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gussurireads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
1.0
Passo a citar uma das frases que mais me chocou, p. 139 Ato II, "Felizmente, não estava excessivamente maquilhada e continuava a parecer humana." Isto é a observação da personagem principal (um homem) sobre uma das suas melhores amigas, com quem ele se envolve romanticamente, e que apenas a vê como um objeto de desejo, enquanto o seu amor verdadeiro é outro homem. Será pedir muito que autoras mulheres não odeiem outras mulheres nos seus livros?
Relativamente ao enredo e o motivo pelo qual segui a recomendação de leitura (proveniente de uma das minhas booktubers favoritas, nem acredito na desilusão): o mistério do assassinato torna-se relativamente óbvio no início do Ato III. O livro é composto por 5 atos e estava a custar-me continuar a leitura desde o primeiro ato. Tornou-se mais interessante conforme a tensão foi aumentando, mas creio que grande parte do combustível que alimentou está leitura foi a minha própria teimosia em ver a minha teoria sobre o assassino confirmada (e foi confirmada!).
O plot twist no epílogo que todos falaram foi... Ok. Não sou muito fã deste tipo de epílogos e creio que não beneficiou em nada a narrativa, sendo que o mais interessante de "Como Se Fôssemos Vilões" é mesmo toda a tensão e drama criado em torno do ambiente obsessivo em que estes jovens vivem. Fora isso, resta apenas uma prosa pobre e personagens estereotipados, com pouca profundidade.
Recomendo a leitura se estiverem presos numa cabine sem internet e este for o único livro entre uma coleção de livros da Coleen Hoover.
Graphic: Murder, Emotional abuse, Physical abuse, Death, Drug use, Alcoholism, Bullying, Injury/Injury detail, and Blood
Moderate: Toxic relationship, Physical abuse, and Sexism
Minor: Suicide
yzer2468's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Grief, Bullying, Cursing, Gaslighting, Blood, Alcohol, Toxic relationship, Addiction, Toxic friendship, Misogyny, Gore, Body horror, Death, Panic attacks/disorders, Murder, Alcoholism, Mental illness, Drug use, and Drug abuse
Moderate: Suicide attempt, Sexism, Violence, Sexual violence, Suicide, and Eating disorder
Minor: Vomit, Homophobia, Forced institutionalization, Adult/minor relationship, Sexual harassment, and Sexual assault
scottsland_yard's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
SPOILER AHEAD!!
The ending really upset me and I don't think in the way the author intended. While it was very poetic and intense, creating a huge tension that just ramped up and up toward the last page, I feel like the ending didn't justify the means. While ostensibly a story about murder and passion and rage, it was also obviously a story about love and self discovery. I think having the main character be bi-sexual and technically in a relationship with both Meredith and James (in a way) was really smart story telling to showcase the difficulty he feels in trying to figure out who he is, not only as an actor, but as a lover. What I didn't appreciate (and it's not really Rio's fault so much as it's a tired and hurtful trope shares by many authors) is that the majority of stories that feature a gay couple require that they go through torturous and heart-wrenching levels of trauma in order to move the story along. As a gay man, reading the tension between Oliver and James over and over with little to now pay off didn't feel exciting, it felt like torture. I was being led along like a horse with a carrot, the promise of the possibility of Oliver and James professing their feelings for each other or ending up together, only to constantly be whipped with sex scenes with Meredith and violence with Richard. In the end, when you think Oliver might finally get yo be happy with James, we're slapped in the face with the blunt honesty of Phillipa letting us know that James killed himself after not being able to bare the weight of the guilt of killing Richard (in self defense, btw) and his lover taking the blame for it. So Oliver once again ends up with Meredith and I was left furious. And the last page does little to bandage those wounds.
I was left feeling empty, tense beyond belief, and with a heavy pit in my stomach. While the story was very good and the book was extremely well written, I am sick of this trope. I'm sick of gay characters being used as the martyrs in stories or being included only to drive the trauma train. (OH, also include the only canonically gay character overdosing and almost dying too)
I yearn for stories of gay couples/characters that include all the tense will-they-won't-they that straight romances have, but for once, I'd like them to actually end up together. I've learned this is not the book for that.
