Reviews tagging 'Misogyny'

Todos somos villanos by M.L. Rio

86 reviews

scottsland_yard's review against another edition

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challenging dark emotional mysterious sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

This book was really good! The writing was very poetic and the inclusion of many Shakespeare quotes was accurate to the characters as well as a great way to really draw the reader into the world. A bit difficult to get the nuance of the Shakespeare quotes chosen if you aren't well-versed in shakespearean theater though. I'm sure there were references I missed. 

SPOILER AHEAD!! 



The ending really upset me and I don't think in the way the author intended. While it was very poetic and intense, creating a huge tension that just ramped up and up toward the last page, I feel like the ending didn't justify the means. While ostensibly a story about murder and passion and rage, it was also obviously a story about love and self discovery. I think having the main character be bi-sexual and technically in a relationship with both Meredith and James (in a way) was really smart story telling to showcase the difficulty he feels in trying to figure out who he is, not only as an actor, but as a lover. What I didn't appreciate (and it's not really Rio's fault so much as it's a tired and hurtful trope shares by many authors) is that the majority of stories that feature a gay couple require that they go through torturous and heart-wrenching levels of trauma in order to move the story along. As a gay man, reading the tension between Oliver and James over and over with little to now pay off didn't feel exciting, it felt like torture. I was being led along like a horse with a carrot, the promise of the possibility of Oliver and James professing their feelings for each other or ending up together, only to constantly be whipped with sex scenes with Meredith and violence with Richard. In the end, when you think Oliver might finally get yo be happy with James, we're slapped in the face with the blunt honesty of Phillipa letting us know that James killed himself after not being able to bare the weight of the guilt of killing Richard (in self defense, btw) and his lover taking the blame for it. So Oliver once again ends up with Meredith and I was left furious. And the last page does little to bandage those wounds. 

I was left feeling empty, tense beyond belief, and with a heavy pit in my stomach. While the story was very good and the book was extremely well written, I am sick of this trope. I'm sick of gay characters being used as the martyrs in stories or being included only to drive the trauma train. (OH, also include the only canonically gay character overdosing and almost dying too) 

I yearn for stories of gay couples/characters that include all the tense will-they-won't-they that straight romances have, but for once, I'd like them to actually end up together. I've learned this is not the book for that. 

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channamason's review against another edition

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dark mysterious sad fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated

4.0

I really wolfed down this book. this book is good- the characters and the setting are very interesting. however the pacing is relatively slow- not meaning it’s a slow read but more you’re expecting the pin to drop and it takes a longgggg while for it to in the second half. the ending was so wrapped up and honestly i didn’t find it very clever. i do appreciate the development of the relationships between characters- that was well done and felt very strong. but the mystery unraveling was overall the least interesting part of the book. for most of the book everyone acts like the murder was an accident and the resolution was really straight forward. intially i expected a red hearring when he found the murder weapon but it wasnt. spiritually akin to the secret history but definitely its younger way simpler shakespearean sister

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booksandcat's review against another edition

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challenging dark mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.5


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aquariusvintage's review against another edition

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dark emotional mysterious tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated

2.5


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bootsmom3's review against another edition

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challenging dark emotional funny mysterious sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0


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savyyroberts's review against another edition

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dark emotional mysterious sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

Every one in a while you pick up a book that leaks magic, this is one of those reads for me. The world building and imagery, the plot line and mystery filled with incredibly loveable, smart wonderful characters. This is a novel that will stay with me for a long time. 

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book_slay's review against another edition

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challenging dark mysterious reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0


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rinku's review against another edition

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dark medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.0

If We Were Villains makes me wonder once more if dark academia is maybe just not my genre. Just like with other books, the characters were so tiresome with their pretentiousness and overacting over small things. Additionally, the internalized misogyny annoyed me a lot, and I just don’t care for Shakespeare lol. 

I don’t have too much to say about the story since the book felt more character-driven to me, but I didn’t really like the little plot we had. The story follows Oliver, an acting student, who’s part of an acting class where new tensions between the students arise. The acting scenes were probably my favorite part of the novel. Richard was also a great antagonist since he was really creepy. 

But I had my problems with the writing itself. The cheap foreshadowing annoyed me just like the fact that some interesting things about the story are just told, like Oliver’s application. The pacing felt a bit off to since, for example, the premiere of the play happened a bit too fast. After the murder, it got more interesting, especially seeing how they tried to hide it. Sadly, it was quite predictable who the murderer was, just like it was predictable that
Oliver would sacrifice himself for James


Another thing I noticed in every dark academia book yet is depicting an unhealthy relationship towards studying. Characters risk their (mental) health for their studies and teachers bullying students is justified to get them ahead. I don’t know, things like these always feels a bit neoliberal to me. 

One of the biggest problems I had with the story was with the characters. We’re introduced to a main cast of seven characters at the beginning and most of them are really flat or don’t even have any character trait, especially the women, making them feel interchangeable. For example, Alexander’s traits are that he’s gay and a drug addict. But there’s one trait they share: They’re really pretentious, I see where The Atlas Six got its inspiration from. Everyone’s overacting at the smallest things. I was furthermore annoyed how the characters drink and take drugs all the time just to show how edgy they are. 

Other reviewers said that before, but it’s unbelievable that this book is written by a woman since the female characters are written so badly. Meredith is always reduced to her looks, no matter the scene. Oliver is always staring at her, claiming that it’s some biological urge(??), that’s a really weird thing to say. Additionally, he says that “we all have called her a slut before”, which made me uncomfortable as well. I don’t know anything about her as a person, just like with the two other female characters of the group. In general, I noticed quite a lot of internalized misogyny, saying that women always gossip and stuff like his. Besides them, the other study fields are also depicted in such a cliché way that it feels like only the aesthetic and vibes matter. 

And how is this book tagged as “queer” and “lgbt”? The representation is atrocious with the only (canon?) queer character being promiscuous and threatening to rape his male friends as a joke, wtf. Without saying too much, the other reps felt just like queerbaiting to me if I’m honest because their “romance” (?) is going nowhere.  

If We Were Villains shows me again that Goodreads can’t be trusted lol. Neither the 4.2-star rating nor the queer tags are justified for this book. I guess I’ll have to read <i>The Secret History</i> one day to find out if at least the origins of dark academia are enjoyable. 

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jelliestars's review against another edition

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dark mysterious tense fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.75


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chloebrown13's review against another edition

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challenging dark emotional mysterious tense slow-paced
  • Plot- or character-driven? A mix
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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