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on_my_bookshelf's review against another edition
challenging
dark
emotional
mysterious
sad
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Content Warnings
Graphic: Death, Physical abuse, Fire/Fire injury, Cannibalism, Blood, Body horror, Drug use, Emotional abuse, Gaslighting, Gore, Grief, Injury/Injury detail, Murder, Torture, Violence, and Vomit
gen_wolfhailstorm's review against another edition
adventurous
dark
emotional
hopeful
inspiring
mysterious
reflective
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Amy McCaw's YA book club pick for March 2024.
I'm really glad this was the choice for this month's book club as I had an Evernight addition I've been excited to pour over!
Don't let my slow progress fool you on this title! Every time I picked it back up, I was lapping this up. I think subconsciously I was taking forever because I wanted to savour it. It was very apparent from the start that I would adore the characters and I was already hooked on the direction of the story!
Invocations felt so dark, rich, yet funny (especially with Jude's comments) all at the same time. The mystery and magic is exhilarating and especially when we got to the end, both the two major plot twists did not have me guessing until the big reveal.
I wasn't expecting to have the mysterious sounding Emer Byrne as our first main POV, but I really enjoyed seeing her life straight away. It served to add even more to the illusive mystery surrounding her and I found that I was eager to discover more about her back story.
On page 19, I liked the connection of this in-the-process-of-healing lesion whispering the demonic language humans have aversion to... Much like the evil whisperings of legion itself! I don't know if it was intentional, but they sound similar and I liked the play on words.
There's also a scene where Jude observes her estranged family and the way the older siblings act around the patriarch of the father with their umbrellas, which greatly reminded me out of something from The Umbrella Academy.
As you can tell, I had a great time with the imagery and (imagined or not) metaphors speckled throughout. The writing was just so vivid and saturated in the telling.
Zara was probably the character I least bonded with. Don't get me wrong, I still loved reading from her perspective and the motive she had behind everything was a mixture of driven and heartbreaking. I just felt that she was too closed off and felt a touch like a filler character at times. Especially during moments that you could really tell there was some sort of chemistry with Jude and Emer.
The epilogue had me holding back tears.... After everything that happened it was just so beautiful, and honestly a fitting and perfect ending to the story. I felt kind of giddy and melancholy all at once when it was over. I took so long savouring over this book, it became my essence and now I don't know what to do with my life... Maybe I'll go hunt me some witch hunters.
Pick it up, give it a go and enjoy!
Content Warnings
Graphic: Cursing, Death, Self harm, Classism, Physical abuse, War, Death of parent, Drug abuse, Drug use, Excrement, Alcoholism, Cannibalism, Child death, Confinement, Infidelity, Misogyny, Toxic relationship, Vomit, Emotional abuse, Gore, Grief, Pregnancy, Stalking, Suicidal thoughts, Torture, Body horror, Forced institutionalization, Gaslighting, Sexism, Blood, Fire/Fire injury, Hate crime, Injury/Injury detail, Kidnapping, Murder, Addiction, Alcohol, Child abuse, Genocide, and Violence
18soft_green's review against another edition
adventurous
emotional
mysterious
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
3.0
It should first be stated that Sutherland is a great writer. She is good at pacing, characterization, plotting, and wording. She's pretty good at dialogue and writing emotions. She is one of the few authors who I think can write interesting, lovable feminine characters. Very rarely am I actively interested in feminine characters just for their personalities and not the overall plot.
The mystery in this story was good. Who was out killing witches and stealing their demon tattoos? I was curious. The characters of this story were also good. Emer is my favorite character, with how very Eldredge she is. Zara is interesting to me with how her practicality clashes with her separation. Jude is not interesting to me. And neither was the sexual/romantic side plot between her and Erer.
What bothers me about this book is how shallow it is and exclusive its message is. I love a rage story. I love when characters get ugly and break shit and go mad, almost nothing makes me as excited as a deranged character going apeshit. I love revenge stories! Sutherland has an obvious weakness that seems to have only grown from her last book into this one.
Sutherland writes for white girls and women and them exclusively. It's not just that they are her audience, they are the only important characters in her books. Everyone else in her books either don't exist or are bad. In the House of Hollow, there was only one person of color and she killed them. In this book the only important characters that aren't white women are men and they are the bad guys. Sutherland tethers herself to the queer community by making her characters queer but then doesn't acknowledge queer men or nonbinary people. Her message is very gender essentialist but she doesn't even include those that challenge the gender norms the most in her story. The farthest she went was lesbians and clearly stated that trans women should be included but then didn't include them. Because, unfortunately, if she had included the rest of the queer community then her whole story would fall apart in several different ways.
