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wuthrinheights's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I was pleasantly surprised to learn how fast paced the book was, and it was captivating from the start. It only took me more or less 6 hours to read it, and by the last 100 pages or so, I had the musical soundtracks to accompany me.
It was spooky, intoxicating, yet somehow humorous at times. Occasionally I would find myself to snicker or giggle at what the character said or did. I did not have a favourite character exactly, but I enjoyed reading the storyline; it kept me on the edge of my seat the whole time.
Love was a huge theme of the book. In the end, people just want to be loved.
Minor: Death, Ableism, Body horror, Bullying, Abandonment, Body shaming, Kidnapping, Misogyny, Physical abuse, Toxic relationship, Murder, Suicidal thoughts, Suicide attempt, Death of parent, Emotional abuse, and Sexual harassment
linnylionheart's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Graphic: Body shaming, Stalking, Emotional abuse, Torture, Confinement, Kidnapping, Death, Gaslighting, and Murder
Moderate: Bullying, Mental illness, Classism, Suicide attempt, and Suicide
Minor: Child abuse, Misogyny, Blood, and Death of parent
maeverose's review against another edition
- Plot- or character-driven? A mix
- Diverse cast of characters? No
3.0
My rating is mostly for the unintentional comedy of how ridiculous the book is. I know some parts are supposed to be funny but I think I was laughing at the wrong parts. I also just love the idea of some guy secretly living in an opera house and messing with people. Sadly though I was bored most of the time while reading this. I liked Raoul and Christine well enough (though they were both extremely naive), Erik was very different than I thought he would be (I didn’t know anything about his backstory and I had no idea he’d be so talkative and weird. I thought he’d be more brooding lol). I found it hard to imagine the descriptions of the opera house, especially when they went underground, though that’s likely a fault of the translation.
Speaking of the translation, I don’t know if my edition (paper mill press) is just a bad edition but there were quite a few typos and a lot of things were worded awkwardly, and I don’t think it was just the writing style, it seemed like a bad translation. Maybe I’ll have to do some research and see if there’s a better one.
I really wanted to like this but I think I might just not get along with classics that well. Every time I read a classic I feel like I would like it better if it had been written today. Same time period, story and characters, just a more modern writing style (and less misogyny, racism and ableism… although this story relies so heavily on the ableism I’m not sure how you’d write it without it…). I don’t mind the old language so much but I don’t like the overly dramatic repetitive dialogue that classics often have (this one had a lot of that). I don’t like how repetitive in general classics tend to be. Which is sad because I want to like classics. The stories themselves are sometimes interesting but then the writing and dialogue ruin it for me :/
Also, I can’t imagine a room of mirrors being that convincing that you’d have to have prior knowledge of what it is to know it’s not actually a forest. YOU’D SEE YOUR OWN REFLECTION. COME ON.
I think this is probably much better experienced via the actual musical rather than the book. I’ve never seen the musical but now I want to.
Graphic: Body shaming, Confinement, Ableism, Emotional abuse, Kidnapping, Toxic relationship, and Religious bigotry
Moderate: Animal death, Misogyny, Death, Torture, Murder, Racial slurs, and Racism
Minor: Xenophobia and Fatphobia
incel behavior, controlling behavior, manipulation