Reviews with content warning for Drug use - All's Well

All's Well has very intense descriptions of chronic pain. Miranda's pain truly dictates every part of her day. Despite her immense suffering, she experiences disbelief and cruelty from friends and medical professionals alike. Everyone Miranda knows suggests that her symptoms are psychosomatic. As if real, lasting pain wouldn't be a consequence of a traumatic accident. Mona Awad vividly and empathetically portrays Miranda's world of pain and the resulting painkiller addiction.

This wouldn't be a Mona Awad book, though, without a hypnotic descent into fever dream territory. After Miranda has a magical encounter at a pub, her narration becomes more and more unreliable. What's real in Miranda's life? She herself has no idea. This segment of the book was certainly an entertaining rollercoaster ride. However, it seemed to drag on and on only to maintain ambiguity. Perhaps my lack of familiarity with Shakespeare's less popular plays is what led to my feeling of disconnect from All's Well by its ending. I could tell that Awad was referencing Shakespearean tropes and characters but many of the references flew right over my head.

Content Warnings

readwithbells's review against another edition

Go to review page

5.0

What a vicious, chaotic book that I loved. It absolutely lulled me into a false sense of security for the first half and I forgot it’s also a horror from Mona Awad’s bizarre brain and it got dark. But where Bunny didn’t stick the landing for me, this absolutely did. I think it’s an incredible social commentary piece, though the first 100 pages are slow going (though I do think that may have been me trying to read this during finals). The hallucinations at the end get hard to parse from reality but I do believe that’s the point - major Black Swan vibes once we got deep into the rehearsal process. Either way it can only get 5 stars from me. Twisty and positively bizarre. I adore a woman antihero and want more books like this.

Content Warnings

cphunter's review against another edition

Go to review page

challenging dark emotional medium-paced

3.75

When I first read this I wasn’t as blown away as I was by Bunny, but maybe that is an unfair comparison to make.
The alignment between the main character’s story and the play contained within is done with an interesting twist on the expected. The narrator is more than just unreliable - her whole reality is shaky and confusing to all the characters too - and therefore the plot becomes like jelly, wobbling unexpectedly and slipping through your fingers just when you think you’ve got a hold on it.
At time of writing this review I read this over a year ago and it has stuck with me really strongly, so I think my current rating is higher than it would have been at time, because creating such a stand-out concept and novel is certainly a feat.

Content Warnings

genny's review against another edition

Go to review page

challenging dark mysterious tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

5.0

Gorgeous prose, oh my goodness. I was afraid Bunny would be a one-hit wonder in regards to my own enjoyment of Awad's work, but clearly that isn't the case! In fact, I'm a little peeved that this hasn't gotten the same amount of hype as Bunny, because it's fantastic IMO. Less comedic & visceral but equally as dark. I wish I wrote a review right after I finished this instead of putting it off for a week so that I could've gushed more thoroughly.

Apparently some people found Miranda's POV tiring, but I was engrossed. Awad does love her "can't tell if they're still experiencing reality" protagonists. I work in the medical field so the discussion about chronic pain was doubly haunting to me; I don't ever want my patients to feel unheard, to become this hopeless, although I understood the struggle of treating an "invisible" illness. Other than the Weird Brethren, there was probably a bunch of other parallels to Shakespeare's work that sadly went over my head. I already enjoyed this so much, I can only imagine how cool it must be to have that added perspective. Even the interview with the author at the end made for great reading, with the explanations about how theater/performance/pain can intertwine.

I'll leave a few of my favorite quotes here because I don't know what else to say other than I LOVED THIS, it was so freaking good.

I felt a drop, I told Grace. Felt their anger in the filthy air. Felt the sword above my head. Felt my doom in the thickening night as we drove here. Three silhouettes looming in my side mirror, loping along the shoulder like wolves. But the dread had strangely left me in the dressing room. I even smiled at the fog all around as I parked the car and walked toward Grace. Walked, not limped. Not yet. I held up my aching hands to the drizzle. Go ahead, I whispered to the black clouds gathering. Come for me.

Her leaf-green eyes have returned to their former brightness but there are shadows among the leaves now.

And my tear-streaked face impossibly smiling. Not the brightly beaming face of the young woman from the old Playbill photo, not anymore. No more eyes like stars, no more blinding eclipse. This face shines another light. This face says I have lived, I’m alive. This face says I’ve known joy and pain, known them both. I’ll know them both again.

Content Warnings

decie's review against another edition

Go to review page

dark tense

1.0

something about this book just rubbed me the wrong way. a big part of that was definitely the way disability was talked about/used almost like a horror element in parts....it feels like it's supposed to show the reality of life as a woman with chronic pain, but it just ended up pushing cure rhetoric and framing disabled people as crabby old hags with "dead legs" who are resented by their former loved ones

until they are cured and "back to normal" for the happy ending

I am literally begging authors to stop using the magically disabled and tragically disabled tropes in their books. it really shouldn't be this hard.

I also felt like Awad was trying to have an unreliable narrator but made her so unreliable that half of the story was lost. we only needed one sentence from a onlooker's pov to make the entire book make sense, but we didn't get that. instead, we got a bizarre ableist fever dream without any clear messaging. wild.

Content Warnings