This story relies on the idea that men are evil and weak and bad for women. Men are harmful to women one way or another, they are predatory and selfish, and all men want to devour women. The story stresses more that men = bad than women = good. If Sutherland were to include queer men and nonbinary people she would have been forced to ask if the evil of men lay in their gender and acknowledge that men do not = bad. For some reason finding the actual root of the problem of violence against women was too complex for her. The story demands that the reader care about that women are abused in this culture several times and at one point passively admits that men are under patriarchy and that makes them the way they are, but the rest of the story shows men harming but blames these men individually. The story doesn't explain why women aren't bad, it just states over and over again that women are victims of male violence and apparently that makes them not capable of true evil. Meanwhile, it can be assumed that boys and men will inevitably do some injustice because they are boys and men. This steals all men and boys of agency and brinks on the argument that it is not what you do but who you are that is evil. This argument is used against all queer people. Our crime isn't that we are trans or differ in sexuality but that we exist. If we cannot change what defines us then we shouldn't live because we are abominations.
Sutherland can't include people of color in stories like this one because European gender stereotypes have defined people of color's gender differently than they did their own. And people of color have always suffered more under Western rule than white women have. To include them would require Sutherland to be more nuanced in her gender-essentialist story and acknowledge that other people suffer. She could have included women of color but that would require her to challenge colonization and capitalism as well as patriarchy and that would threaten white women's privilege and how highly valued they are among the demographics.
To be clear, white women do suffer under patriarchy. But so do white men. And nonbinary people suffer more than both. Queer men suffer more than cis het white women. Even more than most white lesbians. White women have always been the most protected demographic, this protection was what disabled women in modern societies. White women do have reason to be angry for their own suffering but white women's biggest struggle isn't physical or sexual violence, it's the belief that they are in constant danger of being assaulted that makes them so powerless. Queer people are women of color and especially queer women of color are physically and sexually assaulted much more than white women are and it isn't talked about nearly as much as white women's stats are. As long as white women believe as they do that they are each in constant danger they will uphold the current social hierarchy and thus continue to be just as powerless as they are now.
As for witches: The European witch hunts were horrific. Those who were burned alive, drowned, and stoned to death were just people who acted a little differently than the rest of their communities. They weren't at all medically trained, they were not scientist seeking knowledge, they were widows, disabled people, and older women with no prospects. The "witches" that were killed during the American and European witch killings were those with less power than those around them. The witches of the past were not independent women, they were women that relied on their community to survive. The symbolism that witchery has taken recently can be inspiring but the history of it is tragic. Women have always suffered because of systemic patriarchy, not because men are evil. The system requires women to fear and hate men. It isn't until you see that men are victims just as you are and see them as potential allies against the system that you will truly disrupt it. Patriarchy wants you to separate yourself from the other genders because you are weaker without them.
The mystery in this story was good. Who was out killing witches and stealing their demon tattoos? I was curious. The characters of this story were also good. Emer is my favorite character, with how very Eldredge she is. Zara is interesting to me with how her practicality clashes with her separation. Jude is not interesting to me. And neither was the sexual/romantic side plot between her and Erer.
What bothers me about this book is how shallow it is and exclusive its message is. I love a rage story. I love when characters get ugly and break shit and go mad, almost nothing makes me as excited as a deranged character going apeshit. I love revenge stories! Sutherland has an obvious weakness that seems to have only grown from her last book into this one.
Sutherland writes for white girls and women and them exclusively. It's not just that they are her audience, they are the only important characters in her books. Everyone else in her books either don't exist or are bad. In the House of Hollow, there was only one person of color and she killed them. In this book the only important characters that aren't white women are men and they are the bad guys. Sutherland tethers herself to the queer community by making her characters queer but then doesn't acknowledge queer men or nonbinary people. Her message is very gender essentialist but she doesn't even include those that challenge the gender norms the most in her story. The farthest she went was lesbians and clearly stated that trans women should be included but then didn't include them. Because, unfortunately, if she had included the rest of the queer community then her whole story would fall apart in several different ways.
This story relies on the idea that men are evil and weak and bad for women. Men are harmful to women one way or another, they are predatory and selfish, and all men want to devour women. The story stresses more that men = bad than women = good. If Sutherland were to include queer men and nonbinary people she would have been forced to ask if the evil of men lay in their gender and acknowledge that men do not = bad. For some reason finding the actual root of the problem of violence against women was too complex for her. The story demands that the reader care about that women are abused in this culture several times and at one point passively admits that men are under patriarchy and that makes them the way they are, but the rest of the story shows men harming but blames these men individually. The story doesn't explain why women aren't bad, it just states over and over again that women are victims of male violence and apparently that makes them not capable of true evil. Meanwhile, it can be assumed that boys and men will inevitably do some injustice because they are boys and men. This steals all men and boys of agency and brinks on the argument that it is not what you do but who you are that is evil. This argument is used against all queer people. Our crime isn't that we are trans or differ in sexuality but that we exist. If we cannot change what defines us then we shouldn't live because we are abominations.