Graphic: Physical abuse, Murder, Domestic abuse, Death, Alcohol, Toxic friendship, Homophobia, Hate crime, Eating disorder, Drug abuse, Emotional abuse, Blood, Violence, Grief, Toxic relationship, Body shaming, Drug use, Cursing, Bullying, Addiction, Medical content, Torture, Suicide, Sexual content, Suicide attempt, Infidelity, Sexism, Misogyny, Injury/Injury detail, and Alcoholism
booksandcat's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
Graphic: Sexual content, Violence, Drug use, Toxic friendship, Toxic relationship, Murder, Grief, Injury/Injury detail, Mental illness, Physical abuse, Alcohol, Addiction, Blood, Bullying, Misogyny, Death, and Sexism
caseyreadslol's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Flaws of characters a main focus? Yes
3.25
Graphic: Body horror and Murder
Moderate: Sexism, Suicide attempt, and Drug use
Minor: Eating disorder and Domestic abuse
mellowreading's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Graphic: Sexism, Suicide, and Murder
Moderate: Infidelity, Physical abuse, Mental illness, Toxic friendship, Bullying, Drug use, and Alcohol
Minor: Homophobia
jelliestars's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Graphic: Body horror, Violence, Death, Physical abuse, and Blood
Moderate: Bullying, Eating disorder, Alcohol, Addiction, Sexual content, Suicidal thoughts, Toxic friendship, Toxic relationship, Alcoholism, Injury/Injury detail, Murder, Drug abuse, Grief, Infidelity, and Drug use
Minor: Suicide, Fire/Fire injury, Sexual violence, Cursing, Eating disorder, Homophobia, Mental illness, Misogyny, Sexism, Vomit, and Sexual harassment
haleymk's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.25
Graphic: Violence, Addiction, Blood, Alcoholism, Toxic relationship, Injury/Injury detail, Domestic abuse, Death, Drug abuse, Physical abuse, Emotional abuse, Drug use, and Grief
Moderate: Sexual content, Alcohol, Sexism, and Suicide
Minor: Confinement
star_oats's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
1.0
Moderate: Sexism, Sexual harassment, Suicide attempt, Alcoholism, Body shaming, Drug abuse, Homophobia, Misogyny, Cursing, Eating disorder, Murder, Physical abuse, Racial slurs, and Toxic friendship
scifipunk's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Interestingly, now at the end, my opinion changed completely.
It is remarkable that a lot of things that annoyed me at the beginning, regarding plot, characters, and some choices the author made, almost all of them improved or at least became ignoreable by the later chapters.
Especially in the beginning, I had the impression that a lot of the characters were extremely flat and one-dimensional — I feel like in many, many scenes, the reader is told about all these different, vibrant personalities, and yet I still had the impression that Filippa and Wren could be fused into one character without any relevant change to the plot or group dynamic.
I still think so, but it somewhat justified by the characters’ in-universe theater obsession making them think in tropes rather than individuals, and in the end, the plot managed to immerse me and I found myself not as bothered by the characters as I thought I would be.
The author is amazing at describing atmosphere and creating tension in her writing — once the pace picks up, it works well, and this book does have a couple of paragraphs and scenes that stand out for simply how elegant and beautifully phrased they are.
The protagonists, as theater students at an elite university, also have the habit of speaking in shakespearean verse in otherwise casual conversation.
This comes off extremely pretentious at first, but seems to be by design — in at least one scene, a character shows awareness of how he and his friends must sound to regular people, and critically reflects about it for a bit. It flowed into the narrative well and seemed natural, and honestly, I would have liked more introspective like this throughout the novel.
I am absolutely torn on the amounts of verse in this book as a whole, however. There are many great scenes, where as a reader, you can see even with minimal knowledge of the original text, that the author means to highlight a certain dynamic or subtext, foreshadow, or give some characterisation. And if it works, it works well.
But on the other hand, there are just as many scenes where it feels excessive or much longer than necessary.
I did. enjoy the book as a whole, and the main plot definitely felt cohesive and satisfying in the end. About the subplots, I’m not so sure. Some major plot twists and entire characters, especially some that are relatively important later on for example
I thought that was really a tragedy, since so many plot threads actually seemed interesting and worth exploring. The author, in my opinion, clearly has talent and put a lot of thought and effort into her work, so I really would have liked to see where all these subplots go… but well.
I enjoyed reading “If We Were Villains” a lot, but it did not quite leave me satisfied in the end.
If you are looking for a captivating, well-executed mystery with a great, immersive atmosphere, then this is for you. The book clearly deserves the “dark academia” hype it got. If you are, however, the type of person who is very annoyed by excess drama, pretentious characters, handwaved details and so on, then you should probably give this one a pass.
Graphic: Alcohol, Grief, Sexism, Violence, and Drug abuse
Moderate: Toxic relationship, Sexual content, Suicide, Physical abuse, Blood, Cursing, and Addiction
Minor: Outing, Eating disorder, Misogyny, and Mental illness