Reviews tagging 'Cursing'

Todos somos villanos by M.L. Rio

155 reviews

annerbtw's review against another edition

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dark emotional mysterious sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? Yes

4.5

Whaaaat the hell... that was a rollercoaster of emotion towards the end. Rio created a great cast of characters, and I loved how they all interacted with each other (even in the ugly moments). I knew I was into the book when I started developing theory after theory of how I thought the book would end - I was wrong. ♥

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star_oats's review against another edition

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slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

1.0

Wasted my time with this book. I had to slog through the endless sexism and slutshaming only for none of them to have any semblance of character depth and development and for the plot twist and ending to be so underwhelming. 

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ina_pages's review against another edition

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adventurous dark emotional funny hopeful mysterious reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5

As a theater student myself I thought I’d relate heavily to the characters in this book. I didn’t really. Despite understanding how great Shakespeare was, I hated studying him. But whether you hate Shakespeare or love him it’s hard to disagree that he was a great artist of his time, especially when he inspires brilliant works like this.

I learned from school that Shakespeare was at the forefront of the English Renaissance. His command and understanding of human emotions and behavior is, in my opinion, one of his greatest assets and what made his works so enticing to watch/read. M.L. Rio clearly carried this over into her work as Oliver’s thoughts and emotions are so clear and easy to follow (at least, it was for me). 

I think everyone should read this book at least once in their life. It’s a beautiful exploration of love and tragedy that would have even Shakespeare fighting back tears.

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torturedreadersdept's review against another edition

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dark emotional mysterious sad tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.25


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lefty31's review against another edition

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dark mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

This is such a good book that kept me on my toes the whole time. I loved how they are actors as well and the way the story was told. It was my favorite book so far of 2023 

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kaynic22's review against another edition

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dark emotional mysterious sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0


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scifipunk's review against another edition

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dark emotional mysterious tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.75

Honestly, when I first started reading this book, I expected to spend my review tearing it apart.
Interestingly, now at the end, my opinion changed completely.

It is remarkable that a lot of things that annoyed me at the beginning, regarding plot, characters, and some choices the author made, almost all of them improved or at least became ignoreable by the later chapters.
Especially in the beginning, I had the impression that a lot of the characters were extremely flat and one-dimensional — I feel like in many, many scenes, the reader is told about all these different, vibrant personalities, and yet I still had the impression that Filippa and Wren could be fused into one character without any relevant change to the plot or group dynamic. 
I still think so, but it somewhat justified by the characters’ in-universe theater obsession making them think in tropes rather than individuals, and in the end, the plot managed to immerse me and I found myself not as bothered by the characters as I thought I would be.

The author is amazing at describing atmosphere and creating tension in her writing — once the pace picks up, it works well, and this book does have a couple of paragraphs and scenes that stand out for simply how elegant and beautifully phrased they are.
The protagonists, as theater students at an elite university, also have the habit of speaking in shakespearean verse in otherwise casual conversation. 
This comes off extremely pretentious at first, but  seems to be by design — in at least one scene, a character shows awareness of how he and his friends must sound to regular people, and critically reflects about it for a bit. It flowed into the narrative well and seemed natural, and honestly, I would have liked more introspective like this throughout the novel.
I am absolutely torn on the amounts of verse in this book as a whole, however. There are many great scenes, where as a reader, you can see even with minimal knowledge of the original text, that the author means to highlight a certain dynamic or subtext, foreshadow, or give some characterisation. And if it works, it works well.
But on the other hand, there are just as many scenes where it feels excessive or much longer than necessary.

I did. enjoy the book as a whole, and the main plot definitely felt cohesive and satisfying in the end. About the subplots, I’m not so sure. Some major plot twists and entire characters, especially some that are relatively important later on for example
a character’s struggle with addiction and near death experience, a girl’s mental breakdown, the narrator’s jealousy of another’s relationship, people questioning their sexuality, someone’s sister developing an eating disorder, people getting into fistfights on stage,
and so on… are established in a major scene and then just, never brought up again, let alone become relevant.

I thought that was really a tragedy, since so many plot threads actually seemed interesting and worth exploring. The author, in my opinion, clearly has talent and put a lot of thought and effort into her work, so I really would have liked to see where all these subplots go… but well.
I enjoyed reading “If We Were Villains” a lot, but it did not quite leave me satisfied in the end.

If you are looking for a captivating, well-executed mystery with a great, immersive atmosphere, then this is for you. The book clearly deserves the “dark academia” hype it got. If you are, however, the type of person who is very annoyed by excess drama, pretentious characters, handwaved details and so on, then you should probably give this one a pass.

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bookishtea's review against another edition

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dark emotional reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

Will I recover? Probably not.

Will I cry like a baby now that it’s over and I’ve gotten attached? Yes, yes I will. 

I will be the first to admit that I did shy away from the book at first with the Shakespeare references. I’m not a huge Shakespeare nerd so I had a fear that I wouldn’t understand what was going on but my fear was proven wrong. The more I read the more immersed I was and the more important it was to see how the characters interacted using Shakespeare references. As a theater kid you know that the more you study for plays and act them out the more connected you are to it and the more pieces of yourself you leave in it. And the people you act out that play with are people you get close to so lines from a play can become an inside joke and that’s how it was here in the book. So it all made sense to see with character development and building and it made me further enjoy the book. So yes I highly recommend giving it a try!

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quinn24's review against another edition

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emotional funny medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.25

I had fun reading it, but i don’t think I took from it what was supposed to be taken, I am not a Shakespeare fan so that may be it. I did think it was rather obvious but then maybe it was supposed to be?  I’m not sure it wasn’t clear to me whether it was meant to be obvious to the reader or not. I also didn’t like the little ending switch-up. But I did enjoy myself.

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nenya's review against another edition

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adventurous challenging dark emotional funny informative mysterious reflective sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

5.0

This was absolutely incredible, I literally devoured this book so quickly - it‘s very addicting. 
It is structured like a Shakespeare play and incorporates a lot of his plays into the plot as well as the characters dialogue, which makes it even more intriguing. The characters themselves are at once love- and hateable and you end up not really knowing if you should be rooting for them or not since they‘re doing a lot of morally very wrong stuff (you end up rooting for them anyways). The ending also really packed a punch with some predictable elements but some totally „I did not see that coming“ kind of twists - it also had me sobbing in the middle of the night.

At first I thought this would be too similar to „The Secret History“, which in some cases it was, however it was unique enough to be appreciated on its own. (However the inspiration is quite obvious)

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