped in a queer romantic adventure about love, family, found family, masculinity, and pride.
There's also misogyny but it's explored as a character flaw of the character that most displays it.
Content Warnings
Graphic: Adult/minor relationship, Blood, Body horror, Body shaming, Child death, Confinement, Death, Dysphoria, Genocide, Gore, Grief, Incest, Injury/Injury detail, Kidnapping, Misogyny, Murder, Rape, Sexual content, Slavery, Torture, Violence, and War
Beastiality takes place but there wasn't a content warning for that. I've put all content warnings as graphic as you're very invovled with the characters that experience them and the writing is very blunt so it can be shocking but for most content warnings and readers I would suggest it's more around the moderate warning but better safe than sorry
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