Sutherland can't include people of color in stories like this one because European gender stereotypes have defined people of color's gender differently than they did their own. And people of color have always suffered more under Western rule than white women have. To include them would require Sutherland to be more nuanced in her gender-essentialist story and acknowledge that other people suffer. She could have included women of color but that would require her to challenge colonization and capitalism as well as patriarchy and that would threaten white women's privilege and how highly valued they are among the demographics.
To be clear, white women do suffer under patriarchy. But so do white men. And nonbinary people suffer more than both. Queer men suffer more than cis het white women. Even more than most white lesbians. White women have always been the most protected demographic, this protection was what disabled women in modern societies. White women do have reason to be angry for their own suffering but white women's biggest struggle isn't physical or sexual violence, it's the belief that they are in constant danger of being assaulted that makes them so powerless. Queer people are women of color and especially queer women of color are physically and sexually assaulted much more than white women are and it isn't talked about nearly as much as white women's stats are. As long as white women believe as they do that they are each in constant danger they will uphold the current social hierarchy and thus continue to be just as powerless as they are now.
As for witches: The European witch hunts were horrific. Those who were burned alive, drowned, and stoned to death were just people who acted a little differently than the rest of their communities. They weren't at all medically trained, they were not scientist seeking knowledge, they were widows, disabled people, and older women with no prospects. The "witches" that were killed during the American and European witch killings were those with less power than those around them. The witches of the past were not independent women, they were women that relied on their community to survive. The symbolism that witchery has taken recently can be inspiring but the history of it is tragic. Women have always suffered because of systemic patriarchy, not because men are evil. The system requires women to fear and hate men. It isn't until you see that men are victims just as you are and see them as potential allies against the system that you will truly disrupt it. Patriarchy wants you to separate yourself from the other genders because you are weaker without them.
Content Warnings
Graphic: Gore, Domestic abuse, Injury/Injury detail, Misogyny, Hate crime, Death, Grief, Body horror, and Sexual harassment
Moderate: Classism, Antisemitism, Vomit, Domestic abuse, Rape, Self harm, Toxic relationship, Medical content, Drug use, and Child abuse
Minor: Bullying, Child death, Pandemic/Epidemic, Mental illness, Stalking, Lesbophobia, and Religious bigotry
theycallmenana's review against another edition
dark
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
3.25
Content Warnings
Graphic: Body horror, Murder, Physical abuse, Emotional abuse, Grief, Hate crime, Blood, Stalking, Death, Genocide, Gore, Violence, Injury/Injury detail, and Misogyny
Moderate: Drug use, Pregnancy, Vomit, Child death, Domestic abuse, and Excrement
Minor: Stalking, Sexual assault, and Sexual harassment
avidreaderandgeekgirl's review
dark
emotional
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
I enjoyed the book, but I figured out who the witch hunter was pretty easily, so that plot "twist" was pretty dull. I did love the ending and I hope there's a sequel, which there seemed to be a setup for.
While dark there were enough moments of levity to keep it from being a thoroughly depressing book.
Narrator Rating: 5 stars
The narrator did an excellent job with tonal shifts and giving each character a unique voice.
Elemental Levels: Fluff-0/5 Heartfelt-2/5 Helpful-NA Horror-3/5 Inspiration-NA
Love aka Romance-3/5 Mystery-2/5 Predictability-4/5 Spice-0/5 Suspense-2/5 Tear- 2.5/5
Thrill-3/5 Humor-2/5
While dark there were enough moments of levity to keep it from being a thoroughly depressing book.
Narrator Rating: 5 stars
The narrator did an excellent job with tonal shifts and giving each character a unique voice.
