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talonsontypewriters's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
3.5
Graphic: Grief, Violence, Murder, Kidnapping, War, Death, and Injury/Injury detail
Moderate: Torture, Child abuse, Animal death, Gaslighting, Death of parent, Medical content, Animal cruelty, Gore, Fire/Fire injury, Infertility, Pedophilia, Sexual assault, Sexual harassment, Emotional abuse, and Drug use
Minor: Rape, Infidelity, Suicide, Vomit, Incest, Bullying, Sexual content, Pregnancy, and Abortion
Menstruation. Suffocation/strangulation. Nonconsensual drugging/poisoning.rebaba82's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Death of parent, Sexual harassment, Blood, Misogyny, Vomit, and Violence
Moderate: Gore, War, Death, Grief, and Physical abuse
nytephoenyx's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Graphic: Body shaming, Murder, Animal cruelty, Death, Grief, Injury/Injury detail, Kidnapping, Blood, and Physical abuse
Moderate: Adult/minor relationship, Death of parent, Violence, and War
Minor: Pregnancy, Rape, Vomit, Torture, Biphobia, Fire/Fire injury, and Panic attacks/disorders
booksthatburn's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
5.0
It’s emotionally complicated in a way I wasn’t expecting, a story about how love and people are multifaceted, and that complexity means they can be kind and cruel. Fire’s memories of her father are given the space to slowly unwind, making his brutality and manipulation clear. It would be so easy to have written it like his care for her was a redeeming quality, but it’s not treated that way. In her present-day relationships, Fire is figuring out how to exist without feeling like her every action is a replica of her father’s monstrosity. The emotional journey of coming to terms with having been loved by a cruel person is a fraught one that is handled well here. It’s especially refreshing to have this topic handled in a way that has nothing to do with forgiveness or reconciliation, since her father is long dead before the story begins.
FIRE is full of secrets, dripping with them. Almost every named character (and definitely all the noble ones) either grow and change themselves, or Fire learns something about them that complicates her understanding of them. Sometimes they're new events, but more often it's something that's been true for a long time, with knock-on effects seeping into her life even when she didn't know. It works especially well in a story about a protagonist growing up and taking on both more adult responsibilities, and a more nuanced understanding of the world as her childhood understanding of things slowly cracks and shifts to incorporate more of what people are and what they can be.
This is book two in the series but chronologically takes place before the events of GRACELING. It’s well-placed here, since an explanation of some key events in FIRE would spoil a mystery central to GRACELING, but it does make my usual sequel check a bit tricky. It doesn’t wrap up anything from the first book but it does supply some backstory for an important character. The entire plot starts here and wasn’t part of GRACELING, and many things are both introduced and resolved in FIRE. It doesn’t specifically leave anything open to be addressed later, but it’s my guess that some of these characters will appear later in the series. The narrator is different from GRACELING, and she feels like a very different person than the previous narrator. This would mostly make sense if read without having read the first book, but both books would suffer in the telling if FIRE is originally read without a central bit of knowledge and then GRACELING is later read for the first time with that information.
This is a great book and a worthy sequel, continuing GRACELING's themes of secrets and damage in a whole new kingdom and (almost) entirely new cast.
Graphic: Grief, Kidnapping, Emotional abuse, Injury/Injury detail, Blood, Gore, Violence, Animal death, Animal cruelty, Murder, and Death
Moderate: Gaslighting, Alcohol, Alcoholism, Sexism, Pregnancy, Fire/Fire injury, Medical content, Medical trauma, Vomit, Sexual assault, and Death of parent
Minor: Sexual content, Drug abuse, Rape, and Suicide
marieketron's review against another edition
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
This time around I did notice that there are a Lot of dead mothers in this book. Of course there are dead fathers as well, but they mostly held important political positions and / or were present to raise their children, neither of which applies to all the dead mothers. I would have loved to have seen more older women besides Roen and Tess. On a more personal preference, I felt there was a bit too much plot in this story regarding the conspiracies and factions and general court intrigue, which was compounded by the presence of Leck. On this re-read I pretty much skimmed through the plot-heavy bits.
The main romance is one of my favourites in any work of fiction, as is the case for Katsa and Po. I don't necessarily rank one above the other, but I like that both pairings went on a road trip where they spent a significant amount of time with each other as well as in a castle where they keep running into each other. I'm a sucker for the involuntary road trip as a tool for character development and it worked really well in both cases.
3rd reading: the age gap of the older men falling in love with younger girls is a bit creepy for being such a consistent pattern
Graphic: Chronic illness, Animal cruelty, Death of parent, Grief, Sexual assault, Blood, Torture, Animal death, Infidelity, Misogyny, Death, and Kidnapping
Moderate: Gore, Sexism, Vomit, Pedophilia, Medical trauma, and Adult/minor relationship