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styxx's review against another edition
challenging
dark
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
Content Warnings
Graphic: Abandonment, Death, Injury/Injury detail, Murder, Hate crime, Misogyny, Cursing, Emotional abuse, Sexism, Classism, Fire/Fire injury, Gore, Blood, Torture, and Toxic relationship
lexihworth's review
challenging
dark
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Blood, Body horror, Excrement, Sexism, Torture, Religious bigotry, Alcohol, Gore, Murder, Confinement, Stalking, Violence, Sexual violence, Death of parent, Domestic abuse, Sexual harassment, Hate crime, Injury/Injury detail, Death, Fire/Fire injury, Medical trauma, Mental illness, and Misogyny
gen_wolfhailstorm's review against another edition
adventurous
dark
emotional
hopeful
inspiring
mysterious
reflective
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Amy McCaw's YA book club pick for March 2024.
I'm really glad this was the choice for this month's book club as I had an Evernight addition I've been excited to pour over!
Don't let my slow progress fool you on this title! Every time I picked it back up, I was lapping this up. I think subconsciously I was taking forever because I wanted to savour it. It was very apparent from the start that I would adore the characters and I was already hooked on the direction of the story!
Invocations felt so dark, rich, yet funny (especially with Jude's comments) all at the same time. The mystery and magic is exhilarating and especially when we got to the end, both the two major plot twists did not have me guessing until the big reveal.
I wasn't expecting to have the mysterious sounding Emer Byrne as our first main POV, but I really enjoyed seeing her life straight away. It served to add even more to the illusive mystery surrounding her and I found that I was eager to discover more about her back story.
On page 19, I liked the connection of this in-the-process-of-healing lesion whispering the demonic language humans have aversion to... Much like the evil whisperings of legion itself! I don't know if it was intentional, but they sound similar and I liked the play on words.
There's also a scene where Jude observes her estranged family and the way the older siblings act around the patriarch of the father with their umbrellas, which greatly reminded me out of something from The Umbrella Academy.
As you can tell, I had a great time with the imagery and (imagined or not) metaphors speckled throughout. The writing was just so vivid and saturated in the telling.
Zara was probably the character I least bonded with. Don't get me wrong, I still loved reading from her perspective and the motive she had behind everything was a mixture of driven and heartbreaking. I just felt that she was too closed off and felt a touch like a filler character at times. Especially during moments that you could really tell there was some sort of chemistry with Jude and Emer.
The epilogue had me holding back tears.... After everything that happened it was just so beautiful, and honestly a fitting and perfect ending to the story. I felt kind of giddy and melancholy all at once when it was over. I took so long savouring over this book, it became my essence and now I don't know what to do with my life... Maybe I'll go hunt me some witch hunters.
Pick it up, give it a go and enjoy!
Content Warnings
Graphic: Cursing, Death, Self harm, Classism, Physical abuse, War, Death of parent, Drug abuse, Drug use, Excrement, Alcoholism, Cannibalism, Child death, Confinement, Infidelity, Misogyny, Toxic relationship, Vomit, Emotional abuse, Gore, Grief, Pregnancy, Stalking, Suicidal thoughts, Torture, Body horror, Forced institutionalization, Gaslighting, Sexism, Blood, Fire/Fire injury, Hate crime, Injury/Injury detail, Kidnapping, Murder, Addiction, Alcohol, Child abuse, Genocide, and Violence
alfarmer's review against another edition
adventurous
dark
emotional
mysterious
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.75
This book was an incredible story that also had great social commentary.
Content Warnings
Graphic: Body horror, Blood, Grief, Hate crime, Death, Gore, Injury/Injury detail, and Murder
Moderate: Death of parent
18soft_green's review against another edition
adventurous
emotional
mysterious
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
3.0
It should first be stated that Sutherland is a great writer. She is good at pacing, characterization, plotting, and wording. She's pretty good at dialogue and writing emotions. She is one of the few authors who I think can write interesting, lovable feminine characters. Very rarely am I actively interested in feminine characters just for their personalities and not the overall plot.
The mystery in this story was good. Who was out killing witches and stealing their demon tattoos? I was curious. The characters of this story were also good. Emer is my favorite character, with how very Eldredge she is. Zara is interesting to me with how her practicality clashes with her separation. Jude is not interesting to me. And neither was the sexual/romantic side plot between her and Erer.
What bothers me about this book is how shallow it is and exclusive its message is. I love a rage story. I love when characters get ugly and break shit and go mad, almost nothing makes me as excited as a deranged character going apeshit. I love revenge stories! Sutherland has an obvious weakness that seems to have only grown from her last book into this one.
