Reviews with content warning for Vomit - The Invocations

Don't let my slow progress fool you on this title! Every time I picked it back up, I was lapping this up. I think subconsciously I was taking forever because I wanted to savour it. It was very apparent from the start that I would adore the characters and I was already hooked on the direction of the story!

Invocations felt so dark, rich, yet funny (especially with Jude's comments) all at the same time. The mystery and magic is exhilarating and especially when we got to the end, both the two major plot twists did not have me guessing until the big reveal.

I wasn't expecting to have the mysterious sounding Emer Byrne as our first main POV, but I really enjoyed seeing her life straight away. It served to add even more to the illusive mystery surrounding her and I found that I was eager to discover more about her back story.

On page 19, I liked the connection of this in-the-process-of-healing lesion whispering the demonic language humans have aversion to... Much like the evil whisperings of legion itself! I don't know if it was intentional, but they sound similar and I liked the play on words.

There's also a scene where Jude observes her estranged family and the way the older siblings act around the patriarch of the father with their umbrellas, which greatly reminded me out of something from The Umbrella Academy.

As you can tell, I had a great time with the imagery and (imagined or not) metaphors speckled throughout. The writing was just so vivid and saturated in the telling.

Zara was probably the character I least bonded with. Don't get me wrong, I still loved reading from her perspective and the motive she had behind everything was a mixture of driven and heartbreaking. I just felt that she was too closed off and felt a touch like a filler character at times. Especially during moments that you could really tell there was some sort of chemistry with Jude and Emer.

The epilogue had me holding back tears.... After everything that happened it was just so beautiful, and honestly a fitting and perfect ending to the story. I felt kind of giddy and melancholy all at once when it was over. I took so long savouring over this book, it became my essence and now I don't know what to do with my life... Maybe I'll go hunt me some witch hunters.

: Eli's rationale for murdering women and stealing invocations was completely heartless and disgusting. How privileged he lived, yet he would go to the extremes of torture and murder to redeem himself in his family's eyes and for an ounce more power? I was stunned. My sympathy and empathy can only go so far. I thought he was a fantastic character and I loved the dynamic with Jude as the two black sheep siblings of the Wolf family, so this had me distraught.

Pick it up, give it a go and enjoy!

Content Warnings

betweentheshelves's review

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dark mysterious tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

Dark, witchy, and all about female empowerment. I would stay away from this one if blood/gore isn't your thing because there is quite a bit of blood in this one. Sometimes just being used for spells, but still. There is a lot.

I enjoyed how the overall story unfolded, with the twists and turns that I wasn't quite expecting until they were happening. Towards the end of the book, you'll definitely be kept on the edge of your seat, wondering how it's all going to wrap up.

If you like witchy, female empowerment kind of stories and don't mind a little bit of horror, this is definitely the book for you!

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utilitywhiskers's review against another edition

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adventurous dark mysterious medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

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mars_loves_books's review against another edition

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adventurous dark mysterious tense fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? Yes

2.75

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clairelikesbooks95's review against another edition

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dark emotional mysterious tense medium-paced

Plot- or character-driven? Plot
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.75

I feel like with every book I read by Krystal Sutherland (all two), my main reaction while reading is “Ewww. Really??” And I dig it! Lots of rage, lots of girl power, lots of gore, lots of queer vibes. Definitely not for folks who don’t like bleak, gory stories.

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18soft_green's review against another edition

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adventurous emotional mysterious tense medium-paced

Plot- or character-driven? Plot
Strong character development? No
Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? No

3.0

It should first be stated that Sutherland is a great writer. She is good at pacing, characterization, plotting, and wording. She's pretty good at dialogue and writing emotions. She is one of the few authors who I think can write interesting, lovable feminine characters. Very rarely am I actively interested in feminine characters just for their personalities and not the overall plot.