Elemental Levels: Fluff-0/5 Heartfelt-2/5 Helpful-NA Horror-3/5 Inspiration-NA
Love aka Romance-3/5 Mystery-2/5 Predictability-4/5 Spice-0/5 Suspense-2/5 Tear- 2.5/5
Thrill-3/5 Humor-2/5
Content Warnings
Graphic: Body horror, Child death, Classism, Grief, Death, Murder, Torture, Violence, Vomit, Abandonment, Hate crime, Emotional abuse, Stalking, Misogyny, Religious bigotry, Blood, Chronic illness, Self harm, Sexism, Death of parent, Fire/Fire injury, Gaslighting, Gore, Injury/Injury detail, and Medical trauma
Moderate: Lesbophobia, Cannibalism, Cursing, Domestic abuse, Gun violence, Medical content, Physical abuse, Alcohol, Confinement, Addiction, Excrement, and Bullying
Minor: Infidelity, Adult/minor relationship, Animal death, Drug use, Drug abuse, Eating disorder, Pandemic/Epidemic, Pregnancy, Alcoholism, and Sexual violence
ilaxaria's review against another edition
adventurous
dark
mysterious
medium-paced
3.5
Content Warnings
Graphic: Death, Murder, Misogyny, Gore, and Blood
Moderate: Alcohol, Bullying, Domestic abuse, Vomit, Violence, Self harm, and Child abuse
Minor: Sexual harassment, Drug use, and Rape
devynreadsnovels's review against another edition
adventurous
challenging
dark
emotional
mysterious
reflective
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Content Warnings
Graphic: Abandonment, Confinement, Death, Fire/Fire injury, Torture, Toxic relationship, Injury/Injury detail, Mental illness, Physical abuse, Self harm, Sexism, Violence, Body horror, Child death, Murder, Misogyny, Alcohol, Cursing, Gore, Grief, Sexual violence, Blood, Classism, Death of parent, Drug use, and Child abuse
Minor: Alcoholism, Animal death, Medical content, Abortion, Miscarriage, Addiction, Cannibalism, Infidelity, Pregnancy, Rape, and Stalking
ramreadsagain's review against another edition
adventurous
dark
emotional
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Thank you Netgalley and the publisher for an advance digital copy. The below is my honest review.
Krystal Sutherland is really proving herself to be the exception to the rule when it comes to Young Adult literature for me. House of Hollow was excellent and this probably even exceeds that. This book really had that "one more chapter" feel, especially after the 80% mark; I've not stayed up late just to finish a book for so long but this truly had me hooked.
I loved all of the fantasy aspects, the interesting take on witchcraft was a highlight for me, particularly the world building around demons.
The main characters all felt very realistic, which I think is an achievement when you consider their extreme (and extremely different) upbringings. Their flaws felt real, done really well, and created an excellent dynamic between them as well. There was just enough of the romance subplot too, it never took over and I thought it was cute.
Some twists were a bit obvious, while others made me gasp as I only realised connections a couple of lines before our characters did. This to me is the perfect balance, I'm not against obvious twists but also enjoy being completely surprised. I've seen people comparing the 'obviousness' of the twist(s) here to the one in House of Hollow but I saw the HoH one coming a mile off too lol
It's not quite a 5 star read for me, partly because of the amount of convenience they experienced, for exampleSaul the PI available on the phone to provide whatever information they needed at the crucial plot point .
This was such an enjoyable read all the way through and I think that young women and girls will really enjoy this for its (albeit slightly heavyhanded) introduction to some fundamentals of feminism and the history of witch burning. I think the book created a really good balance between "witches are real in this world and they were persecuted" and "witch hunting was a tool used to oppress and control women". I think Zara's motivations too are a really great message and I love how hergrief and the results of bringing her sister back were handled.
Overall I really loved this and I'd absolutely recommend this to urban/contemporary fantasy fans as well as young adult readers.
Krystal Sutherland is really proving herself to be the exception to the rule when it comes to Young Adult literature for me. House of Hollow was excellent and this probably even exceeds that. This book really had that "one more chapter" feel, especially after the 80% mark; I've not stayed up late just to finish a book for so long but this truly had me hooked.
I loved all of the fantasy aspects, the interesting take on witchcraft was a highlight for me, particularly the world building around demons.
The main characters all felt very realistic, which I think is an achievement when you consider their extreme (and extremely different) upbringings. Their flaws felt real, done really well, and created an excellent dynamic between them as well. There was just enough of the romance subplot too, it never took over and I thought it was cute.
Some twists were a bit obvious, while others made me gasp as I only realised connections a couple of lines before our characters did. This to me is the perfect balance, I'm not against obvious twists but also enjoy being completely surprised. I've seen people comparing the 'obviousness' of the twist(s) here to the one in House of Hollow but I saw the HoH one coming a mile off too lol
It's not quite a 5 star read for me, partly because of the amount of convenience they experienced, for example
This was such an enjoyable read all the way through and I think that young women and girls will really enjoy this for its (albeit slightly heavyhanded) introduction to some fundamentals of feminism and the history of witch burning. I think the book created a really good balance between "witches are real in this world and they were persecuted" and "witch hunting was a tool used to oppress and control women". I think Zara's motivations too are a really great message and I love how her
Overall I really loved this and I'd absolutely recommend this to urban/contemporary fantasy fans as well as young adult readers.
Content Warnings
Graphic: Vomit, Violence, Blood, and Injury/Injury detail
Moderate: Murder, Death of parent, Body horror, and Domestic abuse
Minor: Drug use
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