Sutherland writes for white girls and women and them exclusively. It's not just that they are her audience, they are the only important characters in her books. Everyone else in her books either don't exist or are bad. In the House of Hollow, there was only one person of color and she killed them. In this book the only important characters that aren't white women are men and they are the bad guys. Sutherland tethers herself to the queer community by making her characters queer but then doesn't acknowledge queer men or nonbinary people. Her message is very gender essentialist but she doesn't even include those that challenge the gender norms the most in her story. The farthest she went was lesbians and clearly stated that trans women should be included but then didn't include them. Because, unfortunately, if she had included the rest of the queer community then her whole story would fall apart in several different ways.
This story relies on the idea that men are evil and weak and bad for women. Men are harmful to women one way or another, they are predatory and selfish, and all men want to devour women. The story stresses more that men = bad than women = good. If Sutherland were to include queer men and nonbinary people she would have been forced to ask if the evil of men lay in their gender and acknowledge that men do not = bad. For some reason finding the actual root of the problem of violence against women was too complex for her. The story demands that the reader care about that women are abused in this culture several times and at one point passively admits that men are under patriarchy and that makes them the way they are, but the rest of the story shows men harming but blames these men individually. The story doesn't explain why women aren't bad, it just states over and over again that women are victims of male violence and apparently that makes them not capable of true evil. Meanwhile, it can be assumed that boys and men will inevitably do some injustice because they are boys and men. This steals all men and boys of agency and brinks on the argument that it is not what you do but who you are that is evil. This argument is used against all queer people. Our crime isn't that we are trans or differ in sexuality but that we exist. If we cannot change what defines us then we shouldn't live because we are abominations.
Sutherland can't include people of color in stories like this one because European gender stereotypes have defined people of color's gender differently than they did their own. And people of color have always suffered more under Western rule than white women have. To include them would require Sutherland to be more nuanced in her gender-essentialist story and acknowledge that other people suffer. She could have included women of color but that would require her to challenge colonization and capitalism as well as patriarchy and that would threaten white women's privilege and how highly valued they are among the demographics.
To be clear, white women do suffer under patriarchy. But so do white men. And nonbinary people suffer more than both. Queer men suffer more than cis het white women. Even more than most white lesbians. White women have always been the most protected demographic, this protection was what disabled women in modern societies. White women do have reason to be angry for their own suffering but white women's biggest struggle isn't physical or sexual violence, it's the belief that they are in constant danger of being assaulted that makes them so powerless. Queer people are women of color and especially queer women of color are physically and sexually assaulted much more than white women are and it isn't talked about nearly as much as white women's stats are. As long as white women believe as they do that they are each in constant danger they will uphold the current social hierarchy and thus continue to be just as powerless as they are now.
As for witches: The European witch hunts were horrific. Those who were burned alive, drowned, and stoned to death were just people who acted a little differently than the rest of their communities. They weren't at all medically trained, they were not scientist seeking knowledge, they were widows, disabled people, and older women with no prospects. The "witches" that were killed during the American and European witch killings were those with less power than those around them. The witches of the past were not independent women, they were women that relied on their community to survive. The symbolism that witchery has taken recently can be inspiring but the history of it is tragic. Women have always suffered because of systemic patriarchy, not because men are evil. The system requires women to fear and hate men. It isn't until you see that men are victims just as you are and see them as potential allies against the system that you will truly disrupt it. Patriarchy wants you to separate yourself from the other genders because you are weaker without them.
The mystery in this story was good. Who was out killing witches and stealing their demon tattoos? I was curious. The characters of this story were also good. Emer is my favorite character, with how very Eldredge she is. Zara is interesting to me with how her practicality clashes with her separation. Jude is not interesting to me. And neither was the sexual/romantic side plot between her and Erer.
What bothers me about this book is how shallow it is and exclusive its message is. I love a rage story. I love when characters get ugly and break shit and go mad, almost nothing makes me as excited as a deranged character going apeshit. I love revenge stories! Sutherland has an obvious weakness that seems to have only grown from her last book into this one.
Sutherland writes for white girls and women and them exclusively. It's not just that they are her audience, they are the only important characters in her books. Everyone else in her books either don't exist or are bad. In the House of Hollow, there was only one person of color and she killed them. In this book the only important characters that aren't white women are men and they are the bad guys. Sutherland tethers herself to the queer community by making her characters queer but then doesn't acknowledge queer men or nonbinary people. Her message is very gender essentialist but she doesn't even include those that challenge the gender norms the most in her story. The farthest she went was lesbians and clearly stated that trans women should be included but then didn't include them. Because, unfortunately, if she had included the rest of the queer community then her whole story would fall apart in several different ways.