The mystery in this story was good. Who was out killing witches and stealing their demon tattoos? I was curious. The characters of this story were also good. Emer is my favorite character, with how very Eldredge she is. Zara is interesting to me with how her practicality clashes with her separation. Jude is not interesting to me. And neither was the sexual/romantic side plot between her and Erer.

What bothers me about this book is how shallow it is and exclusive its message is. I love a rage story. I love when characters get ugly and break shit and go mad, almost nothing makes me as excited as a deranged character going apeshit. I love revenge stories! Sutherland has an obvious weakness that seems to have only grown from her last book into this one.

Sutherland writes for white girls and women and them exclusively. It's not just that they are her audience, they are the only important characters in her books. Everyone else in her books either don't exist or are bad. In the House of Hollow, there was only one person of color and she killed them. In this book the only important characters that aren't white women are men and they are the bad guys. Sutherland tethers herself to the queer community by making her characters queer but then doesn't acknowledge queer men or nonbinary people. Her message is very gender essentialist but she doesn't even include those that challenge the gender norms the most in her story. The farthest she went was lesbians and clearly stated that trans women should be included but then didn't include them. Because, unfortunately, if she had included the rest of the queer community then her whole story would fall apart in several different ways.

This story relies on the idea that men are evil and weak and bad for women. Men are harmful to women one way or another, they are predatory and selfish, and all men want to devour women. The story stresses more that men = bad than women = good. If Sutherland were to include queer men and nonbinary people she would have been forced to ask if the evil of men lay in their gender and acknowledge that men do not = bad. For some reason finding the actual root of the problem of violence against women was too complex for her. The story demands that the reader care about that women are abused in this culture several times and at one point passively admits that men are under patriarchy and that makes them the way they are, but the rest of the story shows men harming but blames these men individually. The story doesn't explain why women aren't bad, it just states over and over again that women are victims of male violence and apparently that makes them not capable of true evil. Meanwhile, it can be assumed that boys and men will inevitably do some injustice because they are boys and men. This steals all men and boys of agency and brinks on the argument that it is not what you do but who you are that is evil. This argument is used against all queer people. Our crime isn't that we are trans or differ in sexuality but that we exist. If we cannot change what defines us then we shouldn't live because we are abominations.

Sutherland can't include people of color in stories like this one because European gender stereotypes have defined people of color's gender differently than they did their own. And people of color have always suffered more under Western rule than white women have. To include them would require Sutherland to be more nuanced in her gender-essentialist story and acknowledge that other people suffer. She could have included women of color but that would require her to challenge colonization and capitalism as well as patriarchy and that would threaten white women's privilege and how highly valued they are among the demographics.

To be clear, white women do suffer under patriarchy. But so do white men. And nonbinary people suffer more than both. Queer men suffer more than cis het white women. Even more than most white lesbians. White women have always been the most protected demographic, this protection was what disabled women in modern societies. White women do have reason to be angry for their own suffering but white women's biggest struggle isn't physical or sexual violence, it's the belief that they are in constant danger of being assaulted that makes them so powerless. Queer people are women of color and especially queer women of color are physically and sexually assaulted much more than white women are and it isn't talked about nearly as much as white women's stats are. As long as white women believe as they do that they are each in constant danger they will uphold the current social hierarchy and thus continue to be just as powerless as they are now.

As for witches: The European witch hunts were horrific. Those who were burned alive, drowned, and stoned to death were just people who acted a little differently than the rest of their communities. They weren't at all medically trained, they were not scientist seeking knowledge, they were widows, disabled people, and older women with no prospects. The "witches" that were killed during the American and European witch killings were those with less power than those around them. The witches of the past were not independent women, they were women that relied on their community to survive. The symbolism that witchery has taken recently can be inspiring but the history of it is tragic. Women have always suffered because of systemic patriarchy, not because men are evil. The system requires women to fear and hate men. It isn't until you see that men are victims just as you are and see them as potential allies against the system that you will truly disrupt it. Patriarchy wants you to separate yourself from the other genders because you are weaker without them.

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