Reviews with content warning for Homophobia - Cantoras

“Cantora” is now an old-fashioned word in Spanish meaning singer, but it has another (also old-fashioned) meaning: a woman who is attracted to other women. In this novel spanning four decades, five cantoras find each other under a Uruguayan military dictatorship, form a close friendship, and inspire future cantoras.

Representation:
- almost every character is Uruguayan
-one of the five MCs (Romina) is biracial and Jewish
- every MC is sapphic; all but one (La Venus, who’s bisexual) is gay

Carolina De Robertis’s writing is consistently beautiful, even if it’s also exhaustingly long-winded. The story’s focus is less on its plot (which is light and slow) and more on the five central characters themselves, their interactions with each other, and their interactions with the two major settings: their city and Cabo Polonio, the beach where they first vacation to and become a tight found family.

I’m not much bothered by the sluggish pacing or the wordy writing--especially when it’s this lovely--but the dialogue does become a little stilted. But then again, I think the book suffers the most when it vanishes altogether. I was so surprised at the amount of backstory in the second half, and that’s saying something, because I was also surprised at the amount of backstory present in the the first. But the first act is told through each main characters’ alternating PoVs in what I'd describe as being fairly “immediate” when compared to the better half of the second act, which consists almost entirely of summaries.

There is also character “development” that happens completely off page; for example, Paz, the youngest of the main five, ages the most dramatically in the time skip from the first and second act because she's sixteen at the beginning of the book--and she becomes almost unrecognizable. This change isn’t summarized, either. She’s just changed. But maybe this is something that’s common in fiction that spans multiple generations, and because that’s not a genre I read very often, it's strange to me.

Okay, but I have to give compliments where compliments are due: trauma is handled extremely well. The majority of these characters have their own trauma, each unique, each painful, each handled superbly. Even when I kind of wish it wasn’t, like with Paz, who was groomed by an adult when she was about thirteen years old. On one hand, I’m amazed at how realistic and unbiased the author handled this situation, because Paz herself doesn’t see what happened to her as abusive. She sees it rather as a kind of lesbian awakening, largely due to the way she was groomed, while her (adult) friends are horrified by what happened to her. Though I wish Paz’s opinion changed when she got older (because if not, that could be how those situations happen again, but with Paz in the opposite role), I admire the way the risk taken here.

I also appreciate how the author made it so the novel never really picks sides or has biases when it comes to fights between the main characters--especially when these fights are about things like cheating, things that usually do pick one side. It never becomes a morality lesson or a character blatantly preaching to another. So I appreciate that, even though personally I have such strong feelings about it that it was difficult to sit through the fights without wanting the book to take sides.

There were a few other things that bothered me, like some over-the-top descriptions of certain characters that go on and on, the biphobia, and the almost fetishistic descriptions of the indigenous Guaraní character, but overall this was a beautiful and heartbreaking book I'm glad to have read.

Content Warnings

amccarthy's review against another edition

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adventurous challenging dark emotional hopeful informative inspiring reflective sad medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

5.0

Content Warnings

annreadsabook's review against another edition

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challenging dark emotional informative reflective sad tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

I'd read a couple rave reviews of CANTORAS going into this book, so I had fairly high expectations which were all absolutely met and, I think, exceeded.

CANTORAS tells the story of five queer women living in 1970s Uruguay, a period during which many were disappeared, imprisoned, tortured, and even killed. In the midst of this immense suffering, they struggle to find a place of their own in the world away from the dangers and routines of their home city of Montevideo. Each of the five women comes to the sleepy seaside town of Cabo Polonio with their respective emotional turmoil and personal crises, but find within each other the steadfast community they deeply needed. Over the subsequent years, we watch each of these women find and lose love, navigate the violent military regime in Uruguay, and fall in and out of friendship within their small group of “cantoras” in a society where homosexuality is outlawed with life-threatening consequences.

I was thoroughly transported to Cabo Polonio during the women’s excursions, and could feel a marked shift from the claustrophobia and terror within Montevideo to the more freeing air of the seascape. You grow a deep fondness for each of the characters as they themselves grow more into themselves; this is the kind of novel that leaves you with the simultaneously dreaded and beloved Book Hangover.

I think this is an excellent read for those who are wary of historical fiction, as there was never a time at which I felt I was bogged down in dense blocks of historical exposition. I read this book in only two sittings—it’s just that good. I truly can’t wait to get my hands on another De Robertis book.

Please be sure to check out the content warnings for this book, as it addresses some extremely heavy topics, some in more detail than others.

Content Warnings

jeanspantalones's review against another edition

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emotional hopeful inspiring reflective sad medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

I will be thinking about this one for a while.

Content Warnings

nibs's review against another edition

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emotional medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

Probably my highlight of 2022. This book is so intimage and human and its all about friendship and building a community and safety together.

I want to cherish this book.

Content Warnings

nyne's review against another edition

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emotional informative reflective medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

Content Warnings

melsuke's review against another edition

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challenging emotional hopeful sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

4.0

Content Warnings

kclark's review against another edition

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reflective medium-paced

Plot- or character-driven? Character
Diverse cast of characters? Yes

2.0

This book had so much working in it's favor: queer female characters, queer author, friendships between women, Latin American lit... so it was a surprise this flat this fell to me.

The language in the book is SO flowery that it is just exhausting, and I love flowery, poetic prose, but this was too much. It was as if the book was struggling to make itself more impressive but came off like a college student trying to say something profound on every page of the book. An example: "The water surrounded them, each wave sloshing forward with it's own wet, singular song, offering the pull of undertow and a brief respite from gravity." It would be fine, and perhaps effective, if this language was used sparingly, but it was constant. This propensity for the over embellished also has the effect of making the sex scenes seem like they were supposed to be sordid and poetic which made it feel like a cheesy romance.

The characters sometimes felt really well developed and crafted, but then immediately lose track of that character development and slip back into seemingly formulaic character archetypes.

Were I not reading this for a summer book bingo, I might have moved on.

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