This story relies on the idea that men are evil and weak and bad for women. Men are harmful to women one way or another, they are predatory and selfish, and all men want to devour women. The story stresses more that men = bad than women = good. If Sutherland were to include queer men and nonbinary people she would have been forced to ask if the evil of men lay in their gender and acknowledge that men do not = bad. For some reason finding the actual root of the problem of violence against women was too complex for her. The story demands that the reader care about that women are abused in this culture several times and at one point passively admits that men are under patriarchy and that makes them the way they are, but the rest of the story shows men harming but blames these men individually. The story doesn't explain why women aren't bad, it just states over and over again that women are victims of male violence and apparently that makes them not capable of true evil. Meanwhile, it can be assumed that boys and men will inevitably do some injustice because they are boys and men. This steals all men and boys of agency and brinks on the argument that it is not what you do but who you are that is evil. This argument is used against all queer people. Our crime isn't that we are trans or differ in sexuality but that we exist. If we cannot change what defines us then we shouldn't live because we are abominations.
Sutherland can't include people of color in stories like this one because European gender stereotypes have defined people of color's gender differently than they did their own. And people of color have always suffered more under Western rule than white women have. To include them would require Sutherland to be more nuanced in her gender-essentialist story and acknowledge that other people suffer. She could have included women of color but that would require her to challenge colonization and capitalism as well as patriarchy and that would threaten white women's privilege and how highly valued they are among the demographics.
To be clear, white women do suffer under patriarchy. But so do white men. And nonbinary people suffer more than both. Queer men suffer more than cis het white women. Even more than most white lesbians. White women have always been the most protected demographic, this protection was what disabled women in modern societies. White women do have reason to be angry for their own suffering but white women's biggest struggle isn't physical or sexual violence, it's the belief that they are in constant danger of being assaulted that makes them so powerless. Queer people are women of color and especially queer women of color are physically and sexually assaulted much more than white women are and it isn't talked about nearly as much as white women's stats are. As long as white women believe as they do that they are each in constant danger they will uphold the current social hierarchy and thus continue to be just as powerless as they are now.
As for witches: The European witch hunts were horrific. Those who were burned alive, drowned, and stoned to death were just people who acted a little differently than the rest of their communities. They weren't at all medically trained, they were not scientist seeking knowledge, they were widows, disabled people, and older women with no prospects. The "witches" that were killed during the American and European witch killings were those with less power than those around them. The witches of the past were not independent women, they were women that relied on their community to survive. The symbolism that witchery has taken recently can be inspiring but the history of it is tragic. Women have always suffered because of systemic patriarchy, not because men are evil. The system requires women to fear and hate men. It isn't until you see that men are victims just as you are and see them as potential allies against the system that you will truly disrupt it. Patriarchy wants you to separate yourself from the other genders because you are weaker without them.
Content Warnings
Graphic: Gore, Domestic abuse, Injury/Injury detail, Misogyny, Hate crime, Death, Grief, Body horror, and Sexual harassment
Moderate: Classism, Antisemitism, Vomit, Domestic abuse, Rape, Self harm, Toxic relationship, Medical content, Drug use, and Child abuse
Minor: Bullying, Child death, Pandemic/Epidemic, Mental illness, Stalking, Lesbophobia, and Religious bigotry
theycallmenana's review against another edition
dark
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
3.25
Content Warnings
Graphic: Body horror, Murder, Physical abuse, Emotional abuse, Grief, Hate crime, Blood, Stalking, Death, Genocide, Gore, Violence, Injury/Injury detail, and Misogyny
Moderate: Drug use, Pregnancy, Vomit, Child death, Domestic abuse, and Excrement
Minor: Stalking, Sexual assault, and Sexual harassment
avidreaderandgeekgirl's review
dark
emotional
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
I enjoyed the book, but I figured out who the witch hunter was pretty easily, so that plot "twist" was pretty dull. I did love the ending and I hope there's a sequel, which there seemed to be a setup for.
While dark there were enough moments of levity to keep it from being a thoroughly depressing book.
Narrator Rating: 5 stars
The narrator did an excellent job with tonal shifts and giving each character a unique voice.
Elemental Levels: Fluff-0/5 Heartfelt-2/5 Helpful-NA Horror-3/5 Inspiration-NA
Love aka Romance-3/5 Mystery-2/5 Predictability-4/5 Spice-0/5 Suspense-2/5 Tear- 2.5/5
Thrill-3/5 Humor-2/5
While dark there were enough moments of levity to keep it from being a thoroughly depressing book.
Narrator Rating: 5 stars
The narrator did an excellent job with tonal shifts and giving each character a unique voice.
Elemental Levels: Fluff-0/5 Heartfelt-2/5 Helpful-NA Horror-3/5 Inspiration-NA
Love aka Romance-3/5 Mystery-2/5 Predictability-4/5 Spice-0/5 Suspense-2/5 Tear- 2.5/5
Thrill-3/5 Humor-2/5
Content Warnings
Graphic: Body horror, Child death, Classism, Grief, Death, Murder, Torture, Violence, Vomit, Abandonment, Hate crime, Emotional abuse, Stalking, Misogyny, Religious bigotry, Blood, Chronic illness, Self harm, Sexism, Death of parent, Fire/Fire injury, Gaslighting, Gore, Injury/Injury detail, and Medical trauma
Moderate: Lesbophobia, Cannibalism, Cursing, Domestic abuse, Gun violence, Medical content, Physical abuse, Alcohol, Confinement, Addiction, Excrement, and Bullying
Minor: Infidelity, Adult/minor relationship, Animal death, Drug use, Drug abuse, Eating disorder, Pandemic/Epidemic, Pregnancy, Alcoholism, and Sexual violence
kris386's review against another edition
dark
emotional
slow-paced
3.0
Content Warnings
Graphic: Injury/Injury detail, Classism, Fire/Fire injury, Physical abuse, Body horror, Death, Gore, Murder, Misogyny, Violence, Gun violence, Child abuse, Self harm, Vomit, Blood, Bullying, Grief, and Hate crime
Minor: Animal death, Alcohol, Confinement, Death of parent, and Animal cruelty
jaedia's review against another edition
adventurous
dark
funny
inspiring
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
I read a hefty chunk of this during a three-day migraine. Day one I could barely read at all, day two I was just so desperate for something to do that wasn't a screen. đ
So that was a new experience for me (I've only been having migraines for a couple years, if that).
I enjoyed The Invocations a lot. At first I worried the purple prose was going to fall on the wrong side for me but quickly fell in love with the way Sutherland describes everything and paints pictures with words. And the three girls: Jude, Emer, and Zara, felt pretty 3-dimensional to me, to the point that Jude in my mind looked quite different to the Jude on the cover art, the other 2 as well, actually - I struggle to visualise characters at all, usually. I also just adore dark witchy stories. This one has gore, and demons, and dark power, and women who are angry. It really really hit the spot.
There were a few points that bothered me, however, though they were small niggles rather than outright problems. For one... quite a few typos. I maybe noticed 7 or 8 throughout the book? Which isn't great for a traditionally published book. Not the end of the world though, they don't make it unreadable. Also without spoilers, one character has a magical injury, you learn about it right away when they are introduced, and the extent of the injury and the pain it causes... it really bothered me that they could walk around and do things. Like, yes there were times if they were running or doing manual labour they'd be visibly struggled or just bow out completely, but it's never made into much. I experience some minor pain at times and can't walk when it gets really bad, and there are others who need to constantly use crutches or a wheelchair. Pain like that isn't something that you grin and bear, get used to, magical or not. It wipes you out. I would have at least liked for them to have a walking stick, you know? Would have felt more real. Also: disabled representation, we could always use more.
Aside from that, the rest really are just small things here and there. Perhaps a person feels too much like a walking cliché, something feels a little too convenient, that kind of thing. These are generally things I notice when I read young adult fiction, however, and I tend to just brush them off. The instances in this book where they came up just didn't affect what I was reading. The overall writing and excitement of the story and what was happening to these characters was solid enough that it more than made up for any issues I had.
If you don't mind a little gore and enjoy dark stories about witches and the occult, with queer leading ladies, nonetheless, you might really get a kick out of The Invocations. And if you do, I definitely recommend checking the trigger warnings, as it is horror.
I enjoyed The Invocations a lot. At first I worried the purple prose was going to fall on the wrong side for me but quickly fell in love with the way Sutherland describes everything and paints pictures with words. And the three girls: Jude, Emer, and Zara, felt pretty 3-dimensional to me, to the point that Jude in my mind looked quite different to the Jude on the cover art, the other 2 as well, actually - I struggle to visualise characters at all, usually. I also just adore dark witchy stories. This one has gore, and demons, and dark power, and women who are angry. It really really hit the spot.
There were a few points that bothered me, however, though they were small niggles rather than outright problems. For one... quite a few typos. I maybe noticed 7 or 8 throughout the book? Which isn't great for a traditionally published book. Not the end of the world though, they don't make it unreadable. Also without spoilers, one character has a magical injury, you learn about it right away when they are introduced, and the extent of the injury and the pain it causes... it really bothered me that they could walk around and do things. Like, yes there were times if they were running or doing manual labour they'd be visibly struggled or just bow out completely, but it's never made into much. I experience some minor pain at times and can't walk when it gets really bad, and there are others who need to constantly use crutches or a wheelchair. Pain like that isn't something that you grin and bear, get used to, magical or not. It wipes you out. I would have at least liked for them to have a walking stick, you know? Would have felt more real. Also: disabled representation, we could always use more.
Aside from that, the rest really are just small things here and there. Perhaps a person feels too much like a walking cliché, something feels a little too convenient, that kind of thing. These are generally things I notice when I read young adult fiction, however, and I tend to just brush them off. The instances in this book where they came up just didn't affect what I was reading. The overall writing and excitement of the story and what was happening to these characters was solid enough that it more than made up for any issues I had.
If you don't mind a little gore and enjoy dark stories about witches and the occult, with queer leading ladies, nonetheless, you might really get a kick out of The Invocations. And if you do, I definitely recommend checking the trigger warnings, as it is horror.
Content Warnings
Graphic: Medical trauma, Blood, Body horror, Gore, Death, Emotional abuse, Grief, Hate crime, Injury/Injury detail, Violence, Stalking, Abandonment, Chronic illness, Sexism, Self harm, Fire/Fire injury, and Murder
Moderate: Animal death, Confinement, Gaslighting, Infidelity, Medical content, Alcohol, Death of parent, Cannibalism, Domestic abuse, Genocide, Lesbophobia, and Vomit
Minor: Mental illness, Bullying, Eating disorder, Car accident, Child abuse, Drug abuse, Excrement, Infidelity, and Pregnancy
camiclarkbooks's review against another edition
adventurous
dark
mysterious
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
âThe Invocationsâ by New York Times bestselling author Krystal Sutherland is a dark, witchy thriller about the women who refused to be afraid of the men and demons who lurk in the night.
The book follows three girls from very different backgrounds: Zara Jones, Jude Wolf, and Emmer Bryne:
Zara doggedly believes in magic because itâs the solution she needs to bring her sister back after she was murdered by a serial killer. If dabbling in the occult will bring her sister back, then thatâs what Zara will do. But she needs a guide to show her how to do real magic.
In sharp opposition to Zara, Jed Wolf, is an heiress who has had life served to her on a silver platter. That is, until a deal with a demon went awry and her soul began decaying. Flowers wither, insects drop dead, and monstrous things haunt her nights. If Jude canât find someone with the skill to undo her mistake, she knows her time is limited.
Emer Bryne is the person both Zara and Jude are looking for. The self-trained daughter of a witch, Emer crafts spells for women in desperate situations that sacrifice part of their soul for enough magic to change their circumstances. Emer has her own dark past, which she fears has caught up with her as her former clients are being found murdered.
Once the three girlsâ paths cross, they team up to catch the London Ripper before they end up his next victims.
Iâve seen âThe Invocationsâ everywhere since I attended YALLFest in 2023 and was so excited to read it. I was expecting a clever, spooky tale with witches trying to solve a murder. While âThe Invocationsâ technically delivered, I personally think itâs been overhyped. The style came across as disjointed and it was very difficult to keep track of which POV the chapters changed to.
The three main characters were all distinct in their personalities and had compelling backgrounds. They stayed true to their motivations the whole time and had compelling personal arcs. The plot was interesting and the stakes were highâŠbut it was mostly lackluster. It seemed like it was trying too hard to be dark and edgy, and the characters slid into completely trusting each other a little too fast.
While I didnât dislike âThe Invocations,â I was definitely disappointed. It had all the right parts, but the execution was just slightly off, in my opinion.
I received a digital ARC of this book through NetGalley in exchange for an honest review.
I received a digital ARC of this book through NetGalley in exchange for an honest review.
Content Warnings
Moderate: Death of parent, Blood, Violence, Abandonment, Addiction, Alcohol, Body horror, Death, Emotional abuse, Hate crime, Injury/Injury detail, and Murder
Minor: Eating disorder, Adult/minor relationship, Domestic abuse, Fire/Fire injury, Gore, Grief, Pregnancy, Cursing, Emotional abuse, Excrement, Physical abuse, and Vomit
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